Luke clennell (39 risultati)

Condizione: New.

Condizione: New. pp. 248.

Condizione: New. pp. 248.

Loose Leaf. Condizione: New. Reproduction. Original title: The Fair on the Thames, February 4, 1814 German: Die Messe an der Themse, 4. Februar 1814 French: La Foire sur la Tamise, le 4 février 1814 Spanish: La Feria del Támesis, 4 de febrero de 1814 High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1814). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Condizione: New.

Condizione: New. pp. 248.

Single Sheet. Condizione: Very Good. No Jacket. First Edition. THE SAWPIT [PIT SAWING ], ETCHED BY W. JONES AFTER THE PAINTING BY LUKE CLENNELL [ 1781-1840] IN 1877 VERY GOOD CONDITION, MEASURES 7 X 5 INCHES, 18 X 13 CMS, INCHES, MOUNTED AND READY TO FRAME, WE PACK VERY WELL, SPLENDID VALUE. Luke CLENNELL (illustratore).…

Gebunden. Condizione: New.

Original hand-colored engraving of the gatehouse tower of Wetheral Priory in Cumberland, England, the only standing remains of the Benedictine monastery, with a horse-drawn cart passing through the arch. Lettered below: "Engraved by J. Greig, from a Painting by L. Clennell, for the Border Antiquities of England & Scotland". The Border Antiquities of England and Scotland, with text by Walter Scott, was published in London between 1814 and 1817 and gathered views of the castles, abbeys and priories of the Anglo-Scottish border. Luke Clennell (1781-1840) signs the original painting and John Greig the engraving. Medium: Hand-colored copper engraving. Artist / after: Luke Clennell (1781-1840). Engraver / lithographer: John Greig. Date: about 1814-1817. Source: The Border Antiquities of England and Scotland, London. Dimensions: 9.6 x 7.4 in (24.5 x 18.8 cm). Condition: Good condition, color bright and well preserved; paper with light toning in the margins. Español Grabado original coloreado a mano de la torre-puerta del priorato de Wetheral, en Cumberland (Inglaterra), único resto en pie del monasterio benedictino, con un carro tirado por caballos entrando por el arco. Al pie: "Engraved by J. Greig, from a Painting by L. Clennell, for the Border Antiquities of England & Scotland". The Border Antiquities of England and Scotland, con texto de Walter Scott, se publicó en Londres entre 1814 y 1817 y reunió las vistas de castillos, abadías y prioratos de la frontera anglo-escocesa. Luke Clennell (1781-1840) firma la pintura original y John Greig la plancha. Técnica: Grabado calcográfico coloreado a mano. Autor / dibujante: Luke Clennell (1781-1840). Grabador: John Greig. Fecha: hacia 1814-1817. Procedencia: The Border Antiquities of England and Scotland, Londres. Medidas: 24,5 x 18,8 cm. Estado de conservación: buen estado, color vivo y bien conservado; papel con leve amarilleo en los márgenes. Antigüedades y coleccionables > Arte. Greig, John (1779-1853) (illustratore).…

Original antique engraving, Badger and Dogs: a badger set upon by a pack at the foot of an old oak, with two men urging the dogs on and a mattock left in the foreground. Lettered at the foot: Engraved by J. Greig from a Painting by L. Clennell. Medium: Copper engraving. Artist / after: Luke Clennell (1781-1840). Engraver: J. Greig. Date: 1 January 1818. Source: London, Sherwood, Neely & Jones, Paternoster Row. Dimensions: 8.4 x 5.1 in (21.3 x 13 cm). Condition: Paper with overall toning and scattered oxidation spots. Español Grabado antiguo original «Badger and Dogs»: un tejón acosado por una jauría al pie de un roble viejo, con dos hombres que azuzan a los perros y la azada abandonada en primer término. Al pie: «Engraved by J. Greig from a Painting by L. Clennell». Técnica: Grabado calcográfico. Autor / pintor: Luke Clennell (1781-1840). Grabador: J. Greig. Fecha: 1 de enero de 1818. Procedencia: Londres, Sherwood, Neely & Jones, Paternoster Row. Medidas: 21,3 x 13 cm. Estado de conservación: papel con amarilleo general y manchitas de oxidación dispersas. Antigüedades y coleccionables > Arte. Greig, John (1779-1853) (illustratore).…

Hardcover. Condizione: Fine. 14 preliminary pages (including Biographical Note and Printer's Note), 32 pages (including 28 leaves each with impression from original wood block), fine condition in full brown morocco leather, in fleece lined slipcase, number 4 of 25 copies specially bound in full leather from an edition of 100. Heavy book (1.1 kilos) - additional shipping will be requested for destinations out-with the United Kingdom. Luke Clennell (illustratore).…

Hardcover. Condizione: VG. Marbled color paper over boards; Brown cloth at spine; 16 pp.; 7 bw illustrations. Contains songs from Endymion, Galathea, Mother Bombie, Midas, Alexander and Campaspe, and Sappho and Phaon; Includes illustrations by Luke Clennell, who was an apprentice and assistant to engraver Thomas Bewick; Hand-numbered, no. 2 of 160 copies in this edition. Luke Clennell (illustratore).…

Original engraving of 1815, hand-colored, with the ruined interior of Holyrood Chapel in Edinburgh, overgrown with vegetation. Engraved by J. Greig after a painting by Luke Clennell for "The Border Antiquities of England and Scotland", by Walter Scott. Medium: Copper engraving, hand-colored. Artist / after: Luke Clennell. Engraver: John Greig. Date: 1 May 1815. Source: "The Border Antiquities of England and Scotland"; Longman & Co., Paternoster Row, London. Dimensions: 9.7 x 7.9 in (24.7 x 20.1 cm). Condition: Good. Paper lightly browned in the margins, without tears or significant stains. Español Grabado original de 1815, coloreado a mano, con el interior en ruinas de la capilla de Holyrood en Edimburgo, invadido por la vegetación. Abierto por J. Greig sobre pintura de Luke Clennell para "The Border Antiquities of England and Scotland", de Walter Scott. Técnica: Grabado calcográfico coloreado a mano. Autor / dibujante: Luke Clennell. Grabador / litógrafo: John Greig. Fecha: 1 de mayo de 1815. Procedencia: "The Border Antiquities of England and Scotland"; Longman & Co., Paternoster Row, Londres. Medidas: 24,7 x 20,1 cm. Estado de conservación: Buena. Papel ligeramente tostado en los márgenes, sin roturas ni manchas de importancia. Antigüedades y coleccionables > Arte. Greig, John (1779-1853) (illustratore).…

Original hand-colored engraving, published in London on 1 January 1815, with the ruined interior of the chapel of Holyrood Abbey in Edinburgh. Engraved by J. Greig after a painting by Luke Clennell for The Border Antiquities of England and Scotland. Medium: Copper engraving, hand-colored. Artist / after: Luke Clennell (1781-1840). Engraver: John Greig. Date: 1815. Source: The Border Antiquities of England and Scotland, London, Longman & Co. Dimensions: 8.0 x 10.8 in (20.3 x 27.4 cm). Condition: Good. Light toning of the paper in the margins. Español Grabado original coloreado a mano, publicado en Londres el 1 de enero de 1815, con el interior en ruinas de la capilla de la abadía de Holyrood, en Edimburgo. Grabado por J. Greig sobre pintura de Luke Clennell para The Border Antiquities of England and Scotland. Técnica: Grabado a talla dulce coloreado a mano. Autor / dibujante: Luke Clennell (1781-1840). Grabador / litógrafo: John Greig. Fecha: 1815. Procedencia: The Border Antiquities of England and Scotland, Londres, Longman & Co. Medidas: 20,3 x 27,4 cm. Estado de conservación: Buena. Ligero amarilleo del papel en los márgenes. Antigüedades y coleccionables > Arte. Greig, John (1779-1853) (illustratore). …

Condizione: New. Print on Demand pp. 102.

Condizione: New. Print on Demand pp. 98.

Original 1814 hand-colored engraving with the ruined interior of Lanercost Priory, in Cumberland: two visitors examine an armorial tomb beneath arches overrun with ivy. Engraved by John Greig after a work by Luke Clennell. Medium: Copper engraving, hand-colored. Artist / after: Luke Clennell (1781-1840). Engraver: John Greig. Date: 1814. Source: Made for a work on the antiquities of England and Scotland, according to the lettering. Dimensions: 10 x 7.1 in (25.5 x 18 cm). Condition: Good; light browning of the paper and a few scattered small spots. Español Grabado original de 1814 coloreado a mano con el interior en ruinas del priorato de Lanercost, en Cumberland: dos visitantes examinan un sepulcro heráldico bajo los arcos invadidos por la hiedra. Grabado por John Greig sobre obra de Luke Clennell. Técnica: Grabado calcográfico coloreado a mano. Autor / dibujante: Luke Clennell (1781-1840). Grabador / litógrafo: John Greig. Fecha: 1814. Procedencia: Grabado para una obra de antigüedades de Inglaterra y Escocia, según el pie. Medidas: 25,5 x 18 cm. Estado de conservación: Buena; leve tostado del papel y algunas manchitas dispersas. Antigüedades y coleccionables > Arte. Greig, John (1779-1853) (illustratore).…

hardcover. Condizione: Very Good. First Edition. Publication: London, T. Cadell and W. Davies, 1812 Formatting: 8vo, pp. [viii], 275, [1]. Condition Report: Very Good. The volume is tightly bound in a handsome contemporary full calf binding, which remains structurally sturdy despite some mild rubbing to the extremities and slight wear to the spine ends. The intricate gilt and blind tooling on the boards and spine remains bright and largely unoxidized, retaining much of its original elegance. The decorated edges of the text block are well-preserved, though slightly darkened with age. Internally, the hinges are sound and the text block is firm. The pages exhibit some moderate age-toning and localized foxing, most notably along the margins of the preliminary leaves and the title page, alongside faint historic moisture marks near the gutter. Early ownership inscriptions are present on the front endpapers in ink, but the text and the fine wood-engravings remain clean, legible, and well-preserved throughout. Catalogue Note: This 1812 publication represents the first collected edition of Samuel Rogers' poetry. It brings together his highly acclaimed works, including The Pleasures of Memory, in a single, elegantly produced volume. The work is beautifully illustrated throughout with sixty-four delicate wood-engraved vignettes, head-pieces, and tail-pieces. These engravings were masterfully cut by Luke Clennell, a prominent pupil of Thomas Bewick, based on original drawings by the renowned English painter and illustrator Thomas Stothard, R.A. Adding a layer of historical interest, the front flyleaf bears the ink ownership signature of "W. W. Chynoweth Pope," alongside an early annotation in purple ink directing the reader to a review of Rogers' Poems in Sir James Mackintosh's Miscellaneous Works (1851). A further partial ownership inscription to the front pastedown adds to its provenance. First collected editions featuring these specific Stothard-Clennell illustrations are highly regarded by collectors of Romantic-era poetry and nineteenth-century book illustration. A cornerstone of English Romantic literature, this first collected edition of Samuel Rogers' Poems captures the refined sensibility that made him one of the most celebrated poets of his generation. While his contemporary fame rivaled that of Wordsworth and Byron, it is his masterwork, The Pleasures of Memory, that secures his lasting legacy. This exquisite 1812 volume elevates Rogersâ evocative verse with a series of masterful wood-engraved vignettes by Luke Clennell after Thomas Stothard, blending poetry and visual art into a beautiful artifact of the early nineteenth century. Thomas Stothard and Luke Clennell (illustratore).…

Leather. Condizione: Good. First edition. The very scarce first edition of this charmingly illustrated study of British quadrupeds, featuring twenty-four engraved plates, and in a smart straight grained morocco binding. The first edition of this very scarce early nineteenth century work of natural history, illustrated throughout by British wood-engraver and painter Luke Clennell, who acted as Thomas Bewick's assistant for his important work, 'A History of British Birds'.Illustrated with twenty-four engraved plates, including a frontispiece, and numerous vignette illustrations. Collated, complete.A charming and scarce study of four-footed mammals, discussing the 'nature, habits, and dispositions' - along with 'original anecdotes' - of such native English creatures as the ox, rat, sheep, deer, horse, stoat and stag.Retaining the binder's instructions to the final leaf.A wonderfully illustrated study of the animal kingdom, in an attractive straight grain morocco binding. In a straight grain morocco binding, with gilt detailing. Boards bright, with handling marks. Significant rubbing to joints, with tail of front joint starting, and board firmly held. Rear hinge strained, with board firmly held. Internally, firmly bound. Pages age toned due to paper type, with handling marks throughout, and with spotting to perimeters of plates and pages facing them. Tape restoration to tail of page 64. Good. Luke Clennell (illustratore). book.…

Condizione: Good. 8vo. 133 pp. Modern Half Red Cloth on Marbled Boards, Very Good with some spotting and minor staining throughout. Wood engraved title and illustrations by Luke Clennell, later presentation inscription to preliminary.Provenance: The estate of Paul Gallico (1897 - 1976), one of the greatest storytellers and writers of the 20th Century. The celebrated American-born novelist, screenwriter and journalist is renowned for the writing of a number of significant works, including his most well-known book, The Snow Goose, a short novel that achieved much acclaim and was later made into a film and broadcast on BBC TV.…

Leather. Condizione: Very Good. First edition. The scarce first edition of this charmingly illustrated study of British quadrupeds, featuring twenty-four engraved plates, and in a smart straight grained morocco binding. The first edition of this scarce early nineteenth century work of natural history, illustrated throughout by British wood-engraver and painter Luke Clennell, who acted as Thomas Bewick's assistant for his important work, 'A History of British Birds'.Illustrated with twenty-four engraved plates, including a frontispiece, and numerous vignette illustrations. Collated, complete.A charming and scarce study of four-footed mammals, discussing the 'nature, habits, and dispositions' - along with 'original anecdotes' - of such native English creatures as the ox, rat, sheep, deer, horse, stoat and stag.With the contemporary inscription of William Lucas to the front endpaper, and retaining to binder's instructions to the final leaf.A wonderfully illustrated study of the animal kingdom. In a full straight grain morocco binding, with gilt detailing. Significant rubbing to back strip and board perimeters. Front hinge starting, with board holding firm. Former owner's inscription to front endpaper. Internally, firmly bound. Light spotting to plates, with pages otherwise generally clean and bright. Very Good. Luke Clennell (illustratore). book.…

Paperback. Condizione: Fine. Limited editions. 3 volumes. First vol.: xiv, [1], 24 pp. (includes 22 numbered sheets with engravings printed on rectos only); second vol: xiv, [1], 32 pp. (includes 28 numbered sheets with engravings printed on rectos only); third volume: 8 pp. pamphlet in blue printed wrappers accompanying 17 numbered loose sheets with engravings printed on rectos. All volumes unbound, each in separate folder of natural linen and marbled boards, housed together in matching slipcase with letterpress label. Impressions from the original blocks of Thomas and John Bewick and Bewick apprentice Luke Clennell. Printed by hand on a Columbian press on BFK Rives Velin Cuve paper by David Esslemont. Limited editions: "John Bewick" No. 104/140; "Luke Clennell" No. 99/100; "Thomas Bewick Birds" one of 100 unnumbered copies.…

Original antique hand-colored engraving of the west front of Lanercost Priory in Cumberland, with two figures seated beside the porch. Engraved by J. Greig after a painting by L. Clennell for The Border Antiquities of England and Scotland. The prints of that work, devoted to the monuments of the Anglo-Scottish border and with text by Walter Scott, were issued in parts from 1812. Luke Clennell (1781-1840), a pupil of Thomas Bewick, was one of its principal draughtsmen. Medium: Copper engraving, hand-colored. Artist / after: L. Clennell. Engraver: J. Greig. Date: 1813. Source: The Border Antiquities of England and Scotland. Dimensions: Image 7.9 x 5.9 in (20 x 15 cm). Condition: Good condition, with wide margins and light toning of the paper. Español Grabado antiguo original coloreado a mano con la fachada oeste del priorato de Lanercost, en Cumberland, y dos figuras sentadas junto al pórtico. Abierto por J. Greig sobre una pintura de L. Clennell para The Border Antiquities of England and Scotland. Los grabados de esa obra, dedicada a los monumentos de la frontera anglo-escocesa y con texto de Walter Scott, se publicaron por entregas a partir de 1812. Luke Clennell (1781-1840), discípulo de Thomas Bewick, fue uno de sus dibujantes principales. Técnica: grabado calcográfico coloreado a mano. Autor / dibujante: L. Clennell. Grabador: J. Greig. Fecha: 1813. Procedencia: The Border Antiquities of England and Scotland. Medidas: 20 x 15 cm (imagen). Estado de conservación: buen estado, con amplios márgenes y ligero amarilleo del papel. Antigüedades y coleccionables > Arte. Greig, John (1779-1853) (illustratore).…

One of twenty-five copies only in full brown morocco, of a limitation of 100. Quarto, pp., xiv, 28 of wood engravings printed to rectos only, 32 of bibliographical notes, [1] colophon printed to verso, [4] of blanks. Ruled panels to boards in gilt and black, titled in gilt to spine, fore-edge and lower edge uncut, printed on handmade B.F.K. Rives Velin Cuve paper. Felt-lined tan slipcase. The very slightest of sunning to spine. Contents clean, bright, and fresh. A near-fine copy. A fine collection of Bewick wood-engravings, printed from the original blocks by Esslemont on a Columbian Press, as Bewick's contemporaries would have printed them. Clennell was Bewick's principal assistant in the preparation of 'A History of British Birds', and would later go on to be an accomplished wood-engraver in his own right.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1810 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 295 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 295 Volume 2 Language: English.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1817 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 255 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 255 Language: English.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1810 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 267 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 267 Volume 1 Language: English.…

Softcover. Condizione: New. Reprint. Language: English. Approximately 104 pages. English: Print-on-demand reprint. Original edition : 1809. Text in English. This work presents a series of wood-engravings executed by prominent artists of the period, including A.R. Branston, C. Nesbit, L. Clennell, and H. Hole. The engravings are based on designs drawn directly on the wood blocks, showcasing the craftsmanship and artistic skill of the era. The religious themes depicted in these engravings offer a valuable insight into the artistic and spiritual sensibilities of the early 19th century. Book images are non-contractual. This item is printed on demand and ships from our printing partners' facility nearest the destination. These facilities are located mainly in the United States, the United Kingdom and Canada. …

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1806 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 360 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 360 Language: English.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1814 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 434 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 434 Language: English.…