Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
hardcover. Condizione: Good. A good hardcover. No dust jacket. as issued Some edgewear and bumped corners to boards. Light age toning to text block. No markings.
Lingua: Inglese
Editore: DeCapo Press, Cambridge, MA, 2002
Da: Olana Gallery, Brewster, NY, U.S.A.
Paper. Condizione: Good. Good papery copy, writings on Duchamp by Jasper Johns, Donald Judd, Clement Greenberg, John Cage, Octavio Paz and others, xxxiv + 184 pp paperback, 3 pp chron, 2 pp notes on contributors, 4 pp selected biblio, Updated with new introduction.
Da: Palimpsest Scholarly Books & Services, Brooktondale, NY, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st Edition. First printing. Softcover volume, measuring approximately 6" x 9.25", shows light shelfwear. Binding is sound. Pages are clean and bright. xi/184 pages. "With such works as "Nude Descending a Staircase" (1912) and the urinal which he presented as the ready-made "Fountain" (1917), Marcel Duchamp extended modern art while pretending to destroy it. The result, as the contributors to this volume show, was a new way of thinking that blurred the traditional distinction between life and art, providing inspiration for a variety of groups ranging from Pop to Conceptual Art. In this illustrated volume, such contributors as Clement Greenberg, Thomas Hess, Max Kozloff, and Claude Levi-Strauss trace the positive and negative reactions to Duchamp and his works, from the early Cubist paintings through the "ready-mades" to the ironic and chance constructions of his later career. In analyzing the artist who dismissed his works by saying "Nothing was intended," this volume shows that Marcel Duchamp is truly one of the most significant figures of 20th-century art.".
Lingua: Inglese
Editore: Frederick S. Wight Gallery, 1976
Da: GridFreed, San Diego, CA, U.S.A.
Paperback. Condizione: Good. Good condition with slight wear and markings. Spine Creased.
Da: Revaluation Books, Exeter, Regno Unito
EUR 64,08
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 240 pages. 9.21x6.14x1.00 inches. In Stock.
EUR 74,75
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 175 pages. 12.50x9.50x0.75 inches. In Stock.
Editore: New York, Artforum,, New York, 1977
Da: Studio Bibliografico Marini, ROMA, RM, Italia
EUR 25,00
Quantità: 1 disponibili
Aggiungi al carrellopaperback. Condizione: Very Good. Summary: George Rickey (Naum Gabo, 1890-1977) - Kenneth Baker (Some Exercises in Slow Perception) - John Perreault (Issues in Pattern Painting) - Lindsay Stamm Shapiro (Richard Meier's Architecture of Purity and Possibility) - John E. Bowlt (Symbolism and Modernity in Russia) - Moira Roth (the Aesthetic of Indifference) - William S. Wilson (Ralph Humphrey: An Apology for painting) - Edgar Kaufmann (Who Shapes the world? A view from the place Beaubourg) - Regina Cornwell (Edinburgh: The Film Festival Remodeled). Illustrated Cover: Naum Gabo at his home in Middlebury 1975 (photo: Carl Howard). 8vo. pp. 86. . Molto buono (Very Good). Copertina leggermente sporca e sciupata (Lightly soiled cover). . . Book.
Da: BennettBooksLtd, Los Angeles, CA, U.S.A.
hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!
Da: Revaluation Books, Exeter, Regno Unito
EUR 159,61
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 402 pages. 9.75x6.50x1.25 inches. In Stock.