Williams lyneise (51 risultati)

Paperback. Condizione: Like New. Clean copy. May have remainder mark.

Soft cover. Condizione: Very Good. text clean and unmarked. binding tight. covers have very light wear. edges of pages have very light wear.

Condizione: new.

Condizione: New.

Condizione: New.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condizione: New. Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. It charts how the term "Latinize" was introduced to connect France's early 19th-century endeavors to create Latin America-an expansion of the French empire into the Latin-language speaking Spanish and Portuguese Americas-to its perception of the people who lived there.Elites who traveled to Paris from their newly independent nations in the 1840s were denigrated in visual media, rather than depicted as equals in a developing global economy. Darkened skin, brushed onto images of Latin Americans of European descent, mitigated their ability to claim the privileges of their ancestral heritage; whitened skin, among other codes, imposed on depictions of Black Latin Americans denied their Blackness and rendered them relatively assimilatable compared to colonial Africans, Black people from the Caribbean, and African Americans.In addition to identifying 19th-century Latinizing codes, this book focuses on shifts in latinizing visuality between 1890 and 1933 through three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans created by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925 and 1933.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. 2022. NIP. Paperback. . . . . .

Paperback or Softback. Condizione: New. Latin Blackness in Parisian Visual Culture, 1852-1932. Book.

Condizione: As New. Unread book in perfect condition.

Condizione: as new. New York & London : Bloomsbury Visual Arts, 2022. Paperback. 213 pp. Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. It charts how the term "Latinize" was introduced to connect France's early 19th-century endeavors to create Latin Americaan expansion of the French empire into the Latin-language speaking Spanish and Portuguese Americasto its perception of the people who lived there. Elites who traveled to Paris from their newly independent nations in the 1840s were denigrated in visual media, rather than depicted as equals in a developing global economy. Darkened skin, brushed onto images of Latin Americans of European descent, mitigated their ability to claim the privileges of their ancestral heritage; whitened skin, among other codes, imposed on depictions of Black Latin Americans denied their Blackness and rendered them relatively assimilatable compared to colonial Africans, Black people from the Caribbean, and African Americans. In addition to identifying 19th-century Latinizing codes, this book focuses on shifts in latinizing visuality between 1890 and 1933 through three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans created by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925 and 1933. Condition : as new copy. ISBN 9781501391019. Keywords : CULTURAL STUDIES.…

Hardcover. Condizione: As New. None Issued. Binding is tight and sturdy, text is unmarked, pages are bright. No dust jacket as issued.

Paperback. Condizione: New.

Condizione: New. 2022. NIP. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Condizione: New.

Hardcover. Condizione: Near Fine. No Jacket. Near Fine hard cover with printed covers, no jacket. Minimal shelf wear. Black-and-white and color illustrations. 232 pages.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: Very Good. Very good, pages are clean, however there is some shelf wear on cover, which may include marking, creasing or small / slight scuff marks Shipped from the UK within 2 business days of order being placed.

Hardcover. Condizione: Brand New. 120 pages. 11.25x9.75x0.50 inches. In Stock.

Hardcover. Condizione: Near fine. No dj, as issued. First Edition. 16 x 24cm 213pp arranged into four generous chapters supported by some black and white and colour reproductions.

Paperback. Condizione: Brand New. 232 pages. 9.00x6.00x1.00 inches. In Stock.

Paperback. Condizione: Fine. Small Qto., 42 pages, illustrated with colour plates. A Fine copy.

Taschenbuch. Condizione: Neu. Neuware - Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. It charts how the term 'Latinize' was introduced to connect France's early 19th-century endeavors to create Latin America-an expansion of the French empire into the Latin-language speaking Spanish and Portuguese Americas-to its perception of the people who lived there.Elites who traveled to Paris from their newly independent nations in the 1840s were denigrated in visual media, rather than depicted as equals in a developing global economy. Darkened skin, brushed onto images of Latin Americans of European descent, mitigated their ability to claim the privileges of their ancestral heritage; whitened skin, among other codes, imposed on depictions of Black Latin Americans denied their Blackness and rendered them relatively assimilatable compared to colonial Africans, Black people from the Caribbean, and African Americans.In addition to identifying 19th-century Latinizing codes, this book focuses on shifts in latinizing visuality between 1890 and 1933 through three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans created by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925 and 1933.…

Condizione: Good. 4to. [42 pp.]. Very Good. Soft Cover. Printed stiff paper wraps. Pages fine. Color plates throughout. Scarce. From the Collection of the Art Historian Peter Selz.