lissitsky (24 risultati)

[36] pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 8 - February 1, 1969. Artists include Jean Arp, Pierre Bonnard, Constantin Brancusi, Georges Braque, Victor Brauner, Salvador Dalí, Giorgio de Chirico, Robert Delaunay, Andre Derain, Nicholas de Stael, Jean Dubuffet, Marcel Duchamp, Max Ernst, Alberto Giacometti, Juan Gris, Auguste Herbin, Alexei Jawlensky, Wassily Kandinsky, Paul Klee, Fernand Leger, El Lissitsky, Rene Magritte, Kasimir Malevich, Henri Matisse, Jean Metzinger, Joan Miro, Piet Mondrian, Francis Picabia, Pablo Picasso, Kurt Schwitters, Gino Severini, Chaim Soutine, Jose Torres-Garcia, Theo van Doesburg, Victor Vasarely, and Maurice de Vlaminck. Includes exhibition checklist. Good. Rubbing and scratching of covers with light edge wear and handling wear. Contents clean and unmarked.

Paperback. Condizione: Very Good-. Card covers are lightly shelf-marked, corners bumped, light wear to edges, previous seller's sticker on rear; binding is tight; pages are unmarked with black and white plates, previous seller's tick mark on verso of front cover, heavy off-setting on verso of front cover. Newspaper article about Catherine Cooke laid in. ; 5.4 x 0.6 x 8 inches; 239 pages.

hardcover. Condizione: Used-Very Good. First Edition. Cloth, dj., 4to., 239 pp., illus. Slight shelfwear to dj.

121 pp.; 27.5 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 288 of Galeries Magazine, edited by Francisco Asís Cabrero. Contents include: "Je vous salue Marie," by Luis Moreno Mansilla; "The Role of Journals," by Pedro Urzaiz/Carlos Perez-Pla; "They Fall from Inconceivable Heights," by Félix de Azúa; "Spanish Pavillion Expo 92," by E. Torres/J.A. Martínez Lapeña/A. Cruz/A. Ortiz; "Pieces for a Collection," by A.C.B.; "3 Masterpieces of the Late-twentieth-century Design Theory," by Jeff Kipnis; "Abide/Abode," by Arthur C. Danto; "Alfonso Guerra, General Vice-.," by El País; "Donald Judd, Architect of the Chinati Foundation," by Emilio Tuñón/Luis Feduchi; "The Giants of El Despoblado," by Luis Feduchi; "Six Notes in Response to the Book 'Donald Judd - Architektur," by Emilio Tuñón; "The Chinati Foundation: Photographs," by Luis Asín of 'Fifteen Concrete Works,' 'Artillery Sheds,' 'Arena,' 'Chamberlain Building'"; "The Decadence of Ideas or the Triumph of Materials," by Horacio Fernández; "Hannes Meyer: 1926 - 1930," by Federico Soriano; "Bauen," by Federico Soriano; "The New World," by Hannes Meyer; "petersschule, basel," by Hannes Meyer/Hans Wittwer; "league of nations building, geneva," by Hannes Meyer/Hans Wittwer; "Federal school in Bernau, Berlin Architect Hannes Meyer," by Adolf Behne; "ADGB Federal School, Bernau," by Hannes Meyer; "Works: Becerril/Corrales, Martínez Castillo/Matos, Mangado;" "Aluche Sports Center Extension," by Esteban Becerril / Mateo Corrales; "The Metaphor of the Mirror," by José González Gallegos; "Industrial Building. Hijos de Juan Garay, S.A. Oñate," by A. Martínez Catillo/B. Matos; "Two Housing Competitions," by A. Martínez Catillo/B. Matos; "Marco Real's Cellar, Olite," by Francisco J. Mangado; "Hospice, Obanos," by Francisco J. Mangado; "Misericordia's Complex," by Francisco J. Mangado; "Readings;" "Three Beginnings and Three Endings for an Essay on Richard Long and Hamish Fulton," by Agustín Tena; "On Explaining to a Dead Hare We Saw the El Lissitsky Exhibition in Madrid," by José María Lapuerta; "Cities of Desire / Boundaries of Cities," by Kate Nesbitt and "A Whirlwind where Turbulence is Normal," by Eduardo Belzunce. Cover: a photograph of Chinati, Marfa, TX taken by Luis Asin. Good. Light bumping with curl to bottom right corner of magazine, 4.8 cm. dog-ear to top left corner of verso with a 3 mm. tear. Rubbing of cover edges and of covers at spine with light surface tearing near spine edges. Light yellowing of pages, contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1980 edition, reprinted with revisions from the 1967 edition. 410 pages. 284 plates, 103 in color. Black cloth, quarto with color pastedown on front and large bold spine title in red. A near fine copy in a near fine dust jacket which is complete and has some light edgewear. Jacket is in a mylar protector. A beautiful and major documentation of El Lissitsky, compiled by Sophie Kuppers, the widow of Lissitsky. Note: due to size and weight, extra charges will apply for overseas shipping, please inquire before ordering. No extra charge for shipping in the US.

Soft cover. Condizione: Near Fine. 1st Edition. Paperback. Catalog of the exhibition Utopia and Reality in the State Heritage Museum in St. Petersburg in 2013. Black& white illustrations and color plates. 255 pp. 27 x 21 cm.

Condizione: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Broché. Condizione: Assez bon. Arp - Braque - Dali - Derain - Duchamp - Max Ernst - Lissitsky - Magritte - Man Ray - Miro - Picabia - Picasso - Rodtchenko - Tanguy (illustratore). Edition originale édité à l'occasion d'une exposition de collages organisée en mars 1930 à la galerie Goemans. Texte d'Aragon ((pp5 à 29), liste des oeuvres exposées et 23 reproductions en noir sur couché de papiers collés et collages de Arp, Braque, Dali, Derain, Duchamp, Max Ernst, Lissitsky, Magritte, Man Ray, Miro, Picabia, Picasso, Rodtchenko,Tanguy. Couverture décolorée au dos repris. Exemplaire de Jacques Hérold, avec ses initiales en garde.

Set Paperback. Condizione: Very Good. (2000). 3 volumes. 8vo. Facsimile of the 1923 Russian edition, the English translation, and a collection of essays. Light sun fading to wrapper spines of 2 volumes, edges of slipcase open end, and uneven sun fading to slipcase front panel. Slight scraping to fore corners and joint ends of wrappers. Faint rubbing to margins of wrappers and slipcase. Mild scratching to slipcase. VG in wrappers in VG slipcase. THE SET:

No Binding. Condizione: Fine. #K 27632 THIS COMMERCIALLY PRODUCED IMAGE OF HIS ICONIC COVER FOR AN ISSUE OF WENDINGEN ABOUT FRANK LLOYD WRIGHT IS ABOUT 32x24" AND IN VERY GOOD CONDITION. THERE ARE SUN SHADOWS ON THIS PHOTO, BUT THE POSTER IS A NICE COPY. IT WILL BE SENT IN A TUBE. PHOTO AVAILABLE.

Paperback. Condizione: Fine. ????????, ?????? (Lissitsky, Lazar) (illustratore). ??? ?????? (Dlya golosa - Pro hlas) - ??????????, ???????? (Majakovskij, Vladimir) *** [EN] Categories: Propaganda; Poetry; Russian Books | Condition: excellent | Binding: Paperback | Published as an appendix to Mayakovsky's Works VI (1961); dimensions 133 x 90 mm; facsimile. *** [DE] Kategorien: Propaganda; Poesie; Russische Bücher | Zustand: ausgezeichnet | Einband: Taschenbuch | Erschienen als Anhang zu Majakowskis Werken VI (1961); Maße 133 x 90 mm; Faksimile. *** [CZ] Kategorie: Propaganda; Poezie; Ruske knihy | Stav: vyborny | Vazba: puvodni, brozovana | Vyslo jako priloha Majakovskeho Spisu VI (1961); rozmery 133 x 90 mm; faksimilie.

No Binding. Condizione: Very Good. #K27624 PUBLISHED ALONG WITH AN EXHIBITION ON THE DUTCH MAGAZINE "WENDINGEN", THIS 27x40" POSTER SHOWS AN ICONIC IMAGE OF EL LISSITSKY. IT IS THE COVER OF AN ISSUE DEVOTED TO FRANK LLOYD WRIGHT. ODD BEDFELLOWS, EH? UNFORTUNATELY, IT IS SLIGHTLY CREASED IN THE CENTER ON THE 27" WIDTH. CAN POSSIBLY BE IRONED OUT TO IMPROVE THE LOOK. SENT IN A TUBE. POSTAGE WILL BE DECIDED LATER.

El Lissitsky (illustratore). Original vintage Soviet propaganda poster: Constitution of the USSR. Fold-out poster from the USSR in Construction magazine. Art by El Lissitsky (1890-1941). Imposing image of Stalin at the podium and workers with flags. Good condition, folded, backed on linen. Size: 83x58cm.

Hardcover. Condizione: Orig. illustrated boards. Good. El Lissitsky (illustratore). First edition. 38 pages. 33 x 33 cm. A notable review of the early works of Frank Lloyd Wright. As Berlage notes the Wright "after Sullivan, his master, has entirely freed himself from European architecture." Bound as a blockbook, LE COULTRE 4-11d; LISSITSKY-KUPPERS 70; PURVIS 3-6. RUSSIAN AVANT GARDE BOOK P.196. String tied covers, one margin repaired, covers stains, and a few narrow margin staining.

Soft cover. Condizione: Good. No jacket. Bin 4 (Long Case). In Russian. Stiff wrappers printed in red and sepia featuring a photomontage composition by El Lissitsky. Light dust soiling and extremity wear to wrappers. Inscription on front free endpaper; additional poem inserted by former owner between pages 24 and 25. Limited to 3000cc. El Lissitsky's photomontage portrait of Hans Arp, with Arp's head in two positions against the background of a Dada magazine. The collar of Arp's shirt bears the name "Evgenij Nej," the fictional character who is the protagonist of Sel'vinsky's poem.

Paperback. Condizione: Good+. Original printed wraps; 4to; 15 issues; profusely illustrated. From 1934, numbers 1,3-4, 7-8; 1935, 1-8, 10-11 (a double issue), 12. Covers rubbed and faintly dust-soiled, and a little wrinkled and chipped along yapp edges; text blocks a little dust-smudged and/or foxed, and, in a few cases, pulling away from wraps. Worn indeed, but an invaluable resource. A nice run of this influential Soviet architecture periodical, the design of which captures the beginnings of Constructivist aesthetics and Russian Avant-Garde.

2012, 59 + 61 pp., twee paperbacks in cassette, oplage 750, zeer net exemplaar.

Livre du patrimoine à l'intention des enfants, emblématique du mouvement suprématiste, Les deux carrés est "construit" par El Lissitzky en 1920 à Vitebsk, après sa rencontre avec Malevitch. Livre culte de l'histoire de l'art publié en 1922 à Berlin et à Amsterdam, ce célèbre livre-manifeste invente, avec les concepts avant-gardistes des constructivistes, de nouvelles figures pour les enfants. Au milieu de formes géométriques en mouvement, deux carrés, un rouge et un noir vont hardiment vers le futur. Cette première tentative de s'adresser aux enfants dans un langage abstrait est toujours aussi actuelle. En 1926, El Lissitzky déclarait : ". nos enfants sont en passe d'acquérir un nouveau langage plastique." Les avant-gardes artistiques du 20è siècle n'oubliaient ni les livres ni les enfants. Book.

El LISSITZKY. Industriia sotsializma: Tyazhelaya Promyshlennost'k VII Vsesoiuznomu S'ezdy Sovetov. [Socialist Industry: Heavy Industry for the Seventh Congress of Soviets]. Text by A.M. Litvak. 7 parts. Parts 1-6 unpaginated, illustrated throughout with photomontages, diagrams, overlays, foldouts, die cuts, a tipped in cloth sample and many other design elements. Part 7 is a folder that contains two large folding maps and a manual of descriptive text. Folio, 365 x 275 mm., 6 parts in original embossed wrappers, part 7 in original printed folder all contained in the publisher's drop-back box, with a photograph by Anatoly Skurikhin surrounded by a faux riveted border, that is repeated down the spine, in a new cloth folding box. Moscow: IZOGIZ, 1935. An unusually fine copy of a work generally considered to be one of the masterpieces designed by Lissitzky, and the most spectacular and rarest of the Soviet photobooks. The book was published to accompany the first All-Union art exhibition, a celebration of the achievements of Socialist industrialization, intended originally to open in 1937 to commemorate the second Soviet Five Year Plan and the 20th anniversary of the Russian Revolution but delayed by two years. The resulting book '.is a cornucopia of graphic design and photomontage, arguable the high point both of Lissitsky's book designing career and of the Soviet propaganda photobook.' (Parr & Badger). In exceptionally fine condition for a book rarely found thus. Karasik, The Soviet Photobook 1920-1940, p.214-223. Parr, The Photobook , vol. I, pp. 160-3. Roth, The Book of 101 Books, pp. 82-85.

El Lissitsky (illustratore). Vintage reproduction poster issued by the Kunstgewerbemuseum Zurich Museum Of Design in 1980 featuring a Constructivist poster designed by the notable artist El Lissitsky (Lazar Markovich Lissitzky; 1890-1941) for a Russian Exhibition / Russische Ausstellung that took place from 24 March to 28 April 1929 depicting two smiling young people above a modern building with the bold text running through the centre and down the side, USSR in red lettering above and the date in white below. Large size. Very good condition, small restored tears, backed on linen. Size: 128x91cm.

A fascinating propaganda poster from the USSR during the early 20th century. , Image Size : 765x560 (mm), 30.12x22.05 (Inches), Platemark Size : , Paper Size : 813x587 (mm), 32.01x23.11 (Inches), Sepia, Offset Lithograph Very Good, laid on acid free tissue paper for long term preservation.

Extremely scarce first edition (even the second edition of 1924 is terribly difficult to find, and thereafter it no longer had the Lissitsky cover, wherefrom the myth that it was by someone else - it was). This copy dedicated and signed by Shklovsky in the month of publication. Classic Lissitsky. The letters to Lili Brik were not allowed to mention love, which was her condition, ergo! (Available in English translation. Still now encompassing all the pleasure and pain of that period, hell, any period!) Extremely scarce. Good Condition. First Edition Book.

Condizione: Assez bon. Moscou, Izoghiz, 1937, 416x300mm, 116p. dont deux dépliantes et une affiche, broché sous couverture illustrée. (104725) Conception graphique de Es et El Lissitsky. Photographies de Alpert, Alpérine, Berliner, Gratchev, Gostev, Langman, Prekhner, Friedland.Numéro consacré au vingtième anniversaire de la révolution .Manques au dos Exemplaire en langue française.(104725).

Moscou, Isoghis , 1937, 416x300mm, 48p., un hors-texte, broché sous couverture photographique. Rédaction V.I. Mejlaouk, photographies de G. Petroussov, N. Petrov, J Poliakov, J. Khallip, conception graphique de Es et El Lissitsky. Numéro consacré à La marine rouge ouvrière et paysanne.Certaines images seront utilisées par Rodchenko en 1939 pour l'ouvrage USSR The Red Army and Navy.Exemplaire en langue française.(104720).