Martha schwendener (74 risultati)

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilem Flusser's early vision of a world dominated by glowing screens.Predicting the importance of technology and images for the twenty-first century as early as the 1970s, Vilem Flusser warned, "the basic structure of our thinking is about to experience a mutation." The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society-or to another, better one characterized by dialogue and collaboration among humans and new forms of intelligence.In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, Martha Schwendener explores the profound effect of art on Flusser's thought. The Society of the Screen reveals how Flusser's lifelong engagement with experimental practices-from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States-as well as his extensive involvement with the S o Paulo Biennial informed his belief that we were moving from "history"-a civilization informed by linear writing-into "post-history," dominated by technical images.Schwendener documents the importance of Flusser's correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner for the evolution of his ideas. How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilem Flusser s early vision of a world dominated by glowing screens. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Hardcover. Condizione: New. Ken Johnson called Martin's paintings 'contemporary icons that stand for deep-running collective urges, like the fantasy of an intimate connection with nature.' This artist's book/monograph positions appropriated advertisements, snapshots, found images and studio pictures alongside reproductions of paintings and drawings, providing a view of the artist's thinking about representation of the contemporary landscape. Text by Alexander Dumbadze, Martha Schwendener.…

paperback. Condizione: Very Good. Light shelf wear. Else clean and tight.

Softcover. Condizione: Very Good Plus. First Edition. [CRITICISM]. Ed. Dushko Petrovich. Contributors: Martha Schwendener, William Pope L, Mary Weatherford, Andro Semeiko, Jennifer Liese, Cameron Martin, Caroline Picard, Christopher Hsu, et al. "Paper Monument: A Journal of Contemporary Art, Number Four, Summer 2013." Brooklyn, NY: Paper Monument / n+1. Printed in Canada, 2013. First edition. English language. Softcover with lime card wrappers printed green. Nonfiction art criticism magazine with essays, full-color glossy illustrations, and black-and-white in-text illustrations. 10 x 7 inches. 8 oz. 82 pp. Shelf-wear. Minor creasing to wrappers. Text clean. Very Good Plus. ISBN: 097975755X. "A journal of contemporary art. Portfolios by William Pope L, David Giordano, Andro Semeiko, Mary Weatherford, Pinar, and Viola. Jennifer Liese on the artist statement, Julian Kreimer on painting in the age of Obama. The editors get an MFA and are filled with hope and debt.".…

Condizione: New.

Paperback. Condizione: New. How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser's early vision of a world dominated by glowing screens.Predicting the importance of technology and images for the twenty-first century as early as the 1970s, Vilém Flusser warned, "the basic structure of our thinking is about to experience a mutation." The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society-or to another, better one characterized by dialogue and collaboration among humans and new forms of intelligence.In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, Martha Schwendener explores the profound effect of art on Flusser's thought. The Society of the Screen reveals how Flusser's lifelong engagement with experimental practices-from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States-as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from "history"-a civilization informed by linear writing-into "post-history," dominated by technical images.Schwendener documents the importance of Flusser's correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner for the evolution of his ideas. …

Condizione: New.

Paperback or Softback. Condizione: New. Artforum // Essays. Book.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Very Good. Hardcover, no dj (as issued). 128pp. Light wear.

Condizione: New.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. GHava Press [Published Date: 2009]. Hardcover, 135 pp. Inscribed (personalized) and signed by Cameron Martin on title page. With essays by Martha Schwendener & Alexander Dumbadze. Image index. Very good in very good dust jacket. Black Paper over Boards with white lettering on front and spine. light bumping and scuffing to edges of covers. Binding tight. Pages clean and unmarked. Dust jacket has a few nicks and light creasing to edges. light overall scuffing to jacket as well. NOT price clipped Now in an archival-quality Brodart Cover NOT Ex-Library. NO remainder marks. [From front jacket flap] Purposely overlapping the traditional categories of artist book and monograph, analogue is an amalgam of images that forms a visual account of what motivates artist Cameron Martin's methodology and production. The non-hierarchical layout positions appropriated advertisements, travel snapshots, found images and studio pictures alongside reproductions of actual paintings and drawings. What emerges is a complex view of the artists thinking about representation of the contemporary landscape. Rather than the typical explanatory essays found in most books about artists, the included writings have an asymptotic relationship to the imagery, framing the visual material with further texture. Martha Schwendener's wide-reaching text takes on the history of landscape and the sublime as they have been filtered through painting and photography. Alexander Dumbadze's essay on Robert Manry's solo voyage across the North Atlantic in a thirteen-and-a-half-foot sailboat provokes questions about the relationship between nature, will and failure. The combination results in this unusual and remarkable volume. Signed by Author. …

softcover. Condizione: very good. Good to Very good condition. Minor wear. Binding tight, pages clean. Pictures available upon request.? nd.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: New.

Condizione: new.

Softcover staple bound, 20 pages, good condition; light crease to lower right corner of cover and first page; no internal marks.

Condizione: New. 2026. paperback. . . . . .

paperback. Condizione: New.

Condizione: New.