Mark ledbury (144 risultati)

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. With Powell's sticker on front Very Good paperback with light shelfwear - NICE! Standard-sized.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condizione: New. Addresses art history's complex relationships with fiction, poetry, and creative writing. Inspired by a 2010 conference, this volume examines art historians' viewing practices and modes of writing. Editor(s): Ledbury, Mark. Series: Clark Studies in the Visual Arts. Num Pages: 256 pages, 90 b&w illustrations. BIC Classification: ABA; AC. Category: (G) General (US: Trade). Dimension: 243 x 177 x 19. Weight in Grams: 596. . 2013. paperback. . . . . Books ship from the US and Ireland.…

Condizione: New. Addresses art history's complex relationships with fiction, poetry, and creative writing. Inspired by a 2010 conference, this volume examines art historians' viewing practices and modes of writing. Editor(s): Ledbury, Mark. Series: Clark Studies in the Visual Arts. Num Pages: 256 pages, 90 b&w illustrations. BIC Classification: ABA; AC. Category: (G) General (US: Trade). Dimension: 243 x 177 x 19. Weight in Grams: 596. . 2013. paperback. . . . .…

Paperback. Condizione: Very Good.

Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: VERY GOOD. Condizione sovraccoperta: VERY GOOD. First edition. Light shelfwear. New archival mylar dj cover. 8vo 360 pages. Additional info or photos on request. Ships in sturdy cardboard packaging, with tracking and insurance.

Condizione: New.

Paperback. Condizione: New. A fresh take on a beloved masterpiece of portraiture, focusing on the complex significance of the color pink in eighteenth-century France François Boucher's 1750 half-length portrait of Madame de Pompadour-influential court figure and mistress to King Louis XV-has been the subject of much art historical attention, particularly with regard to gender and representation. Building on that foundation, this volume turns toward an underappreciated aspect of the portrait: the use and significance of the color pink. Four scholarly essays, including one by noted Boucher expert Mark Ledbury, establish a framework that connects Pompadour's fondness and promotion of the color, Boucher's artistic association with the color, and developments in the material basis of the color, including its application in other media such as porcelain. This engaging close look offers new ways to understand the portrait, revealing its links to motherhood and sentiment, race and the transatlantic slave trade, and the crosscurrents of natural history and scientific discovery.Distributed for the Harvard Art Museums.…

Paperback. Condizione: Near Fine. 1st. xii, 219 pages, illustrations (some colour); 31 cm. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Paintings by such celebrated eighteenth-century artists as Watteau, Boucher, Chardin, Fragonard, Greuze, and Boilly have long been admired for their charming and intimate subjects--fetes galantes, pastorals, tableaux de mode, middle-class domestic interiors, and scenes of family life and romantic love--and for their pleasing color schemes. In this lavishly illustrated and produced book, genre painting is explored for the first time within the broader cultural context of Enlightenment France. Through a series of innovative and lively essays dealing largely with aspects of art, gender, and politics in the decades preceding the French Revolution, Intimate Encounters enables us to appreciate genre paintings anew: although they are almost always attractive to the eye, sometimes to the point of appearing fanciful, the paintings also bear the intellectual imprint of turbulent times. the interactions of "ordinary" people--nonhistorical, nonmythic figures--within the family and in romantic encounters. We learn that genre painters tended to infuse their depictions of intimacy with moral and ideological significance. Their imagery coincided with fundamental debates over gender roles and relationships, the family, child-rearing, and illicit versus conjugal love, topics that were crucial to such writers and social commentators as Rousseau, Diderot, and Laclos. Published in conjunction with a major traveling exhibition, Intimate Encounters contains five essays written by specialists from a variety of disciplines, which are followed by fifty-one full catalog entries on the paintings included in the show. The essays delve into such matters as art criticism and the presence of women in cultural life (Richard Rand), the family and the ideology of sentimentalism (Sarah Maza), the influence of innovative theater on genre painting (Mark Ledbury), the debate over women's rights (Virginia Swain), and the production and marketing of prints to a growing art audience (Anne L. Schroder)." - Publisher. *** CONTENTS: Lenders to the Exhibition; Foreword; Preface and Acknowledgments; Love, Domesticity, and the Evolution of Genre Painting in Eighteenth-Century France; Hidden from View: French Women Authors and the Language of Rights, 1727-1792; The "Bourgeois" Family Revisited: Sentimentalism and Social Class in Prerevolutionary French Culture; Intimate Dramas: Genre Painting and New Theater in Eighteenth-Century France; Genre Prints in Eighteenth-Century France: Production, Market, and Audience; Catalogue of Paintings; Checklist of Prints; Bibliography; Exhibitions; List of Artists; Index; Photo Credit. Size: 4to. Collectible.…

Paperback. Condizione: Very Good. Fictions of Art History (Clark Studies in the Visual Arts) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Condizione: As New. Unread book in perfect condition.

Softcover, 208 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Softcover, 208 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover; 208 pages; as new condition; clean and crisp; no internal marks, Foreign shipping may be extra.

Paperback. Condizione: Brand New. 96 pages. 8.50x7.00x0.50 inches. In Stock.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. 1st printing. Crisp and unmarked in full cloth binding. 360pp. Illustrations. Dust jacket now in a new mylar cover. -- Essays on Jacques-Louis David (1748-1825) by: Valérie Bajou, Philippe Bordes, Thomas Crow, Michael Fried, Tom Gretton, Darcy Grimaldo Grigsby, Stéphane Guégan, Daniel Harkett, Godehard Janzing, Dorothy Johnson, Mehdi Korchane, Ewa Lajer-Burcharth, Issa Lampe, Mark Ledbury, Simon Lee, Heather McPherson, David O'Brien, Satish Padiyar, Todd Porterfield, Susan L. Siegfried, and Helen Weston Size: 4to - over 9" - 12" Tall. …

Hardbound. Condizione: VG. Black cloth with black, color-illustrated dustjacket. 15 color and 135 bw text figures. Considers the grand projects of the Empire period undertaken by French painter Jacques-Louis David (1748-1825), as well as works produced in his last years as a political exile. Features 21 essays, contributed by Valerie Bajou, Philippe Bordes, Thomas Crow, Michael Fried, Tom Gretton, Darcy Grimaldo Grigsby, Stephane Guegan, Daniel Harkett, Godehard Janzing, Dorothy Johnson, Mehdi Korchane, Ewa Lajer-Burcharth, Issa Lampe, Mark Ledbury, Simon Lee, Heather McPherson, David O'Brien, Satish Padiyar, Todd Porterfield, Susan L. Siegfried, and Helen Weston. …

Condizione: New.

Paperback. Condizione: new. Paperback. The essays in this volume show that Versailles was not the static creation of one man, but a hugely complex cultural space; a centre of power, but also of life, love, anxiety, creation, and an enduring palimpsest of aspirations, desires, and ruptures. The splendour of the Chateau and the masterpieces of art and design that it contains mask a more complex and sometimes more sordid history of human struggle and achievement. The case studies presented by the contributors to this book cannot provide a comprehensive account of the Palace of Versailles and its domains, the life within its walls, its visitors, and the art and architecture that it has inspired from the seventeenth century to the present day: from the palace of the Sun King to the Penthouse of Donald Trump. However, this innovative collection will reshapeor even radically redefineour understanding of the palace of Versailles and its posterity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. xvi, 360 pages, 16 unnumbered pages of plates : illustrations (some color) ; 25 cm. "This publication is based on the proceedings of "Jacques-Louis David: empire and exile," a symposium co-sponsored by the Getty Research Institute and the Sterling and Francine Clark Art Institute, held 24-25 June 2005 at the Clark in Williamstown, Massachusetts"--Title page verso.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 4to, Hardback with original Dust Jacket, pp. 256. Brown cloth with gilt lettering to spine. Dust Jacket is unclipped. Overall Near Fine condition. Extremely clean copy with no inscriptions, binding is superbly intact. Profusely illustrated.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: New. The essays in this volume show that Versailles was not the static creation of one man, but a hugely complex cultural space; a centre of power, but also of life, love, anxiety, creation, and an enduring palimpsest of aspirations, desires, and ruptures. The splendour of the Château and the masterpieces of art and design that it contains mask a more complex and sometimes more sordid history of human struggle and achievement. The case studies presented by the contributors to this book cannot provide a comprehensive account of the Palace of Versailles and its domains, the life within its walls, its visitors, and the art and architecture that it has inspired from the seventeenth century to the present day: from the palace of the Sun King to the Penthouse of Donald Trump. However, this innovative collection will reshape-or even radically redefine-our understanding of the palace of Versailles and its posterity.…