Louis soutter (89 risultati)

paperback. Condizione: Good. Ex-library paperback book with library stickers, labels and stamps on cover and inside. Cover has some wear. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Paperback. Condizione: Near Fine. 1st Edition. Copiously illustrated in b/w and color. 8vo.

25x20. Sin paginar (unas 60 pgs). Numerosas ilustraciones. (X8923).

First Edition. First edition. Softcover. Exhibition catalog for a show that ran April 17 through June 9, 1985 at Stadtische Galerie im Lenbachhaus and then traveled for additional dates. Text in German by Armin Zweite. Includes some color and numerous black and white illustrations and biographical information. A near fine copy in wrappers and with the small rubber stamp of author, curator, and one time director of The Art Institute of Chicago Douglas Druick and laid in errata sheet. A very nice copy with an interesting provenance.…

Softcover. Condizione: Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Brossura. Condizione: nuovo. LOUIS SOUTTER - 1986 Testo di Viana Conti Edizione in brossura Formato 20 x 21 cm Pagine 62.

Softcover. Condizione: Sehr gut. Leichte Lagerspuren. Zahlreiche zum Teil farbige Abbildungen. Ausstellungskatalog. Mit Biographien und Werkverzeichnissen. Ausstellungen im Musée cantonal des Beaux-Arts Lausanne; in der Schirn Kunsthalle, Frankfurt; in der Neue Gelerie der Stadt Linz/Wolfgang-Gurlitt-Museum.…

softcover. Condizione: Sehr gut. [12] p. On the occassion of the exhibition, organized by Pro Helvetia, circulated by the Traveling Exhibition Service of the Smithsonian Insitution 1969-1971. Sprache: Englisch Gewicht in Gramm: 54.

36 SS. Mit zahlreichenganzsseitigen Abbildungen, vereinzelte in Farbe. Okart. Louis Soutter (4. Juni 1871 in Morges; - 20. Februar 1942 in Ballaigues) war ein Schweizer Maler, Cousin des Architekten Le Corbusier. Er zählt zu den wichtigen Vertretern der Art Brut.

Orig. Leinen geb. 8° mit Orig. Umschl. (guter Zustand) 128 S. mit ca. 70 Abbildungen Art Brut.

illustr. Orig. Kart. geb. 8° Hardcover, guter frischer Zustand 246 (2) S.

Softcover. Condizione: Gut. (14), 166 S., mit teils farbig. Illustrationen von Louis Sutter; Original-Broschur (leichte Gebrauchsspuren außen); Gr.8°. Sonst gutes Exemplar. Vorwort von Veith Turske; Einleitung von Michel Thévoz (jew.a.in deutsch).

Paperback. Condizione: Very good. First Edition. Octavo in black and white pictorial wraps; 125 pages : illustrations (some color) ; 22 cm. In French. Includes chronology, extensive images and photographs, and commentary on his life and influence. Exhibition catalogue for Louis Soutter, who spent the last 20 years of his life in an home for the elderly, and made major works of painting and drawings whose importance is equal to those of Michaux or Artaud (so says the back cover). His cousin, Le Corbusier, organized his first exhibition in 1936 in the U.S.? Art Brut.Naive Outsider Art. Very good (+) to near fine, very minor edge wear.…

Condizione: Gut. gr.-8°, 166 S, Orig.-Leinen mit bedrucktem Klarsichtumleger und Orig.-Schuber. Erste Ausgabe des Faksimiles, des von Soutter im Jahre 1930 illustrierten Werkes.- Eines von 1200 nummerierten Exemplaren.- Schönes Exemplar. krankheitsbedingt erfolgt der Versand nur 1x pro Woche. Sprache: Französisch Gewicht in Gramm: 550. …

205x150mm, frontispizio, 51pagine, incisione a colori e b/n, Con giacca di polvere. Ottimo stato. Envois Europe : TVA inclus dans montant final. Exceptions taxes postales locales à la charge de l'acheteur (~2 EUR). Si nécéssaire, contact via notre page d'accueil / Shipping to Europe : VAT included in total amount. Local postal fees apply to buyers in Europe (~2 EUR). Contact us via our homepage if needed.…

Condizione: Good. 8vo. 10 pp. Soft cover. Very Good. Black and white plates.From the collection of Peter Selz, Art History Professor at UC Berkeley.

Paperback. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Kunstmuseum Basel, 2002; no additional printings indicated; catalog for the exhibit "Louis Soutter et les modernes" / "Louis Soutter et la musique"; 315, [3]pp. Text in German, illustrations entirely in full color. Very good oversized paper back in dust jacket. Spine is uncreased, binding tight and sturdy; text, photos, and illustrations also very good; light foxing to top edge. Minor wear to edges of unclipped dust jacket; jacket arrives wrapped in protective mylar. Due to the size/weight of this book extra charges will apply for international and/or expedited shipping. Ships from Dinkytown in Minneapolis, Minnesota. …

Condizione: Très bon. J.L.G se sert de Zelliseller Evolution pour gérer ses Market Places.

Softcover. Condizione: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verschmutzung / Farbtonveränderung.

Leinen geb. gr 8° mit Umschl. in Schuber (guter frischer Zustand) (16) 166 (4) p. S. durchgehend illustriert von Louis Soutter Zürich u. Genf, J. P. Croisier und M. Knoedler, o. J, Faksimile der Ausgabe Lausanne, C. Tarin, 1914, des von Louis Soutter von Hand illustrierten Unikats.

Erste Auflage. 19 x 20 cm. 19 unpaginierte Blatt. Illustrierter OKarton. Bindung gelockert. Einband lichtspurig angestaubt und nachgedunkelt. Innen etwas nachgedunkelt. Sonst ordentliches Exemplar. Durchgehend mit schwarz-weißen Abbildungen versehen. Texte in französischer Sprache.

Ca. 200 n.n. S. OKart.

Erste Auflage. 22 x 16 cm. 40 unpaginierte S. Illustrierte OBroschur. Einbandkanten etwas nachgedunkelt und mit kleinen Bereibungen. Sonst gutes Exemplar. Katalog zur Ausstellung des Musée Cantonal des Beaux-Arts in Lausanne vom 2. März - 28. Mai 1961. Durchgehend mit schwarz-weiss Abbildungen, einem biographischen Abriss sowie einem Text von Ernest Manganel in französischer Sprache versehen. …

Condizione: Gut. Bilingualedition: German / English. 23,5 cm x 22,5 cm. 268 Seiten. Mit 79 Illustrationen [268 pages with 79 Illustrations]. Original Softcover. Sehr guter Zustand mit nur geringen Gebrauchsspuren / Excellent condition with only very minor signs of wear. Louis Soutter von Michel Thévoz / Barbara Catoir - Louis Soutter und die zeitgenössische Kunst etc etc. Louis Soutter (* 4. Juni 1871 in Morges; 20. Februar 1942 in Ballaigues; eigentlich Louis-Adolphe Soutter) war ein Schweizer Maler, Cousin des Architekten Le Corbusier. Er zählt zu den wichtigen Vertretern der Art Brut. (Wikipedia). Louis Adolphe Soutter (4 June 1871 20 February 1942) was a Swiss painter and graphic artist in the Art Brut style, who produced most of his work while under care in a hospice. He also worked as a musician, playing the violin. Soutter was born in Morges. His father was a pharmacist and his mother was a singing teacher at a women's academy. His brother, Albert, and sister, Jeanne-Louise became musicians. The architect, Le Corbusier, was a cousin on his mother's side. He initially studied engineering at the University of Lausanne, then left to study architecture in Geneva with Louis Viollier (18521931). The musical atmosphere of his home eventually had its influence, however and, in 1892, he decided on a career in music. Accordingly, he moved to Brussels where he became a student of the violinist, Eugène Ysaÿe, at the Royal Conservatory. While there, he became enamored of one of Ysaÿe's other students; a young American named Madge Fursman (18701965). Shortly after, they became engaged. In 1895, he suddenly interrupted his musical studies, returned to Lausanne, and began to study painting. Later, he worked in Geneva in the studios of the landscape painter Léon Gaud (18441908). After that, he went to Paris and took positions in the studios of Jean-Paul Laurens and Jean-Joseph Benjamin-Constant at the Académie Colarossi. He also met Artus van Briggle, a ceramicist from America, who was planning to start a business in Colorado Springs, where Fursman was from. Van Briggle told Soutter about a new college there, with a fine arts program, and suggested there might be an opportunity to create a department of painting and drawing. He left for the United States at the beginning of 1897. Originally he had planned to open an interior architecture studio in New York, but health problems proved to be an obstacle. He spent the next three months in Chicago, happily planning his next move. He went on to Colorado Springs, where he married Madge in July of 1897. For a time, they lived with her parents, then found an apartment at a residential hotel. He opened a studio and, by 1898, was head of the Fine Arts Department at Colorado College. He would often take his students into the countryside to paint. The next few years passed uneventfully; then, in 1903, Madge sued for divorce; charging physical and mental cruelty, which may have simply been made up, due to the strict divorce laws at the time. She did not ask for support of any kind. He did not contest her action, resigned from the College and, according to The Gazette-Telegraph, had left for Paris with no intention of returning. He was succeeded at the College by Van Briggle, who had by then established his pottery manufactory. He did spend several months in Paris, then went to Morges, where his physical and mental health declined. He would often complain about Madge to his friends and relatives, claiming that she was authoritarian and exploitative.In 1906, a friend of one of his uncles, who was head of the Sonnenfels Clinic in Spiez, invited him there to work as the gardener. By 1907, he was feeling sufficiently improved to embark on a musical career. He obtained a position in the first violin section of the Orchestre du Théâtre de Genève (now the Orchestre de la Suisse Romande), but left after an "artistic disagreement". The following year, he was engaged by the Orchestre Symphonique de Lausanne and, in 1915, by the Orchestre de Genève. Problems persisted, however, and by 1918 he was playing in small ensembles at tea rooms and tourist resorts. During this time, he gained a reputation for "madness" and was always melancholy. He was in several groups throughout Switzerland until 1922, when he went back to Morges to stay. There, he lived off his brother, who had to support the habit for wearing fancy clothes he had picked up in America, and his drinking. Eventually, he was placed under guardianship and sent to a nursing home in Gros-de-Vaud. In 1923, at the age of fifty-two, he was placed in what would now be called a hospice, for elderly men, in Ballaigues. He was not confined there, and often went for long walks in the countryside or to visit his relatives. Despite this freedom, he was unhappy there and generally disliked. He remained there until his death. During the early part of his stay there, he made sketches with pen and pencil in small school notebooks and practiced music in the chapel; sometimes giving lessons. His cousin, Le Corbusier, who had discovered him there in 1927, was impressed with what he saw and helped him acquire better materials for his artwork. By 1937, his hands were crippled with osteoarthritis and he began to use his fingers; dipping them directly into the ink or paint. Meanwhile, Le Corbusier was gathering his works. Through his efforts, exhibitions were held in Hartford (1936), Lausanne (1937) and New York (1939). Soutter's new-found approach, applying ink directly to paper with his fingers, eventually led Le Corbusier to shun the artist, being 'the antithesis to Le Corbusier's architectural emphasis on order.' Soutter died in Ballaigues in 1942, weakened by his repeated refusal to eat, at the age of seventy-one, and was buried by the hospice. His friends and family only learned of his death by reading the obituary in the newspaper. Hermann Hesse wrote a poem about him. In 2008, a square was named after him in his hometown. (Wikipedia).…

Erste Auflage. 27 x 21 cm. [28] S. Illustrierter, glanzkaschierter OKarton. Einband mit minimalen Gebrauchsspuren. Gutes Exemplar. Verzeichnet 16 Farbabbildungen. Texte in deutscher Sprache. Beiliegend die große Einladungsklappkarte zur Ausstellung.

Hardcover without dustjacket as issued, 108 pages, in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Erste Auflage. 20 x 21 cm. 62 S. Illustrierter, glanzkaschierter OKlappkarton. Einband wenig angestaubt, lichtspurig und nachgedunkelt. Sonst noch gutes Exemplar. Durchgehend mit schwarz-weißen und vereinzelten farbigen Abbildungen versehen. Texte in italienischer und englischer Sprache. Sprache: Englisch und Italienisch. …

Condizione: fine. couverture souple, moyen format , très bon état. . 2892484 - Les élus et les damnés, Frémon, Jean, Fata Morgana, 2019. Soutter, Louis (illustratore).

Couverture souple. Condizione: Très bon.

Broschur. Condizione: Gut. 112 24x31,5x1,5 cm._Broschur_Französisch_112 s._831 g. J25-W07-028 Sprache: Französisch Gewicht in Gramm: 831.