martha jungwirth (17 risultati)

Hardcover. Condizione: new. Hardcover. Controlled compositions filled with energetic brushstrokes evoke the violent, primal urges realized in Conrad's classic novelPublished with Fondazione Giorgio Cini. In her most recent set of paintings, Austrian artist Martha Jungwirth (born 1940) takes as her inspiration Joseph Conrad's 1899 novella Heart of Darkness, a harrowing examination of European colonialism. Her forceful yet restrained compositions evoke both the brutality of bygone empires and the struggle of contemporary migrants. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Hardback or Cased Book. Condizione: New. Martha Jungwirth. Book.

Paperback. Condizione: New.

hardcover. Condizione: New. Special order direct from the distributor.

Hardcover. Condizione: Brand New. 38 pages. 11.25x9.50x11.20 inches. In Stock.

Condizione: New.

hardcover. Condizione: New. Special order direct from the distributor.

Hardcover. Condizione: Brand New. 128 pages. 9.75x2.00x12.75 inches. In Stock.

Hardcover. Condizione: new. Hardcover. Controlled compositions filled with energetic brushstrokes evoke the violent, primal urges realized in Conrad's classic novelPublished with Fondazione Giorgio Cini. In her most recent set of paintings, Austrian artist Martha Jungwirth (born 1940) takes as her inspiration Joseph Conrad's 1899 novella Heart of Darkness, a harrowing examination of European colonialism. Her forceful yet restrained compositions evoke both the brutality of bygone empires and the struggle of contemporary migrants. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: gut. 2018. Panta Rhei (Originalverpackt) pages.

203 pp.; 29.5 x 21 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph of new art and artists selected by fifteen artists and writers in 1973 - 1974. Edited by Willem Sandburg. Introduction by Sam Hunter. Artists selected by Jean-Christophe Ammann, Ludo Bekkers, Richard Bellamy, Gilbert Brownstone, Yona Fischer, Klaus Groh, Pontus Hultén, Zelimir Koscevic, Achille Bonito Oliva, Ad Petersen, Barbara Reise, Alfred Schmeller, R. Stanislawski, Harald Szeemann, and Rafael Santos Torroella. Artists include Sergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, Rolf WinnewisserSergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, and Rolf Winnewisser. Tex in English. Good / Very Good. Wear to spine, light wear to covers and edges. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.

Hardcover. Condizione: gut. 1995. Bali pages.

50 x 70 cm. Prächtiger rosa Siebdruck einer kleinen Auflage (Frau in der Landschaft) auf starkem schwarzem Tonpapier, rechts unten von der 1940 geborenen Künstlerin eigenhändig signiert. Die Galerie von Elfriede Grausam in der Riemergasse, zu jener Zeit nicht nur durch das Rondell Raucherkino, sondern auch mit dem Kunsthandel verbunden (Verkauf, Winter, Stubenbastei), hatte im Dezember eröffnet, nebenan befand sich das Atelier von Kurt Moldovan. Jungwirth hatte bereits an der Eröffnungsausstellung, zusammen mit Wirklichkeitenkollegen teilgenommen. Die Galerie hat einen Siebdruck in 40 Exemplaren aufgelegt, teils auf schwarzem, teils rosa Papier, der das Sujet des Plakats, das wohl nicht zur Ausgabe gelangt ist, etwas verändert wiedergibt. Vergleiche auch ihre Arbeit 'Liegende mit schwarzen Stiefeln' im Ausklang ihrer Beschäftigung mit Teilen des weiblichen Körpers. - Sehr schönes Exemplar, Rückseite mit minimalen Lagerspuren.

Kontrastreicher Abzug, eines von 30 Exemplaren, von der 1940 geborenen Künstlerin eigenhändig numeriert, datiert und signiert minimalster Schaden am weißen Rand. - Noch während ihrer Lehrtätigkeit an der Akademie (Hochschule) für angewandte Kunst (1967-1977), wo sie zuvor bei Carl Unger studiert hatte. Nun schon mit ersten abstrakten Formationen, die ihre körperbetonten 'Wirklichkeiten' ablösen. - Schönes, unbeschnittenes, seltenes Blatt.