Malcolm sexton (19 risultati)

2nd impression. Upbeat text for learning English - part of a multimedia coproduction of Longman, the BBC, and the Institut fur Film Und Bild Munich. Clean crisp copy w some library markings. 7-1/4 x 9-1/2, 107 pp, b/w illus. VeryGood ex-library copy else unmarked. Trade Paperback in color photo wraps.…

SC. Condizione: Gut. Obr., gr 8? 230s., in gutem Zustand, [LSC51,2b] Deu 400g.

SC. Condizione: Gut. Obr., gr 8?, 198s., in gutem Zustand., [LSC51,2b]., Deu 400g.

Pappband. Condizione: Gut. 1. Auflage. 164 Seiten Remittendenstempel, papierbedingte Seitenbräunung/// Standort Wimregal HAA-56247 ISBN 3142506349 WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Deutsch Gewicht in Gramm: 318.

weicher Einband. Condizione: Gut bis sehr gut. Softcover, 24x17 cm, 167 Seiten. Unteres Eck minimal bestossen. Das Buch stammt aus einem Lehrerhaushalt. Sehr gepflegter Zustand 1. Auflage 1992. Ausgabe A, Band 3 320 gr.

Westermann, Braunschweig, 1995. 167 S., kart.---neuwertig / ungelesen- 250 Gramm.

Westermann, Braunschweig, 1996. 197 S., kart.----neuwertig / ungelesen- 362 Gramm.

Taschenbuch. Condizione: Gut. 230 Seiten mit Abbildungen kleinere Gebrauchsspuren, Ecken und Kanten leicht berieben, innen sauber und ordentlich V34 Sprache: Englisch Gewicht in Gramm: 419.

Taschenbuch. Condizione: Gut. 1. Auflage von 1995! ---. nein.

Westermann, Braunschweig, 1996. 229 S./69 S. mit einigen Abb., kart., Quart---neuwertig/ungelesen 632 Gramm.

Condizione: New. In English.

Hardback. Condizione: New. Before it reached television, science fiction existed on the printed page, in comic books, and on movie screens for decades. Adapting science fiction to the new medium posed substantial challenges: Small viewing screens and limited production facilities made it difficult to achieve the sense of wonder that had become the genre's hallmark. Yet, television also offered unprecedented opportunities. Its serial nature allowed for longer, more complex stories, as well as developing characters and building suspense over time. Producers of science fiction television programming learned to create adaptations that honored the source material-literature, comics, or film-while taking full advantage of television's unique aesthetic.In Adapting Science Fiction to Television: Small Screen, Expanded Universe, Max Sexton and Malcolm Cook examine how the genre evolved over time. The authors consider productions in both the UK and the United States, ranging from Walt Disney's acclaimed "Man in Space"in the 1950s to the BBC's reimagined Day of the Triffids in the 1990s. Iconic characters from Flash Gordon and Captain Nemo to Superman and Professor Quatermass all play a role in this history, along with such authors as E. M. Forster and Wernher von Braun. The real stars of this study, however, are the pioneering producers and directors who learned how to bring imagined worlds and fantastic stories into living rooms across the globe. The authors make the case that television has become more sophisticated, capable of taking on larger themes and deploying a more complex use of the image than other media. A unique reappraisal of the history and dynamics of the medium, Adapting Science Fiction Television will be of interest not only to scholars of science fiction, but to anyone interested in the early history of television, as well as the evolution of its unique capacity to tell stories.…

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 269 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Condizione: Brand New. 179 pages. 9.50x6.50x0.75 inches. In Stock.

Hardback. Condizione: New. Before it reached television, science fiction existed on the printed page, in comic books, and on movie screens for decades. Adapting science fiction to the new medium posed substantial challenges: Small viewing screens and limited production facilities made it difficult to achieve the sense of wonder that had become the genre's hallmark. Yet, television also offered unprecedented opportunities. Its serial nature allowed for longer, more complex stories, as well as developing characters and building suspense over time. Producers of science fiction television programming learned to create adaptations that honored the source material-literature, comics, or film-while taking full advantage of television's unique aesthetic.In Adapting Science Fiction to Television: Small Screen, Expanded Universe, Max Sexton and Malcolm Cook examine how the genre evolved over time. The authors consider productions in both the UK and the United States, ranging from Walt Disney's acclaimed "Man in Space"in the 1950s to the BBC's reimagined Day of the Triffids in the 1990s. Iconic characters from Flash Gordon and Captain Nemo to Superman and Professor Quatermass all play a role in this history, along with such authors as E. M. Forster and Wernher von Braun. The real stars of this study, however, are the pioneering producers and directors who learned how to bring imagined worlds and fantastic stories into living rooms across the globe. The authors make the case that television has become more sophisticated, capable of taking on larger themes and deploying a more complex use of the image than other media. A unique reappraisal of the history and dynamics of the medium, Adapting Science Fiction Television will be of interest not only to scholars of science fiction, but to anyone interested in the early history of television, as well as the evolution of its unique capacity to tell stories.…

paperback. Condizione: Gut. Seiten; 9783526506003.3 Gewicht in Gramm: 500.

paperback. Condizione: Gut. 158 Seiten; 9783142506043.3 Gewicht in Gramm: 500.

Condizione: Gut. Zustand: Gut | Seiten: 54 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book looks at the adaptation of science fiction from literary and film sources for television. The authors examine television as having a separate identity and separate aesthetic principles from film and draw appropriate comparisons.Klappentext.…