Condizione: New. Brand New.
Lingua: Inglese
Editore: University of Michigan Press, Ann Arbor, Michigan, 1982
Da: Bill's Books, Annapolis, MD, U.S.A.
Prima edizione
Paperback. Condizione: Very Good. No Jacket. First Edition. Paperback edition, binding straight, marked in pen by American poet William Heath.
EUR 13,60
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 8 pages. 11.87x6.57x0.03 inches. In Stock.
Staplebound Wraps. Condizione: Good. 8vo,72 pp., illus. Wrappers sunned, dustsoiled, edgeworn, with about 1" missing from front fore-edge; pages browned.
Lingua: Inglese
Editore: Steve Jackson Games Incorporated, 2022
ISBN 10: 1556349904 ISBN 13: 9781556349904
Da: Goodwill Southern California, Los Angeles, CA, U.S.A.
Condizione: good. Foglio, Kaja; Foglio, Phil (illustratore). Paperback Book.
Editore: Self Published, Port Townsend, WA, 1974
Prima edizione
Sewn Wraps. Condizione: Very Good+. First edition. First edition, sewn wraps, limited edition of 200 copies, corners lightly bumped, light crease to front cover, light wear along edges, otherwise clean and tight, a Very Good + copy.
Editore: Wedge Press, Inc. New York, NY, 1984
Da: Specific Object / David Platzker, New York, NY, U.S.A.
69 pp.; 25.3 x 21.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1994 issue of Wedge. Issue guest edited by Silvia Kolbowski. Periodical editors: Brian Wallis and Phil Mariani. Published in conjunction with show "Difference: On Representation and Sexuality," held at The New Museum of Contemporary Art, New York, August 12, 1984 - February 2, 1985. Traveled to I.C.A. in London, and Renaissance Society of the University of Chicago in 1985. Exhibition curated by Kate Linker. Contents include: "Desiring Images/Imaging Desire," by Mary Kelly; "At the Threshold: Feminists and Modernity," by Alice Jardine; "Untitled," by Jane Warrick; "The Desublimation of Romance," by Connie Hatch; "Some of the Things at Stake in Women's Struggles," by Jean-François Lyotard; "Painters' Wee Wees, or, The Confoundations of Painting," by Lea Lublin; "New French Feminisms: Some Points Re-Viewed," by Rosi Braidotti and Jane Weinstock; "Tea with Madeleine," by Victor Burgin; "Fit to Print," by Barbara Kruger and Carol Squiers; "From 'Haunted Houses,'" by Lynne Tillman; "Representation's Reproduction," by Silvia Kolbowski "Subway Station Print Ad Project," by Judith Barry. Covers designed by Sherrie Levine. Very Good. Rubbing of covers and light edgewear. Contents clean and unmarked.
Editore: Collective for Living Cinema, 1977
Da: Aeon Bookstore, New York, NY, U.S.A.
Rivista / Giornale
Soft cover. Condizione: Very Good. Fourth issue of early experimental film journal Idiolects, published by the Collective for Living Cinema. Features essays & reviews of work by Jonas Mekas, Bruce Baillie, Stan Brakhage, Women's Experimental and Personal Film Festival, among others. Clean and internally unmarked, with slight toning to edges. One very small stain to front cover at spine. Scarce and in exemplary condition.
Editore: TriQuarterly / Northwestern University Evanston, IL, 1975
Da: Specific Object / David Platzker, New York, NY, U.S.A.
[unpaginated]; 23.2 x 14.8cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed TriQuarterly issue 32, edited by Lawrence Levy and John Perreault. Features artists projects by "Anti-Object" artists Ira Joel Haber, Lawrence Weiner, Joseph Beuys, Christo, Agnes Denes, Marjorie Strider, Douglas Huebler, Gregg Powell, Brenda Miller, John Baldessari, Gilbert & George, LeAnnn Bartok Wilchusky, Vito Acconci, Hans Haacke, Richard Serra, Will Insley, Phil Berkman, Michael Crane, Michael Kirby, Spephen Zaima, Eleanor Antin, Jan Sullivan, Nancy Holt, Adrian Piper, Robert Barry, Richard Long, Sol LeWitt, Robert Smithson, Joseph Kosuth, Alice Aycock, A. Ribé, Daniel Buren, Rafael Ferrer, Scott Burton, and Les Levine. Cover features 5 loose wallet-size photos of Tri-Quarterly 32 (imagined with printed rather than corrugated cardboard covers) featuring a cover with Robert Smithson's "Spiral Jetty" housed in a pocket affixed to corrugated cardboard covers. Includes contributor biographies. Very Good / Fine. 7 mm. tear and 4 mm. loss to tipped in envelope on recto. 8 mm. light soiling of recto. Light edgewear and wear to corners. 8 cm. crease with 1 mm, tear to bottom right corner of title page. Contents clean and unmarked.
Editore: No Publisher], [Cambridge, Massachusetts, 1955
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Prima edizione
Softcover. Condizione: Near Fine. First edition. Forward by Al Capp. Octavo. [36]pp. Illustrated. Stapled pictorial wrappers. A little sunning on the wrappers, else near fine copy. Two students of Harvard Law School have drawn cartoons about life at Harvard.
Editore: Robbins Music Corp., USA, 1942
Da: RareNonFiction, IOBA, Ladysmith, BC, Canada
Membro dell'associazione: IOBA
Prima edizione
EUR 268,14
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. First Edition. 48 pages. Provides a written analysis of dixieland style and sheet music for these songs: Ja-Da, China Boy, Bluin' The Blues; Runnin' Wild!; Clarinet Marmalade, The Wang Wang Blues, In a Little Spanish Town, I Never Knew (I Could Love Anybody Like I'm Loving You), The Darktown Strutters' Ball, Alice Blue Gown. Clean and unmarked with moderate wear. Binding intact. A sound vintage copy.; 4to - over 9¾" - 12" tall; Modern Dixieland Style for Trumpet-Clarinet-Trombone, No. 1 (Number One) Ja-Da, China Boy, Bluin' The Blues; Runnin' Wild!; Clarinet Marmalade, The Wang Wang Blues, In a Little Spanish Town, I Never Knew (I Could Love Anybody Like I'm Loving You), The Da.
Editore: Royal College of Art Printmakers., 1973
Da: Dennys, Sanders & Greene, Tunbridge Wells, KENT, Regno Unito
Membro dell'associazione: PBFA
Prima edizione Copia autografata
EUR 143,11
Quantità: 1 disponibili
Aggiungi al carrelloNo Binding. Condizione: Fine. 1st Edition. Ltd edition of 100. 25 loose card, full page, illustrations. Each signed by the 25 artists in pencil or ink etc. A little smudged but otherwise fine. All kept in a transparent plastic lidded box, which still has old cellotape marks to either edge. Acquired from Maude Lloyd, an admired leading dancer with Ballet Rambert in the 1930s. With her husband, Nigel Gosling a renowned art critic, she later wrote, influential dance books and reviews under the joint pseudonym, 'Alexander Bland'. When Rudolph Nureyev defected in 1961, Margot Fonteyn asked them to befriend him which they gladly did offering him freedom of their house. Gosling edited his autobiography. Nureyev wrote an admiring memoir of him in Observer of the Dance anthologising Goslings reviews, "He and Maude were like my family.". Signed by Author(s).