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Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB, 2022
ISBN 10: 1501391011 ISBN 13: 9781501391019
Da: Rarewaves.com USA, London, LONDO, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. It charts how the term "Latinize" was introduced to connect France's early 19th-century endeavors to create Latin America-an expansion of the French empire into the Latin-language speaking Spanish and Portuguese Americas-to its perception of the people who lived there.Elites who traveled to Paris from their newly independent nations in the 1840s were denigrated in visual media, rather than depicted as equals in a developing global economy. Darkened skin, brushed onto images of Latin Americans of European descent, mitigated their ability to claim the privileges of their ancestral heritage; whitened skin, among other codes, imposed on depictions of Black Latin Americans denied their Blackness and rendered them relatively assimilatable compared to colonial Africans, Black people from the Caribbean, and African Americans.In addition to identifying 19th-century Latinizing codes, this book focuses on shifts in latinizing visuality between 1890 and 1933 through three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans created by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925 and 1933.
Lingua: Inglese
Editore: Bloomsbury Publishing (UK), 2022
ISBN 10: 1501391011 ISBN 13: 9781501391019
Da: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Bloomsbury Publishing (UK), 2022
ISBN 10: 1501391011 ISBN 13: 9781501391019
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Bloomsbury Visual Arts 6/30/2022, 2022
ISBN 10: 1501391011 ISBN 13: 9781501391019
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Latin Blackness in Parisian Visual Culture, 1852-1932. Book.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Da: Kloof Booksellers & Scientia Verlag, Amsterdam, Paesi Bassi
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Aggiungi al carrelloCondizione: as new. New York & London : Bloomsbury Visual Arts, 2022. Paperback. 213 pp. Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. It charts how the term "Latinize" was introduced to connect France's early 19th-century endeavors to create Latin Americaan expansion of the French empire into the Latin-language speaking Spanish and Portuguese Americasto its perception of the people who lived there. Elites who traveled to Paris from their newly independent nations in the 1840s were denigrated in visual media, rather than depicted as equals in a developing global economy. Darkened skin, brushed onto images of Latin Americans of European descent, mitigated their ability to claim the privileges of their ancestral heritage; whitened skin, among other codes, imposed on depictions of Black Latin Americans denied their Blackness and rendered them relatively assimilatable compared to colonial Africans, Black people from the Caribbean, and African Americans. In addition to identifying 19th-century Latinizing codes, this book focuses on shifts in latinizing visuality between 1890 and 1933 through three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans created by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925 and 1933. Condition : as new copy. ISBN 9781501391019. Keywords : CULTURAL STUDIES,
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Hardcover. Condizione: As New. Condizione sovraccoperta: None Issued. Binding is tight and sturdy, text is unmarked, pages are bright. No dust jacket as issued.
Condizione: New. 2022. NIP. Paperback. . . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Bloomsbury Visual Arts 2022-06-30, 2022
ISBN 10: 1501391011 ISBN 13: 9781501391019
Da: Chiron Media, Wallingford, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New.
Condizione: New.
Da: Biblios, Frankfurt am main, HESSE, Germania
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Lingua: Inglese
Editore: Bloomsbury Visual Arts, USA, 2019
ISBN 10: 150133235X ISBN 13: 9781501332357
Da: Marcus Campbell Art Books, London, Regno Unito
Prima edizione
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Aggiungi al carrelloHardcover. Condizione: Near fine. No dj, as issued. First Edition. 16 x 24cm 213pp arranged into four generous chapters supported by some black and white and colour reproductions.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 232 pages. 9.00x6.00x1.00 inches. In Stock.
Editore: Kennesaw, GA: Kennesaw State University College of the Arts., 2006
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condizione: Good. 4to. [42 pp.]. Very Good. Soft Cover. Printed stiff paper wraps. Pages fine. Color plates throughout. Scarce. From the Collection of the Art Historian Peter Selz.
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Aggiungi al carrelloCondizione: New. InhaltsverzeichnisList of IllustrationsAcknowledgementsIntroductionThe Term Latin American Why Paris?Much More Than PrimitivismReduced to Latin AmericansParisian Figurations of Blackness from the Mid-Nineteenth to the Early Twen.
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Aggiungi al carrellohardcover. Condizione: Very Good. Very good, pages are clean, however there is some shelf wear on cover, which may include marking, creasing or small / slight scuff marks Shipped from the UK within 2 business days of order being placed.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC, GB, 2022
ISBN 10: 1501391011 ISBN 13: 9781501391019
Da: Rarewaves.com UK, London, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: New. Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. It charts how the term "Latinize" was introduced to connect France's early 19th-century endeavors to create Latin America-an expansion of the French empire into the Latin-language speaking Spanish and Portuguese Americas-to its perception of the people who lived there.Elites who traveled to Paris from their newly independent nations in the 1840s were denigrated in visual media, rather than depicted as equals in a developing global economy. Darkened skin, brushed onto images of Latin Americans of European descent, mitigated their ability to claim the privileges of their ancestral heritage; whitened skin, among other codes, imposed on depictions of Black Latin Americans denied their Blackness and rendered them relatively assimilatable compared to colonial Africans, Black people from the Caribbean, and African Americans.In addition to identifying 19th-century Latinizing codes, this book focuses on shifts in latinizing visuality between 1890 and 1933 through three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans created by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925 and 1933.
Lingua: Inglese
Editore: Bloomsbury Publishing PLC Jun 2022, 2022
ISBN 10: 1501391011 ISBN 13: 9781501391019
Da: AHA-BUCH GmbH, Einbeck, Germania
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. It charts how the term 'Latinize' was introduced to connect France's early 19th-century endeavors to create Latin America-an expansion of the French empire into the Latin-language speaking Spanish and Portuguese Americas-to its perception of the people who lived there.Elites who traveled to Paris from their newly independent nations in the 1840s were denigrated in visual media, rather than depicted as equals in a developing global economy. Darkened skin, brushed onto images of Latin Americans of European descent, mitigated their ability to claim the privileges of their ancestral heritage; whitened skin, among other codes, imposed on depictions of Black Latin Americans denied their Blackness and rendered them relatively assimilatable compared to colonial Africans, Black people from the Caribbean, and African Americans.In addition to identifying 19th-century Latinizing codes, this book focuses on shifts in latinizing visuality between 1890 and 1933 through three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans created by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925 and 1933.
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
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