Lucas anya (48 risultati)

Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: As New. Unread book in perfect condition.

Hardcover with Dust Jacket. Condizione: LIKE NEW. Condizione sovraccoperta: FINE. 158pp. FINE in FINE jacket.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardcover. Condizione: As New. Hardback, pp 160. Sold as new. In original shrink wrap.

Hardback. Condizione: New. Published to mark the reopening of the spectacular baroque interior of the Old Royal Naval College in Greenwich after a landmark conservation project, The Painted Hall is a wonderful celebration of what has been called `the Sistine Chapel of the UK'. The ceiling and wall decorations of the Painted Hall were conceived and executed by the artist Sir James Thornhill between 1707 and 1726 - years that witnessed the Act of Union during the reign of Queen Anne and Great Britain's rise to become a dominant Protestant power in a predominantly Catholic Europe. The accessions to the throne of William III and Mary II in 1688 and George I in 1714 form the central narrative of a scheme that also honours Britain's maritime successes and mercantile prosperity. The artist drew on a cast of around 200 figures - a mixture of historical, contemporary, allegorical and mythological characters - to tell a story of political change, scientific and cultural achievements, naval endeavours, and commercial enterprise against a series of magnificent backdrops. In the first part of the book, Dr Anya Lucas describes the history and architecture of the building and the background to Thornhill's commission. The grandeur of his composition, which covers 40,000 square feet, reflects the importance of the space that the paintings adorn: the hall of the new Royal Hospital for Seamen. The Hospital was established in 1694 at Queen Mary's instigation for men invalided out of the Navy, and was designed by Sir Christopher Wren and Nicholas Hawksmoor. The Painted Hall was originally intended as a grand dining room, but it soon became a ceremonial space open to paying visitors and reserved for special functions. The last naval pensioners left the site in 1869, when it became home to the Royal Naval College, an officers' training academy.The passage of nineteen years from the start of the commission to its completion, and the need to navigate contemporary political events, meant that Thornhill was required to rethink the design of his paintings several times. His preparatory sketches for the Painted Hall reveal how carefully he experimented with and planned the content. When he had finished his work, Thornhill wrote An Explanation of the paintings, which was published by the Hospital directors and sold to visitors. This guide is the subject of the second part of our book, by Dr Richard Johns. Johns also explores image and meaning in Thornhill's decorative scheme, which stretches across three distinct but connected spaces: the domed Vestibule, the long Lower Hall, and the Upper Hall, together presenting a vivid and compelling picture of Britain's place in the world according to those who governed it at the start of the 18th century.During the last 300 years, smoke and dirt built up on the fragile painted surfaces of the Hall, and varnish layers fractured under the effects of heat and humidity. In the final part of the book, the specialist conservators Sophie Stewart and Stephen Paine consid.…

Condizione: New.

Hardcover. Condizione: new. Hardcover. Published to mark the reopening of the spectacular baroque interior of the Old Royal Naval College in Greenwich after a landmark conservation project, The Painted Hall is a wonderful celebration of what has been called 'the Sistine Chapel of the UK'. The ceiling and wall decorations of the Painted Hall were conceived and executed by the artist Sir James Thornhill between 1707 and 1726 years that witnessed the Act of Union during the reign of Queen Anne and Great Britain's rise to become a dominant Protestant power in a predominantly Catholic Europe. The accessions to the throne of William III and Mary II in 1688 and George I in 1714 form the central narrative of a scheme that also honours Britain's maritime successes and mercantile prosperity. The artist drew on a cast of around 200 figures a mixture of historical, contemporary, allegorical and mythological characters to tell a story of political change, scientific and cultural achievements, naval endeavours, and commercial enterprise against a series of magnificent backdrops. 150 illustrations Published to mark the reopening of the spectacular 40,000 square feet of ceiling and wall decorations of the Old Royal Naval College in Greenwich,The Painted Hall is a wonderful celebration of what has been called `the Sistine Chapel of the UK. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. Published to mark the reopening of the spectacular baroque interior of the Old Royal Naval College in Greenwich after a landmark conservation project, The Painted Hall is a wonderful celebration of what has been called `the Sistine Chapel of the UK'. The ceiling and wall decorations of the Painted Hall were conceived and executed by the artist Sir James Thornhill between 1707 and 1726 - years that witnessed the Act of Union during the reign of Queen Anne and Great Britain's rise to become a dominant Protestant power in a predominantly Catholic Europe. The accessions to the throne of William III and Mary II in 1688 and George I in 1714 form the central narrative of a scheme that also honours Britain's maritime successes and mercantile prosperity. The artist drew on a cast of around 200 figures - a mixture of historical, contemporary, allegorical and mythological characters - to tell a story of political change, scientific and cultural achievements, naval endeavours, and commercial enterprise against a series of magnificent backdrops. In the first part of the book, Dr Anya Lucas describes the history and architecture of the building and the background to Thornhill's commission. The grandeur of his composition, which covers 40,000 square feet, reflects the importance of the space that the paintings adorn: the hall of the new Royal Hospital for Seamen. The Hospital was established in 1694 at Queen Mary's instigation for men invalided out of the Navy, and was designed by Sir Christopher Wren and Nicholas Hawksmoor. The Painted Hall was originally intended as a grand dining room, but it soon became a ceremonial space open to paying visitors and reserved for special functions. The last naval pensioners left the site in 1869, when it became home to the Royal Naval College, an officers' training academy.The passage of nineteen years from the start of the commission to its completion, and the need to navigate contemporary political events, meant that Thornhill was required to rethink the design of his paintings several times. His preparatory sketches for the Painted Hall reveal how carefully he experimented with and planned the content. When he had finished his work, Thornhill wrote An Explanation of the paintings, which was published by the Hospital directors and sold to visitors. This guide is the subject of the second part of our book, by Dr Richard Johns. Johns also explores image and meaning in Thornhill's decorative scheme, which stretches across three distinct but connected spaces: the domed Vestibule, the long Lower Hall, and the Upper Hall, together presenting a vivid and compelling picture of Britain's place in the world according to those who governed it at the start of the 18th century.During the last 300 years, smoke and dirt built up on the fragile painted surfaces of the Hall, and varnish layers fractured under the effects of heat and humidity. In the final part of the book, the specialist conservators Sophie Stewart and Stephen Paine consid.…

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Condizione: New. 2019. Hardcover. . . . . .

Condizione: New. pp. 304.

Hardcover. Condizione: Brand New. 158 pages. 11.50x9.00x0.75 inches. In Stock.

Condizione: New.

Hardcover. Condizione: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condizione: New. In English.

Condizione: New. 2018. Hardcover. . . . . .

Condizione: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

hardcover. Condizione: LikeNew. Used Like New, no missing pages, no damage to binding, may have a remainder mark.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: new. Hardcover. For more than 600 years livery companies have played a leading role in commercial activities and social and political life in the City of London. These trade associations, each representing a particular craft or profession, were originally responsible for controlling, for example, wages and working conditions. Their headquarters the livery halls evolved from large medieval town houses to become an identifiable building type paralleled only by the guild houses of northern European mercantile cities and the Venetian scuole. This beautiful book is the first major exploration of these architecturally significant buildings. Dr Anya Lucas, who has studied the halls in depth, provides an introduction and an illustrated history of the buildings that have been lost over the centuries, while Henry Russell surveys each of the 40 present-day halls, from the Master Mariners in the west to the Gunmakers in the east. All existing livery halls have been photographed especially for the project by the renowned interiors photographer Andreas von Einsiedel, making this a truly outstanding publication. AUTHOR: Anya Lucas (nee Matthews) is an art and architectural historian specialising in 17th- and 18th-century Britain. Her PhD (2015) at the Courtauld Institute of Art, London, examined the architecture and political uses of London's livery halls in the early modern period. She has written about the livery halls for Country Life magazine and the Georgian Group Journal, and contributed a chapter on the subject to the book Court, Country, City: British Art and Architecture, 16601735 (Yale University Press, 2016). She currently works as Research Curator for the Painted Hall at the Old Royal Naval College in Greenwich, London, where a major conservation project on Sir James Thornhill's vast baroque scheme is under way. SELLING POINTS: . A landmark celebration of the remarkable livery halls both extant and lost of the City of London . With specially commissioned imagery by the leading interiors photographer Andreas von Einsiedel . Features in-depth entries on the 40 existing halls, as well as an illustrated history of the lost buildings 450 illustrations and plans, 1 map For more than 600 years the Livery Companies have played a leading role in the commerical activities and social and political life in the City of London. In the 14th and 15th centuries they began acquiring, adapting and building 'headquarters': the Livery Halls. All of the existing Halls have been freshly photographed and documented. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.