Schwendener martha (76 risultati)

Paperback. Condizione: Near Fine. 1st. 94 pages, illustrations (chiefly colour); 24 cm. Catalogue of an exhibition held at the Madison Museum of Contemporary Art, Madison, Wis., May 1 to August 23, 2009 and at the Des Moines Art Center, Des Moines, Iowa, October 2, 2009 to January 10, 2010. Firm binding, clean inside copy. Light edgewear to wraps, age toning. *** CONTENTS: Foreword and acknowledgements, by Stephen Fleischman; A return to function, by Jane Simon; Notes on function, by Martha Schwendener; Usefulness: an extension beyond an intention, by Ami Barak. "Return to Function surveys contemporary artists who make functional objects that verge on 'the designed'--from vehicles to clothes to mobile studio units--which happily confirm that the once-firm line between fine art and the applied arts is indeed dissolving. These artists--Jules De Balincourt, Claire Fontaine, Franncois Curlet, Fabrice Hyber, J. Morgan Puett, Michael Rakowitz, Joe Scanlan, Franck Scurti, Ricardo Miranda Zuniga and others--make objects that are simultaneously critical and practical. By choosing to create objects that meet utilitarian criteria, they show that artworks can be a part of the larger social, political and economic fabric. This volume features an in-depth discussion of seminal artists working in this vein, including Lucy Orta, Andrea Zittel and Jorge Pardo." - Publisher. Size: 8vo. Collectible.…

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilem Flusser's early vision of a world dominated by glowing screens.Predicting the importance of technology and images for the twenty-first century as early as the 1970s, Vilem Flusser warned, "the basic structure of our thinking is about to experience a mutation." The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society-or to another, better one characterized by dialogue and collaboration among humans and new forms of intelligence.In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, Martha Schwendener explores the profound effect of art on Flusser's thought. The Society of the Screen reveals how Flusser's lifelong engagement with experimental practices-from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States-as well as his extensive involvement with the S o Paulo Biennial informed his belief that we were moving from "history"-a civilization informed by linear writing-into "post-history," dominated by technical images.Schwendener documents the importance of Flusser's correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner for the evolution of his ideas. How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilem Flusser s early vision of a world dominated by glowing screens. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Hardcover. Condizione: New. Ken Johnson called Martin's paintings 'contemporary icons that stand for deep-running collective urges, like the fantasy of an intimate connection with nature.' This artist's book/monograph positions appropriated advertisements, snapshots, found images and studio pictures alongside reproductions of paintings and drawings, providing a view of the artist's thinking about representation of the contemporary landscape. Text by Alexander Dumbadze, Martha Schwendener.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. GHava Press, Published 2009. Hardcover, 135 pp.; 25 cm; First Edition (1500 copies); illustrated with color and black-and-white reproductions of paintings and drawings, photographs, appropriated advertisements and found images; image index. With essays by Martha Schwendener and Alexander Dumbadze. In Very Good condition with a Very Good dust jacket. Black paper-covered boards, front and spine lettered in white. Light bumping to corners and edges, small crease at head of rear board near spine. Binding tight. Pages clean and unmarked. Inscribed (personalized) and signed by Cameron Martin on title page. Pictorial dust jacket (black-and-white cliff and storm sky) has a few small nicks and light creasing along edges, with light scuffing to rear panel. Now in an archival quality (removable) Brodart cover. [From front jacket flap] Purposely overlapping the traditional categories of artist book and monograph, analogue is an amalgam of images that forms a visual account of what motivates artist Cameron Martin's methodology and production. The non-hierarchical layout positions appropriated advertisements, travel snapshots, found images and studio pictures alongside reproductions of actual paintings and drawings. What emerges is a complex view of the artist's thinking about representation of the contemporary landscape. Rather than the typical explanatory essays found in most books about artists, the included writings have an asymptotic relationship to the imagery, framing the visual material with further texture. Martha Schwendener's wide-reaching text takes on the history of landscape and the sublime as they have been filtered through painting and photography. Alexander Dumbadze's essay on Robert Manry's solo voyage across the North Atlantic in a thirteen-and-a-half-foot sailboat provokes questions about the relationship between nature, will and failure. The combination results in this unusual and remarkable volume. Martin (b. 1970) is a Brooklyn painter whose work was included in the 2004 Whitney Biennial and is in the collections of the Whitney Museum of American Art, the Seattle Art Museum and the Saint Louis Art Museum. Signed by Author. …

paperback. Condizione: Very Good. Light shelf wear. Else clean and tight.

Softcover. Condizione: Very Good Plus. First Edition. [CRITICISM]. Ed. Dushko Petrovich. Contributors: Martha Schwendener, William Pope L, Mary Weatherford, Andro Semeiko, Jennifer Liese, Cameron Martin, Caroline Picard, Christopher Hsu, et al. "Paper Monument: A Journal of Contemporary Art, Number Four, Summer 2013." Brooklyn, NY: Paper Monument / n+1. Printed in Canada, 2013. First edition. English language. Softcover with lime card wrappers printed green. Nonfiction art criticism magazine with essays, full-color glossy illustrations, and black-and-white in-text illustrations. 10 x 7 inches. 8 oz. 82 pp. Shelf-wear. Minor creasing to wrappers. Text clean. Very Good Plus. ISBN: 097975755X. "A journal of contemporary art. Portfolios by William Pope L, David Giordano, Andro Semeiko, Mary Weatherford, Pinar, and Viola. Jennifer Liese on the artist statement, Julian Kreimer on painting in the age of Obama. The editors get an MFA and are filled with hope and debt.".…

Paperback. Condizione: New. How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser's early vision of a world dominated by glowing screens.Predicting the importance of technology and images for the twenty-first century as early as the 1970s, Vilém Flusser warned, "the basic structure of our thinking is about to experience a mutation." The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society-or to another, better one characterized by dialogue and collaboration among humans and new forms of intelligence.In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, Martha Schwendener explores the profound effect of art on Flusser's thought. The Society of the Screen reveals how Flusser's lifelong engagement with experimental practices-from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States-as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from "history"-a civilization informed by linear writing-into "post-history," dominated by technical images.Schwendener documents the importance of Flusser's correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner for the evolution of his ideas. …

Condizione: New.

Paperback or Softback. Condizione: New. Artforum // Essays. Book.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Very Good. Hardcover, no dj (as issued). 128pp. Light wear.

Condizione: New.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: New.

softcover. Condizione: very good. Good to Very good condition. Minor wear. Binding tight, pages clean. Pictures available upon request.? nd.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: new.

Condizione: New. 2026. paperback. . . . . .

Softcover staple bound, 20 pages, good condition; light crease to lower right corner of cover and first page; no internal marks.