Lucie carreau (28 risultati)

Soft cover. Condizione: Fine. Owner's name in pen, else As New. Chiefs & Governors: Art and Power in Fiji is the first major exhibition dedicated to Fijian art in the UK. Inspired by MAA's outstanding Fijian collections, it explores the early colonial history of Fiji, the foundation of the Museum, and the dynamism and creativity of Fijian art and culture. Co-authored by Curators Anita Herle and Lucy Carreau, it includes specialist contributions by Fergus Clunie, Jocelyne Dudding, Steven Hooper, Katrina Igglesden, Karen Jacobs, Stéphanie Leclerc-Caffarel, Andy Mills and Barbara Wills. 136 pages with 189 illustrations. …

Softcover. Condizione: Fine. First Edition. 4to. 130 pp. Copiously illustrated with colour plates throughout. As-new. FINE.

Soft cover. Condizione: New. 130 pages : illustrations, maps, portraits ; 26 cm. Chiefs & Governors: Art and Power in Fiji is the first major exhibition dedicated to Fijian art in the UK. Inspired by MAA's outstanding Fijian collections, it explores the early colonial history of Fiji, the foundation of the Museum, and the dynamism and creativity of Fijian art and culture. Co-authored by Curators Anita Herle and Lucy Carreau, it includes specialist contributions by Fergus Clunie, Jocelyne Dudding, Steven Hooper, Katrina Igglesden, Karen Jacobs, Stéphanie Leclerc-Caffarel, Andy Mills and Barbara Wills.…

Soft cover. Condizione: Very Good. No Jacket. pp.253; 511. 25.5cm. Numerous illustrations in the text, the majority in colour. Maps. Notes. Bibliography. Biographies of contributors. Index. illustrated soft covers. Crease to one cover. A very good clean set of two volumes. (Weighs 2kg so please enquire re postage if to be shipped out of the UK). ('This book enlarges understandings of Oceanic Art and enables new reflection upon museums and ways of working in and around them . profound importance for Islanders').…

Paperback. Condizione: Brand New. 01 edition. 511 pages. 9.75x7.00x1.00 inches. In Stock.

Hardcover. Condizione: Brand New. 01 edition. 253 pages. 10.25x7.25x0.75 inches. In Stock.

Hardcover. Condizione: Brand New. 01 edition. 511 pages. 10.25x7.25x1.25 inches. In Stock.

paperback. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices. This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively. Volume I focuses on the historical formation of ethnographic museums within Europe, the making of those institutions' Pacific collections, and the activation and re-activation of those collections, over time and in the present. ContentsBiographiesPrefaceIntroduction1. Pacific Presences in BritainNicholas Thomas2. Curiosity, Revolution, Science and Art: Pacific collections and French MuseumsLucie Carreau3. Papua collections in the Netherlands: a story of exploration, research, missionization, and colonizationFanny Wonu Veys4. Oceania in Russian history: Expeditions, collections, museumsElena Govor5. Oceanic Collections in German Museums: Collections, Contexts, and ExhibitsRainer BuschmannNotes Acknowledgements 254 pp. Englisch.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book (vol. 1 of 2) not only enlarges understanding of Oceanic art history and Oceanic collections in important ways, but also enables new reflections upon museums and ways of undertaking work in and around them.Hundreds of thousands of works of art.…

Taschenbuch. Condizione: Neu. Pacific Presences - Volume 1 | Lucie Carreau (u. a.) | Taschenbuch | Pacific Presences 4A | Englisch | 2018 | Sidestone Press | EAN 9789088905896 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices.This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively.Volume I focuses on the historical formation of ethnographic museums within Europe, the making of those institutions' Pacific collections, and the activation and re-activation of those collections, over time and in the present.ContentsBiographiesPrefaceIntroduction1. Pacific Presences in BritainNicholas Thomas2. Curiosity, Revolution, Science and Art: Pacific collections and French MuseumsLucie Carreau3. Papua collections in the Netherlands: a story of exploration, research, missionization, and colonizationFanny Wonu Veys4. Oceania in Russian history: Expeditions, collections, museumsElena Govor5. Oceanic Collections in German Museums: Collections, Contexts, and ExhibitsRainer BuschmannNotesAcknowledgementsBooks on Demand GmbH, Überseering 33, 22297 Hamburg 254 pp. Englisch.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices. This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively. Volume I focuses on the historical formation of ethnographic museums within Europe, the making of those institutions' Pacific collections, and the activation and re-activation of those collections, over time and in the present. ContentsBiographiesPrefaceIntroduction1. Pacific Presences in BritainNicholas Thomas2. Curiosity, Revolution, Science and Art: Pacific collections and French MuseumsLucie Carreau3. Papua collections in the Netherlands: a story of exploration, research, missionization, and colonizationFanny Wonu Veys4. Oceania in Russian history: Expeditions, collections, museumsElena Govor5. Oceanic Collections in German Museums: Collections, Contexts, and ExhibitsRainer BuschmannNotes Acknowledgements.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book (vol. 2 of 2) not only enlarges understanding of Oceanic art history and Oceanic collections in important ways, but also enables new reflections upon museums and ways of undertaking work in and around them.Hundreds of thousands of works of art.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices. This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively. Volume II illustrates the sheer variety of Pacific artefacts and histories in museums, and similarly the heterogeneity of the issues and opportunities that they raise. Over thirty essays explore materialities, collection histories, legacies of empire, and contemporary projects. ContentsPreface IntroductionPart one: Materialities1. Fibre Skirts: Continuity and ChangeErna Lilje2. Tangible Diversity: Shell Money from the Bismarck ArchipelagoKatherine Szabo3. Aitutaki Patterns or Listening to the Voices of the Ancestors: Research on Aitutaki ta'unga in European MuseumsMichaela Appel and Ngaa Kitai Taria Pureariki4. Unpacking cosmologies: frigate bird and turtle shell headdresses in NauruMaia Nuku5. Reaching across the Ocean': Presences of barkcloth in Oceania and beyondAnna-Karina Hermkens6. 'U'u: an unfinished inquiry into the history and adornment of Marquesan clubsNicholas ThomasPart two: Collection histories and exhibitions7. Haphazard Histories: Tracing Kanak Collections in UK MuseumsJulie Adams8. Inaccuracies, inconsistencies and implications: Researching Kiribati coconut fibre armour in UK collectionsPolly Bence9. Two Germanies: Ethnographic Museums, (Post)colonial Exhibitions, and the 'Cold Odyssey' of Pacific Objects between East and WestPhilipp Schorch10. Museum Dreams: The Rise and Fall of a 'Port-Vila MuseumPeter Brunt11. From Russia with Love: Nikolai Miklouho-Maclay's Pacific collectionsElena Govor12. Collecting procedure unknown: contextualising the Max Biermann collection in the Museum Fünf Kontinente in MunichHilke Thode-Arora13. Made to measure: Photographs from the Templeton Crocker expeditionLucie Carreau14. German women collectors in the Pacific: Elizabeth Krämer-Bannow and Antonie BrandeisAmiria Salmond15. Work on paper: The illustration of customary life in Oceanic artNicholas ThomasPart three: Legacies of Empire16. Kings, Rangatira and Relationships: the enduring meanings of 'treasure' exchanges between Maori and Europeans in 1830s WhangaroaDeidre Brown17. History and Cultural Identity: Commemorating the arrival of the British in KiribatiAlison Clark18. Willful amnesia Contemporary Dutch narratives about western New GuineaFanny Wonu Veys19. A glimmering presence: the unheard Melanesian voices of St Barnabas Memorial Chapel, Norfolk IslandLucie Carreau20. The church at Titikaveka: a Rarotongan barkcloth from the 1840sNicholas Thomas21. 'The woman who walks' Lucy Evelyn Cheesman and her collection from western New Guinea at the Museum of Archaeology and Anthropology, CambridgeKatharina Haslwanter22. An early ngatu tahina in StockholmNicholas Thomas23. Makereti and the Pitt Rivers Museum, 1921-1930, and BeyondNgahuia Te Awekotuku and Jeremy Coote 512 pp. Englisch.…

Taschenbuch. Condizione: Neu. Pacific Presences - Volume 2 | Lucie Carreau (u. a.) | Taschenbuch | 512 S. | Englisch | 2018 | Sidestone Press | EAN 9789088906268 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand.…

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices.This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively.Volume II illustrates the sheer variety of Pacific artefacts and histories in museums, and similarly the heterogeneity of the issues and opportunities that they raise. Over thirty essays explore materialities, collection histories, legacies of empire, and contemporary projects.ContentsPrefaceIntroductionPart one: Materialities1. Fibre Skirts: Continuity and ChangeErna Lilje2. Tangible Diversity: Shell Money from the Bismarck ArchipelagoKatherine Szabo3. Aitutaki Patterns or Listening to the Voices of the Ancestors: Research on Aitutaki täunga in European MuseumsMichaela Appel and Ngaa Kitai Taria Pureariki4. Unpacking cosmologies: frigate bird and turtle shell headdresses in NauruMaia Nuku5. Reaching across the Ocean¿: Presences of barkcloth in Oceania and beyondAnna-Karina Hermkens6. ¿U¿u: an unfinished inquiry into the history and adornment of Marquesan clubsNicholas ThomasPart two: Collection histories and exhibitions7. Haphazard Histories: Tracing Kanak Collections in UK MuseumsJulie Adams8. Inaccuracies, inconsistencies and implications: Researching Kiribati coconut fibre armour in UK collectionsPolly Bence9. Two Germanies: Ethnographic Museums, (Post)colonial Exhibitions, and the ¿Cold Odyssey¿ of Pacific Objects between East and WestPhilipp Schorch10. Museum Dreams: The Rise and Fall of a ¿Port-Vila MuseumPeter Brunt11. From Russia with Love: Nikolai Miklouho-Maclay¿s Pacific collectionsElena Govor12. Collecting procedure unknown: contextualising the Max Biermann collection in the Museum Fünf Kontinente in MunichHilke Thode-Arora13. Made to measure: Photographs from the Templeton Crocker expeditionLucie Carreau14. German women collectors in the Pacific: Elizabeth Krämer-Bannow and Antonie BrandeisAmiria Salmond15. Work on paper: The illustration of customary life in Oceanic artNicholas ThomasPart three: Legacies of Empire16. Kings, Rangatira and Relationships: the enduring meanings of ¿treasure¿ exchanges between M¿ori and Europeans in 1830s WhangaroaDeidre Brown17. History and Cultural Identity: Commemorating the arrival of the British in KiribatiAlison Clark18. Willful amnesia Contemporary Dutch narratives about western New GuineaFanny Wonu Veys19. A glimmering presence: the unheard Melanesian voices of St Barnabas Memorial Chapel, Norfolk IslandLucie Carreau20. The church at Titikaveka: a Rarotongan barkcloth from the 1840sNicholas Thomas21. ¿The woman who walks¿ Lucy Evelyn Cheesman and her collection from western New Guinea at the Museum of Archaeology and Anthropology, CambridgeKatharina Haslwanter22. An early ngatu tahina in StockholmNicholas Thomas23. Makereti and the Pitt Rivers Museum, 1921¿1930, and BeyondNgahuia Te Awekotuku and Jeremy CooteBooks on Demand GmbH, Überseering 33, 22297 Hamburg 512 pp. Englisch.…

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book (vol. 1 of 2) not only enlarges understanding of Oceanic art history and Oceanic collections in important ways, but also enables new reflections upon museums and ways of undertaking work in and around them.Hundreds of thousands of works of art.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices. This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively. Volume II illustrates the sheer variety of Pacific artefacts and histories in museums, and similarly the heterogeneity of the issues and opportunities that they raise. Over thirty essays explore materialities, collection histories, legacies of empire, and contemporary projects. ContentsPreface IntroductionPart one: Materialities1. Fibre Skirts: Continuity and ChangeErna Lilje2. Tangible Diversity: Shell Money from the Bismarck ArchipelagoKatherine Szabo3. Aitutaki Patterns or Listening to the Voices of the Ancestors: Research on Aitutaki ta'unga in European MuseumsMichaela Appel and Ngaa Kitai Taria Pureariki4. Unpacking cosmologies: frigate bird and turtle shell headdresses in NauruMaia Nuku5. Reaching across the Ocean': Presences of barkcloth in Oceania and beyondAnna-Karina Hermkens6. 'U'u: an unfinished inquiry into the history and adornment of Marquesan clubsNicholas ThomasPart two: Collection histories and exhibitions7. Haphazard Histories: Tracing Kanak Collections in UK MuseumsJulie Adams8. Inaccuracies, inconsistencies and implications: Researching Kiribati coconut fibre armour in UK collectionsPolly Bence9. Two Germanies: Ethnographic Museums, (Post)colonial Exhibitions, and the 'Cold Odyssey' of Pacific Objects between East and WestPhilipp Schorch10. Museum Dreams: The Rise and Fall of a 'Port-Vila MuseumPeter Brunt11. From Russia with Love: Nikolai Miklouho-Maclay's Pacific collectionsElena Govor12. Collecting procedure unknown: contextualising the Max Biermann collection in the Museum Fünf Kontinente in MunichHilke Thode-Arora13. Made to measure: Photographs from the Templeton Crocker expeditionLucie Carreau14. German women collectors in the Pacific: Elizabeth Krämer-Bannow and Antonie BrandeisAmiria Salmond15. Work on paper: The illustration of customary life in Oceanic artNicholas ThomasPart three: Legacies of Empire16. Kings, Rangatira and Relationships: the enduring meanings of 'treasure' exchanges between Maori and Europeans in 1830s WhangaroaDeidre Brown17. History and Cultural Identity: Commemorating the arrival of the British in KiribatiAlison Clark18. Willful amnesia Contemporary Dutch narratives about western New GuineaFanny Wonu Veys19. A glimmering presence: the unheard Melanesian voices of St Barnabas Memorial Chapel, Norfolk IslandLucie Carreau20. The church at Titikaveka: a Rarotongan barkcloth from the 1840sNicholas Thomas21. 'The woman who walks' Lucy Evelyn Cheesman and her collection from western New Guinea at the Museum of Archaeology and Anthropology, CambridgeKatharina Haslwanter22. An early ngatu tahina in StockholmNicholas Thomas23. Makereti and the Pitt Rivers Museum, 1921-1930, and BeyondNgahuia Te Awekotuku and Jeremy Coote.…

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices.This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively.Volume I focuses on the historical formation of ethnographic museums within Europe, the making of those institutions' Pacific collections, and the activation and re-activation of those collections, over time and in the present.ContentsBiographiesPrefaceIntroduction1. Pacific Presences in BritainNicholas Thomas2. Curiosity, Revolution, Science and Art: Pacific collections and French MuseumsLucie Carreau3. Papua collections in the Netherlands: a story of exploration, research, missionization, and colonizationFanny Wonu Veys4. Oceania in Russian history: Expeditions, collections, museumsElena Govor5. Oceanic Collections in German Museums: Collections, Contexts, and ExhibitsRainer BuschmannNotesAcknowledgements 254 pp. Englisch.…

Buch. Condizione: Neu. Pacific Presences - Volume 1 | Lucie Carreau (u. a.) | Buch | Pacific Presences 4A | Englisch | 2018 | Sidestone Press | EAN 9789088905902 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand. …

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book (vol. 2 of 2) not only enlarges understanding of Oceanic art history and Oceanic collections in important ways, but also enables new reflections upon museums and ways of undertaking work in and around them.Hundreds of thousands of works of art.…

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices.This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively.Volume I focuses on the historical formation of ethnographic museums within Europe, the making of those institutions' Pacific collections, and the activation and re-activation of those collections, over time and in the present.ContentsBiographiesPrefaceIntroduction1. Pacific Presences in BritainNicholas Thomas2. Curiosity, Revolution, Science and Art: Pacific collections and French MuseumsLucie Carreau3. Papua collections in the Netherlands: a story of exploration, research, missionization, and colonizationFanny Wonu Veys4. Oceania in Russian history: Expeditions, collections, museumsElena Govor5. Oceanic Collections in German Museums: Collections, Contexts, and ExhibitsRainer BuschmannNotesAcknowledgementsBooks on Demand GmbH, Überseering 33, 22297 Hamburg 254 pp. Englisch.…

Buch. Condizione: Neu. Pacific Presences - Volume 2 | Lucie Carreau (u. a.) | Buch | Pacific Presences 4B | 512 S. | Englisch | 2018 | Sidestone Press | EAN 9789088906275 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand. …

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices.This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively.Volume II illustrates the sheer variety of Pacific artefacts and histories in museums, and similarly the heterogeneity of the issues and opportunities that they raise. Over thirty essays explore materialities, collection histories, legacies of empire, and contemporary projects.ContentsPrefaceIntroductionPart one: Materialities1. Fibre Skirts: Continuity and ChangeErna Lilje2. Tangible Diversity: Shell Money from the Bismarck ArchipelagoKatherine Szabo3. Aitutaki Patterns or Listening to the Voices of the Ancestors: Research on Aitutaki ta'unga in European MuseumsMichaela Appel and Ngaa Kitai Taria Pureariki4. Unpacking cosmologies: frigate bird and turtle shell headdresses in NauruMaia Nuku5. Reaching across the Ocean': Presences of barkcloth in Oceania and beyondAnna-Karina Hermkens6. 'U'u: an unfinished inquiry into the history and adornment of Marquesan clubsNicholas ThomasPart two: Collection histories and exhibitions7. Haphazard Histories: Tracing Kanak Collections in UK MuseumsJulie Adams8. Inaccuracies, inconsistencies and implications: Researching Kiribati coconut fibre armour in UK collectionsPolly Bence9. Two Germanies: Ethnographic Museums, (Post)colonial Exhibitions, and the 'Cold Odyssey' of Pacific Objects between East and WestPhilipp Schorch10. Museum Dreams: The Rise and Fall of a 'Port-Vila MuseumPeter Brunt11. From Russia with Love: Nikolai Miklouho-Maclay's Pacific collectionsElena Govor12. Collecting procedure unknown: contextualising the Max Biermann collection in the Museum Fünf Kontinente in MunichHilke Thode-Arora13. Made to measure: Photographs from the Templeton Crocker expeditionLucie Carreau14. German women collectors in the Pacific: Elizabeth Krämer-Bannow and Antonie BrandeisAmiria Salmond15. Work on paper: The illustration of customary life in Oceanic artNicholas ThomasPart three: Legacies of Empire16. Kings, Rangatira and Relationships: the enduring meanings of 'treasure' exchanges between Maori and Europeans in 1830s WhangaroaDeidre Brown17. History and Cultural Identity: Commemorating the arrival of the British in KiribatiAlison Clark18. Willful amnesia Contemporary Dutch narratives about western New GuineaFanny Wonu Veys19. A glimmering presence: the unheard Melanesian voices of St Barnabas Memorial Chapel, Norfolk IslandLucie Carreau20. The church at Titikaveka: a Rarotongan barkcloth from the 1840sNicholas Thomas21. 'The woman who walks' Lucy Evelyn Cheesman and her collection from western New Guinea at the Museum of Archaeology and Anthropology, CambridgeKatharina Haslwanter22. An early ngatu tahina in StockholmNicholas Thomas23. Makereti and the Pitt Rivers Museum, 1921-1930, and BeyondNgahuia Te Awekotuku and Jeremy Coote 512 pp. Englisch.…

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices.This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively.Volume I focuses on the historical formation of ethnographic museums within Europe, the making of those institutions' Pacific collections, and the activation and re-activation of those collections, over time and in the present.ContentsBiographiesPrefaceIntroduction1. Pacific Presences in BritainNicholas Thomas2. Curiosity, Revolution, Science and Art: Pacific collections and French MuseumsLucie Carreau3. Papua collections in the Netherlands: a story of exploration, research, missionization, and colonizationFanny Wonu Veys4. Oceania in Russian history: Expeditions, collections, museumsElena Govor5. Oceanic Collections in German Museums: Collections, Contexts, and ExhibitsRainer BuschmannNotesAcknowledgements.…

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices.This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively.Volume II illustrates the sheer variety of Pacific artefacts and histories in museums, and similarly the heterogeneity of the issues and opportunities that they raise. Over thirty essays explore materialities, collection histories, legacies of empire, and contemporary projects.ContentsPrefaceIntroductionPart one: Materialities1. Fibre Skirts: Continuity and ChangeErna Lilje2. Tangible Diversity: Shell Money from the Bismarck ArchipelagoKatherine Szabo3. Aitutaki Patterns or Listening to the Voices of the Ancestors: Research on Aitutaki täunga in European MuseumsMichaela Appel and Ngaa Kitai Taria Pureariki4. Unpacking cosmologies: frigate bird and turtle shell headdresses in NauruMaia Nuku5. Reaching across the Ocean¿: Presences of barkcloth in Oceania and beyondAnna-Karina Hermkens6. ¿U¿u: an unfinished inquiry into the history and adornment of Marquesan clubsNicholas ThomasPart two: Collection histories and exhibitions7. Haphazard Histories: Tracing Kanak Collections in UK MuseumsJulie Adams8. Inaccuracies, inconsistencies and implications: Researching Kiribati coconut fibre armour in UK collectionsPolly Bence9. Two Germanies: Ethnographic Museums, (Post)colonial Exhibitions, and the ¿Cold Odyssey¿ of Pacific Objects between East and WestPhilipp Schorch10. Museum Dreams: The Rise and Fall of a ¿Port-Vila MuseumPeter Brunt11. From Russia with Love: Nikolai Miklouho-Maclay¿s Pacific collectionsElena Govor12. Collecting procedure unknown: contextualising the Max Biermann collection in the Museum Fünf Kontinente in MunichHilke Thode-Arora13. Made to measure: Photographs from the Templeton Crocker expeditionLucie Carreau14. German women collectors in the Pacific: Elizabeth Krämer-Bannow and Antonie BrandeisAmiria Salmond15. Work on paper: The illustration of customary life in Oceanic artNicholas ThomasPart three: Legacies of Empire16. Kings, Rangatira and Relationships: the enduring meanings of ¿treasure¿ exchanges between M¿ori and Europeans in 1830s WhangaroaDeidre Brown17. History and Cultural Identity: Commemorating the arrival of the British in KiribatiAlison Clark18. Willful amnesia Contemporary Dutch narratives about western New GuineaFanny Wonu Veys19. A glimmering presence: the unheard Melanesian voices of St Barnabas Memorial Chapel, Norfolk IslandLucie Carreau20. The church at Titikaveka: a Rarotongan barkcloth from the 1840sNicholas Thomas21. ¿The woman who walks¿ Lucy Evelyn Cheesman and her collection from western New Guinea at the Museum of Archaeology and Anthropology, CambridgeKatharina Haslwanter22. An early ngatu tahina in StockholmNicholas Thomas23. Makereti and the Pitt Rivers Museum, 1921¿1930, and BeyondNgahuia Te Awekotuku and Jeremy CooteBooks on Demand GmbH, Überseering 33, 22297 Hamburg 512 pp. Englisch.…

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their displaced heritage, and renewed interest in ancestral forms and practices.This two-volume book enlarges understandings of Oceanic art and enables new reflection upon museums and ways of working in and around them. In dialogue with Islanders' perspectives, It exemplifies a growing commitment on the part of scholars and curators to work collaboratively and responsively.Volume II illustrates the sheer variety of Pacific artefacts and histories in museums, and similarly the heterogeneity of the issues and opportunities that they raise. Over thirty essays explore materialities, collection histories, legacies of empire, and contemporary projects.ContentsPrefaceIntroductionPart one: Materialities1. Fibre Skirts: Continuity and ChangeErna Lilje2. Tangible Diversity: Shell Money from the Bismarck ArchipelagoKatherine Szabo3. Aitutaki Patterns or Listening to the Voices of the Ancestors: Research on Aitutaki ta'unga in European MuseumsMichaela Appel and Ngaa Kitai Taria Pureariki4. Unpacking cosmologies: frigate bird and turtle shell headdresses in NauruMaia Nuku5. Reaching across the Ocean': Presences of barkcloth in Oceania and beyondAnna-Karina Hermkens6. 'U'u: an unfinished inquiry into the history and adornment of Marquesan clubsNicholas ThomasPart two: Collection histories and exhibitions7. Haphazard Histories: Tracing Kanak Collections in UK MuseumsJulie Adams8. Inaccuracies, inconsistencies and implications: Researching Kiribati coconut fibre armour in UK collectionsPolly Bence9. Two Germanies: Ethnographic Museums, (Post)colonial Exhibitions, and the 'Cold Odyssey' of Pacific Objects between East and WestPhilipp Schorch10. Museum Dreams: The Rise and Fall of a 'Port-Vila MuseumPeter Brunt11. From Russia with Love: Nikolai Miklouho-Maclay's Pacific collectionsElena Govor12. Collecting procedure unknown: contextualising the Max Biermann collection in the Museum Fünf Kontinente in MunichHilke Thode-Arora13. Made to measure: Photographs from the Templeton Crocker expeditionLucie Carreau14. German women collectors in the Pacific: Elizabeth Krämer-Bannow and Antonie BrandeisAmiria Salmond15. Work on paper: The illustration of customary life in Oceanic artNicholas ThomasPart three: Legacies of Empire16. Kings, Rangatira and Relationships: the enduring meanings of 'treasure' exchanges between Maori and Europeans in 1830s WhangaroaDeidre Brown17. History and Cultural Identity: Commemorating the arrival of the British in KiribatiAlison Clark18. Willful amnesia Contemporary Dutch narratives about western New GuineaFanny Wonu Veys19. A glimmering presence: the unheard Melanesian voices of St Barnabas Memorial Chapel, Norfolk IslandLucie Carreau20. The church at Titikaveka: a Rarotongan barkcloth from the 1840sNicholas Thomas21. 'The woman who walks' Lucy Evelyn Cheesman and her collection from western New Guinea at the Museum of Archaeology and Anthropology, CambridgeKatharina Haslwanter22. An early ngatu tahina in StockholmNicholas Thomas23. Makereti and the Pitt Rivers Museum, 1921-1930, and BeyondNgahuia Te Awekotuku and Jeremy Coote.…