Lingua: Inglese
Editore: Art of a Solo Retreat: A Structured Path to Reclaiming Clarity and Purpose in a Noisy World, 2025
ISBN 13: 9798349550607
Da: California Books, Miami, FL, U.S.A.
EUR 21,61
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: PBShop.store US, Wood Dale, IL, U.S.A.
EUR 18,43
Quantità: Più di 20 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Lingua: Inglese
Editore: Art of a Solo Retreat: A Structured Path to Reclaiming Clarity and Purpose in a Noisy World, 2025
ISBN 13: 9798349550607
Da: PBShop.store US, Wood Dale, IL, U.S.A.
EUR 29,31
Quantità: Più di 20 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Editore: Wild Hawthorn Press, Edinburgh, 1965
Da: William Allen Word & Image, London, Regno Unito
EUR 72,15
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good +. Poor Old Tired Horse (P.O.T.H.) No. 15 - Spring/Summer 1965, green offset, stapled. 8pp. Contributors: Margot Sandeman; George Mackay Brown; Eli Siegel; Edwin Morgan; Ian Hamilton Finlay; Hamish McLaren; Theodore Enslin; Libby Houston; and R.L. Cook. Condition: Slight toning to covers and minor mark to back cover VG+.
Editore: Edinburgh, Wild Hawthorn Press, 1965
Da: Libreria Giorgio Maffei, Torino, TO, Italia
Prima edizione
EUR 50,00
Quantità: 1 disponibili
Aggiungi al carrelloStapled bound. Condizione: Condition: Very Good. First edition. Folded periodical, printed green on white stock. Issue 15. Green offset, stapled. 8pp. Contributors: Margot Sandeman; George Mackay Brown; Eli Siegel; Edwin Morgan; Ian Hamilton Finlay; Hamish McLaren; Theodore Enslin; Libby Houston; and R.L. Cook. Condition [8] pp; 24,5x17,4 cm.
Editore: Wild Hawthorn Press 1961-7, Scotland, 1961
Da: William Allen Word & Image, London, Regno Unito
EUR 2.224,71
Quantità: 1 disponibili
Aggiungi al carrelloPOOR.OLD.TIRED.HORSE. Numbers 9-25,1961 -1967 - all original. 17 issues in total. Edited by Ian Hamilton Finlay, POOR.OLD.TIRED.HORSE. is seen as the most important concrete poetry journal of the 1960s in Britain. The journal title comes from Robert Creeley's poem "Please" (1959). The early numbers are black & white, but later numbers involve colour (often silkscreen) illustrations as the concrete poetry movement blossomed. It has become highly influential for both poets and artists (see for example the ICA group exhibition POOR.OLD.TIRED.HORSE. of 2009). Issue no. 10 is 'a concrete number', including Augusto de Campos, Eugen Gomringer, Dom Sylvester Houédard and Edwin Morgan. Issue no. 12 is a 'Visual Semiotic Concrete' edition. Issue no. 18 is a collaboration, with writings and script by Ad Reinhardt and drawings and layout by Bridget Riley. Issue no. 25 the final issue is dedicated to one-word poems. Contributors include : Ian Hamilton Finlay, Pete Brown, Anselm Hollo, Lorine Neidecker, Gael Turnbull, Marvin Malone, Cid Corman, Jerome Rothenberg, Guillaume Appolinaire, Larry Eigner, Lawrence Ferlinghetti, Edwin Morgan, Cesar Lopez Nunez, Jonathan Williams, Tom McGrath, Spike Hawkins, Georg Trakl, Robert Garioch, Ernst Jandl, Paul de Vree, Robert Creeley, Vladimir Mayokovsky, Yury Pantratov, Libby Houston, Eugen Gomringer, Michael Shayer, Mary Ellen Solt, Peter Stitt, Dom Sylvester Houédard, Peter Lyle, Margot Sandemann, Heinz Gappmayr, Pedro Xisto, Hamish MacLaren, George Macklay Brown, Eli Seigel, Pierre Albert-Birot, Francis Ponge, Edward Wright, Emil Antonucci, Charles Biederman, Jim Nicholson, Ronald Johnson, Bernard Kops, Larry Eigner, Robert Creeley, Augusto de Campos, Edgard Braga, Bridget Riley, Ad Reinhardt, Robert Lax, Jeffrey Steele, Kenelm Cox, Stephen Bann, Hansjorg Mayer, Edward Lucie-Smith, Alan Riddell, Astrid Gillis, Aram Saroyan et al. Ref: IN NUMBERS (PPP Editions, Switzerland, 2009) pages 9, 18, 314-321. Also exhibited in the show of that name, ICA, 2012. Murray pages 2-3. Condition: most issues near fine, some very good with slight bruising to edges (see image of issues 9, 16, 17, 19, 20, 22, 25 showing edgewear/handling marks).