Luo yongjin (8 risultati)

Paperback. Condizione: Near Fine. Book has some light wear to tips of corners but is otherwise looking as new, clean and sharp and solid. Photos on request.

Soft cover. Condizione: Near Fine. 1st Edition. 4to softcover volume in near fine condition with a bit of minor rubbing. Contents fine and unmarked.

Softcover, unpaginated; in English and Chinese; very good condition except lamination on front cover starting to buckle; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Very Good. Black-and-white photographs of Chinese architecture. Text in Chinese and English. A clean, unmarked copy with firm binding. s227.

brossura con bandelle. Condizione: Nuovo. Mostra a cura di Monica Dematté. Associazione Culturale Contemporanea Arti e Culture Milano, 28 febbraio - 27 aprile 2000. Formato 30x21Collana CONTEMPORANEA ARTI E CULTURENum Pagine 75. fotografie in b/n (illustratore).

Catalogo dell'omonima mostra presso la Contemporanea Arti e Culture di Milano (28.II " 27.IV.2000). Formato: 75 p., 21x30 cm, bross.

Paperback. Condizione: Near Fine. 4to. [52] pp. Near Fine. Slight rippling to laminate on front wrap. Essays by Gu Zheng, Monica Demattet, and Christopher Choa.

Condizione: Gut. 24 S.; Illustr. (Fotografie); 30 cm; kart. Gutes Ex. - Englisch; chinesisch. - Texte v. Hermann Koelle; Michael Roßnagl; Karen Smith; Ingo Hartmann. - Thomas Struth (* 1954 in Geldern, Niederrhein) ist ein deutscher Fotograf der Düsseldorfer Photoschule. . Im Zentrum von Struths Interesse steht das "präzise Sehen" und insbesondere die Beziehung zwischen Betrachter und Betrachtetem. Struth stellt in seinen Werkgruppen regelmäßig Sichtweisen auf überkommene fotografische Sujets in Frage, unterläuft Sehgewohnheiten und erweitert auf diese Weise den fotografischen Kunstbegriff. So zeigen Thomas Struths Architekturaufnahmen Plätze und Straßenzüge, die die städtische Entwicklung sensibel dokumentieren. Die Werkgruppe Unbewusste Orte, die in Städten auf der ganzen Welt entstanden ist, bildet einen eigenständigen Beitrag zur Stadtanthropologie. Ähnlich arbeitete der Künstler in der Serie der Landschaften: Durch die Abwesenheit von Menschen wird auf ihre Anwesenheit und Gestaltung der ländlichen Umgebung hingewiesen. Einen quasi dokumentarischen Charakter haben auch weitere Projekte von Struth wie z. B. die Porträts, in denen die Möglichkeiten der Darstellbarkeit eines Individuums bzw. einer Gemeinschaft untersucht werden. Der Prozess des Betrachtens wird im Zyklus der Museumsbilder zu einem Vehikel, das den Betrachter jeweils in andere Zeit-Räume versetzt - andere Museen, fiktive Welten. 2007 war Struth der erste zeitgenössische Künstler, der im Museo del Prado in Madrid ausgestellt hat. Für diese Ausstellung hat Struth Museumsbesucher im Prado fotografiert. . (wiki) // TWO artists embark on a dialog, each one having lived in a different country on another continent, moided by a distinct culture and social system, the result of which is this joint exhibition. The aim of the exhibition is to provide exceptional insight into contemporary artistic creation and, at the same time, promote perceptiveness by confronting the viewer with a "different world". This kind of cooperation is not unusual in the world of art. What is new is the opportunity for individuals to exchange their experiences within the framework of intercultural relations between China and Germany. Luo Yongjin and Thomas Struth, the first two participants in the "Face to Face" exhibition series, happen to be exceptional photographers of their generation. These two artists, who had never met personally before this project began, have arranged 50 works into a joint presentation the central theme of which is the photographic representation of the human being. The objective of their very realistic yet different styles is not so much to create hyperrealistic photography. On the contrary, their work has been composed so that the clarity with which man's daily life is formulated as an image covers levels of experience, which transcends for the observer the purely documentary nature of the observation While Luo Yongjin works within the tradition of journalistic photography, Thomas Struth uses stylistic techniques of documentary photography. Luo Yongjin responds photographically to given situations, his shots are taken at the "right moment" and present to the beholder the characteristic elements in work steeped in atmosphere. Thomas Struth, on the other hand, creates analytical photographs which demonstrate a foundation of strict artistic conception, thus lending themselves to contemplative musing. Above all, the fascination inherent in combining these two photographers lies in their two different artistic approaches to the social questions of our time. Michael Roßnagl / Siemens Cultural Programme. Sprache: Deutsch Gewicht in Gramm: 550.…