Lindsay jack foreword (13 risultati)

Hardcover. Condizione: Near Fine in VG+ dust jacket. First, thus, reissue with new foreword. Black cloth hardcover, minor wear, very clean and tightly bound. Contents free of marking, pages bright and clean. Light wear to dust jacket, not price-clipped and now protected in a clear archival sleeve. A very nice copy.…

Soft cover. Condizione: Near Fine. 1st Edition. 1975. 29pp. one colour and twelve b/w images. 10 page introduction/biography, full catalogue, extensive bibliography, list of exhibitions.This catalogue was produced to accompany the exhibition of Herman's work which toured from Glasgow to Edinburgh and Cardiff in 1975. Excellent condition. No inscriptions. Josef Herman (illustratore).…

Hardcover. Condizione: Good. Hardcover in good condition. Unclipped jacket with some edgewear; some sunning on the front. Sticky tape remains on the front flap, also causing an abrasion on the pastedown. Bump to the hardcover spine head. Bookshop sticker on the front pastedown. Crayon mark on the rear pastedown. The binding is sound and all text is clear. CM. Used.…

Hb. Condizione: Very Good. Condizione sovraccoperta: Good. 384pp The 2 volumes reprinted in one.

Wraps. Condizione: Very Good. First Thus. Summary of "India Today". Summarized by Jack Lindsay, Research Officer, Trades & Labor Council. Foreword by R. King, Secretary, Labor Council of NSW. NOTE: The introduction notes that this pamphlet is a SUMMARY of "India Today", a book [first published in 1940] of more than 500 pages by R. Palme-Dutt. No date (circa 1950). Thin booklet. Staplebound printed wraps. Printed in Australia. Slight handling wear, mild soiling to cover, otherwise a nice clean softcover copy. 96pp. Uncommon thus. SB-1.…

Hardcover. Condizione: Good. First ed. thus; 114 p., clean and unmarked on strong, art-quality paper with feathery edges; beautiful tastefully erotic drawings influenced by Aubrey Beardsley, vignettes and full-page and suitable for framing; binding tight but there is crack between pp. 86 and 87; celadon-colored boards with still bright gilt striation and lettering on black spine have silky finish; light bumping of corners, and slight rubbing at crown and foot of spine. …

Soft cover. Condizione: Good. 1st Edition. First edition. Slim booklet, stapled binding with Noel Counihan illustration to front. 21 × 15cm, unpaginated (39pp). Peace is Our Answer is a 1950 collection of twelve linocuts by Australian artist and committed peace activist Noel Counihan, inspired by the politics and social hardships he'd experienced during and since the Second World War. They are accompanied by poems by Jack Lindsay, and have prefatory poems by Paul Eluard, Pablo Neruda, and Louis Aragon. Condition: This copy is in very good condition for age. There is an old, small water stain to the covers at the top of the spine but this has not penetrated to the pages. Slight tanning to the covers but they are otherwise in good order. The contents in clean condition and the inner binding secure.…

Hardcover. Condizione: Fair. First Edition. The Fanfrolico Press, 1929; no. 189 of 500 copies printed on Bachelor's handmade paper for subscribers only, signed by Jack Lindsay on limitation page; xiv, [1], 59, [1 colophon] pp. Scarce edition in acceptable/poor condition. 3/4 dark green calf binding, gilt titling/illustration on front board. Leather is nearly entirely worn from spine, binding exposed; binding remains intact, though quite precarious between page gatherings; light foxing, a few small spots on page margins, text and illustration otherwise in very good condition; edges of boards worn, leather is split over corners; faint damp-spots, rubbing, scratches on boards as well. Due to the size/weight of this book extra charges will apply for international shipping. Ships same or next business day from Dinkytown in Minneapolis, Minnesota. Signed by Other. …

#37 OF A LIMITED EDITION OF 500 COPIES (ink handwritten copy# and limitation statement on page ii, i.e. the half-title verso). i-xii, 1-243 pages plus unpaged b/w plates. Hardcover: H 26cm x L 19.5cm. No dust jacket nor slipcase present (seems likely it would have been issued with at least one such embellishment). Blue patterned cloth rubbed; some fading mostly to spine and across top of front board; fraying to spine head; boards' fore-edge corners bumped particularly at bottoms; slender patches of white shelf paint adhered to boards' bottom edges. Gilt top edge; slender toning occurring along leaves' deckle fore-edges and deckle bottom edges. Front and rear free endpapers toned; a few scattered minor specks of soiling to interior leaves. Binding is firm. Still a handsome book. This copy is NOT signed by the author nor contributors with the inclusion of signatures being haphazard on the part of Norman Lindsay's Fanfrolico Press.…

LIMITED EDITION, SIGNED BY AUTHOR, number 77 of 500. 4to in 8s, pp. [xii], [144] + 12 collotype plates and alarmed Dionysos vignette to title page. Blue patterned cloth, gilt stamped lettering to spine and same Dionysos vignette to upper board. Top edge gilt, others deckled. Spine sunned, pushing to head of spine, bump to heel. Signed by Lindsay on limitation page, with a gloriously ardent gift inscription to ffep in blue pen: "To you my Beloved Sweetheart Babs/Bats[?] / I do adore and love you/ MINN/ 30:6:31/ Please dear heart mine/ do write me a little/ one day soon". Ffeps and edges tanned, occasional spotting. Later juvenile pencil sketch 'Portrait of Art Mistress/ Dartington Hall 1945' laid in. A robust copy with a sparkling (unidentified) gift inscription. Good+ Co-editor of Australia's first (anti-modernist) "little magazine" Vision (1923-4) by 1926 Jack Lindsay (1900-1990) was living in Bloomsbury attempting to "promote [his father] Norman Lindsay's notion of a sexually utopian Australian renaissance" to the British, and having re-established John Kirtley's hand-press the Fanfrolico Press. Liquidated in 1930, due to Lindsay's bankruptcy, the press' " ultimate legacy was scholarly literary erotica". Lindsay went on to have a prolific and variegated writing career "Overall he created fascinating syntheses throughout his works, but left a magnificent ruin" and is remembered as a distinguished man of letters for English-speaking communism (ODNB). The identities of Babs/Bats, MINN and the young artist remain unknown.…

Hardcover. Condizione: Very good. Limited Edition. 243pp. Quarto [26 cm] Black and blue patterned cloth over boards, with a gilt stamped title on the backstrip, and a decorative vignette in gilt on the front board. Top edge gilt; other edges deckled. The boards are lightly rubbed, there are two insignificant splits in the cloth at the head of the spine, and the free endpapers are darkened. Number 447 of 500 copies. With reproductions from works by Peter-Paul Rubens and Norman Lindsay, Titian and Turner, Francesco Goya and William Blake and the Hellenes. Norman Lindsay (illustratore).…

Hardcover. Condizione: Very Good+. Limited Edition. Loving Mad Tom by Jack Lindsay Norman Lindsay Peter Warlock Robert Graves #290 A tight square copy with very faint grey mottling to the spine. Bedlamite Verses of the XVI and XVII Centuries. Limited Edition. 375 numbered copies. This is copy #290. Five Illustrations by Lindsay. Quarter vellum stamped gilt, green papered-boards stamped gilt in pictorial design, fore and bottom edge untrimmed. Norman Lindsay(Illustrator) Robert Graves(Foreword) Jack Lindsay(Editor) Peter Warlock(Musical Transcription) (illustratore). BOOK. …

Condizione: Very Good. First Edition. London: Fanfrolico Press, 1927 [but 1928]. First Edition, Limited to 375 copies of which this is no. 227. Large, slim quarto; publisher's parchment over green pictorial boards, upper cover and spine stamped in gilt, top edge gilt; 110pp.; full-page illus. and sheet music throughout. Parchment rather discolored from dust-soil, brief scuffing at spine ends and corners, small soil spot to rear cover, contemporary bookseller ticket "At the Sign of the Mermaid" (i.e. Michael Joseph) to front pastedown, else Very Good, internally clean and sound. [Albert 17].…