matthew dubourg (50 risultati)

Loose Leaf. Condizione: New. Reproduction. Original title: Arrival at Brandenburgh House of the Watermen German: Ankunft in Brandenburgh Haus der Wassermänner French: Arrivée à Brandenburgh Maison des hommes d'eau Spanish: Llegada a la Casa de los Watermen de Brandenburgh High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1821). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821 German: Die Krönung Seiner Majestät, George der Vierte: aufgenommen zur Zeit der Anerkennung. 19. Juli 1821 French: Le couronnement de Sa Majesté George le Quatrième : pris au moment de la reconnaissance. 19 juillet 1821 Spanish: La Coronación de Su Majestad, Jorge Cuarto: Tomada en el momento del reconocimiento. 19 de julio de 1821 High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1822). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. None. No.

Loose Leaf. Condizione: New. Reproduction. Original title: Set of Four - Fox-hunting: The Death German: Vierer-Fuchsjagd: Der Tod French: Ensemble de quatre - La chasse aux renards : la mort Spanish: Juego de Cuatro - Caza de Zorros: La Muerte High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1813). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Set of Four - Fox-hunting: Breaking Cover German: Vierer-Fuchsjagd: Breaking Cover French: Ensemble de quatre - Chasse aux renards : Couverture cassée Spanish: Set de Cuatro - Caza de zorro: Rompiendo la cubierta High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1813). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Snipe Shooting German: Scharfschützenschießen French: Coups de feu Spanish: Disparos de francotiradores High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1822). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Partridge Shooting German: Partridge Shooting French: Tir à la perdrix Spanish: Disparos con perdiz High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1822). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Grouse Shooting German: Grouse Shooting French: Coups de feu de la Grouse Spanish: Disparos en el Grouse High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1822). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. None. No.

Loose Leaf. Condizione: New. Reproduction. Original title: General View of Kemp Town now Erecting on the Estate of Thomas Read Kemp, on the East Cliff, Brighton after Wilds and Busby German: Allgemeiner Blick auf Kemp Town jetzt Erecting auf dem Anwesen von Thomas Read Kemp, auf der East Cliff, Brighton nach Wilds und Busby French: Vue générale de la ville de Kemp maintenant Erecting sur le domaine de Thomas Read Kemp, sur le Cliff Est, Brighton après Wilds et Busby Spanish: Vista general de la ciudad de Kemp ahora Erecting en la finca de Thomas Read Kemp, en el acantilado del este, Brighton después de Wilds y Busby High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1824). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: A View of the Strand Bridge German: Blick auf die Strandbrücke French: Vue du pont Strand Spanish: Una vista del puente de Strand High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1811). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Arrival at Brandenburg House of the Watermen, ect. with an Address to the Queen on the 3rd October 1820 German: Ankunft im Brandenburger Haus der Wassermänner, ect. mit einer Ansprache an die Königin am 3. Oktober 1820 French: Arrivée à Brandenburg Maison des hommes d'eau, ect. avec une adresse à la Reine le 3 Octobre 1820 Spanish: Llegada a la Casa de los Watermen de Brandeburgo, ect. con un discurso a la Reina el 3 de octubre de 1820 High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1821). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: The Queen Returning from the House of Lords German: Die Königin kehrt aus dem Haus der Herren zurück French: La Reine qui revient de la Chambre des lords Spanish: La Reina regresando de la Casa de los Lores High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1821). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815 German: Der Marquis von Anglesea Wounded während der Führung einer Anklage der schweren Kavallerie am Ende der Schlacht von Waterloo, 18. Juni 1815 French: Le marquis d'Anglesea blessé alors qu'il menait une charge de cavalerie lourde à la fin de la bataille de Waterloo, le 18 juin 1815 Spanish: El marqués de Anglesea herido mientras lideraba una carga de caballería pesada en el cierre de la batalla de Waterloo, 18 de junio de 1815 High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1815). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Coaching: His Majesty King George IV. Travelling - View Hyde Park. German: Coaching: Seine Majestät König George IV. Reisen - Blick Hyde Park. French: Coaching: Sa Majesté le Roi George IV. Voyager - Vue Hyde Park. Spanish: Coaching: Su Majestad el Rey Jorge IV. Viajar - Vista Hyde Park. High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1821). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. None. No.

Loose Leaf. Condizione: New. Reproduction. None. No.

In good condition, on lightly-aged paper, with discoloration to the reverse showing through slightly at corners. Dimensions: paper 23 x 32 cm; plate 20 x 30 cm; image 15 x 23 cm.

Condizione: Very Good Minus. First Edition. Folio. 39 by 31 cm. 26 hand-colored aquatint plates, with generally one or two page descriptions of each. The plates are among the most beautiful ever produced in a book of this kind. They include the grotto of Egeria, the Temple of Vesta, the Temple of Fortuna Virilis, the Temple of Janus Quadrifrons, the Temple of Bacchus, the Tomb of Cecilia Metella, the Temple of Minerva Medica, the Temple of the Dea Tussis, the Pantheon, the Ponte Lugano, the Coliseum, the Forum of Nerva, the Arch of Titus, the Temple of Jupiter Tonans, Trajan's Column, the Tomb of Hadrian, the Pyramid of Caius Cestius, the Triumphal Arch of Septimus Severus, the Temple of Pallus, the Claudian Aqueduct, the Ponte Salaro, the Baths of Dioclesian, and the Triumphal Arch of Constantine. Abbey Travel 180. Tooley 188 (referring to a later edition). Binding with signs of use, a short closed tear at base, other signs of minor wear. Yellow FFEP chipped, with somewhat long closed tear. No FEP and no endpapers in rear. FFEP, last page, and title have film of dust soiling, as do the margins of some plates, most of which can be removed with an eraser, part of which we've done on the date of this listing. Light foxing throughout -- this is more permanent. A few shallow closed tears. Overall, this copy has a touch of grittiness and wear. With the illustrations themselves remaining quite vivid and fully intact, we regard the copy at least Good, but not quite Very Good. Limp leatherette (of card stock). Cloth spine.

Hardcover. Condizione: Very Good. Hardcover. 4to. Edwd. Orme, London, UK. 1813. 12 pgs. Illustrated with a set of four whaling prints originally found in Williamson's "Foreign Field Sports." Bound by Zaehnsdorf in 3/4 leather and matching cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. Previous owner's bookplate present to the front pastedown. Text is clean and free of marks. Binding tight and solid. A complete set of four fine colour aquatints depicting whaling in the early 19th century. Fine original colour. The titles of each plate : 'Whale Fishery Plate 1 A Ship's Boat Attacking a Whale', 'Whale Fishery Plate 2 Boats Approaching a Whale', ''Whale Fishery Plate 3 A Whale Brought Along-Side a Ship', 'Whale Fishery Plate 4 Shooting the Harpoon at a Whale'. EB; 8vo 8" - 9" tall.

Condizione: Good. Large folio.38 x 50 cm. Contemporary two colour cloth with leather label on cover. Endpapers foxed but text and plates fresh.56 pages, [9] leaves of plates : illustrations, facsimiles ; 54 c With eight full-page engraved aquatints, three are richly coloured and incl. a line-proof key-plate by Murray and Dubourg after Stothard and Stephanoff. 56 pp. A beautifully illustrated account of the trial of Queen Caroline in the House of Lords and the subsequent coronation of George IV. The uncoloured aquatints respectively show a tribute to the late King George III, a view of the interior of the House of Lords during the investigation, the facsimile signatures of the Royal Family and the Peers who voted against the Queen, and a key-plate with directions for placing the plates and explanations to the coronation plate and the plates of the House of Lords. Includes a view of the Villa d'Este on the Lake of Como, where Queen Caroline was to spend the rest of her life. The beautifully coloured aquatints show impressive views of the Address of the Watermen at the Brandenburgh House, the Queen leaving the House of Lords, and the Splendid Coronation of George the Fourth. Colour plates in order: 1. Arrival at Brandenburgh House of the Watermen &c, with an address to The Queen on October 3, 1820. 2. The Queen returning from The House of Lords. 3. The Coronation of His Majesty, George The Fourth: taken at the time of the Recognition. July 19, 1821.References: Abbey Scenery no. 259; Tooley 99. Prideaux, 328.OCLC Number: 5503828.

Folio 16 1/2 x 12 1/2 inches, original publisher's boards with title and price on the upper board, later morocco back. Binding a bit worn. Half title, title, 2 leaves and 26 FINE HAND COLOURED AQUATINT VIEWS OF ROME, each with an accompanying leaf of text. List of plates on the verso of last leaf. First plate with a small marginal closed tear and the occasional marginal spot but in good condition with fine, clean, brightly hand coloured plates. THE RARE FIRST EDITION- some leaves of text watermarked Whatman 1820. Although sometimes found on grey paper and with a errata leaf- conforms to the basic description of the first edition in the bibliography Abbey Travel (180). A QUINTESSENTIAL ENGLISH COLOUR PLATE BOOK ON ROME. Little can be said by way of biography as there is virtually no information about Dubourg; the dates of his birth and death are unknown, and even his Christian name is not well attested. An armorial bookplate on the front endpaper.

First edition. Folio, 16 x 12 1/2 inches (32 x 41 cm.). (2) pp., 16 text leaves, plus 26 colored aquatints. Original 1/4 roan over cloth, title git stamped in the center of the front cover, gilt edges. Binding extremities worn, but internally in excellent condition, with only light offset from plates to facing pages. Plates without discernible watermarks. Provenance: Bookplates of Francis L. Jones, Liverpool, and Richard Orlando Joliffe (Queen's University, Kingston Ont.). Abbey, Travel 181; Tooley 188.

No Binding. Condizione: Very Good. W. Heath & M. Douburg. (illustratore). 1st Edition. Beautiful highly hand-coloured aquatint engraving after William Heath and aquatinted by Matthew Dubourg. Cavalry with Lord Wellington in the foreground and infantry fighting in the background. With a page of letterpress that has the report published in the Horse-Guards Bulletin on Aug 15th 1812 and also part of the report from Gazette Extraordinary July 24th 1812. Both by John Waters Lieut-Col. Some light aging to paper at borders and some very mild handling. Paper all hand made wove Whatman cartridge paper. Measures; nearly 11 x 14 inches (29 x 35 cm). *.

No Binding. Condizione: Very Good. W. Heath & M. Dubourg (illustratore). 1st Edition. Beautiful highly hand-coloured aquatint engraving after William Heath and engraved Clarke and aquatinted by Matthew Dubourg. A scene of the British chasing the French from the field and massed troops in landscape. A page of letterpress with battle description accompanies the image, with a description in a letter sent by Lieut-Gen Graham to the Earl of Liverpool. Minor light handling to borders and a little darker in places, image unaffected, paper all hand made wove cartridge paper. Image clear and clean. Measures; nearly 11 x 14 inches (29 x 35 cm). *.

No Binding. Condizione: Very Good. W. Heath & M. Douburg. (illustratore). 1st Edition. Beautiful highly hand-coloured aquatint engraving after William Heath and aquatinted by Matthew Dubourg. Cavalry with Lord Wellington entering the city. With a page of letterpress detailing the image and the explanation of the year 1813. Some light aging to paper at borders and some very mild handling. Paper all hand made wove Whatman cartridge paper dated 1818? Measures; nearly 11 x 14 inches (29 x 35 cm). *.

unbound. Aquatint and etching with hand coloring. 9" x 11.5" sheet mounted to 10.5" x 14.5" sheet. Beautiful aquatint etching from Dubourg's "Views of The Remains of Ancient Buildings in Rome, and its Vicinity". The print depicts the Forum of Nerva in Rome, an ancient Roman structure that made up part of the Imperial fora. Dubourg shows the ruins from outside the eastern wall, with a view of Via Tor d'Conti surrounding the Arco dei Pantani. In his etching, the arch is still being used as an entrance to the forum. Several figures are seen along the road, some walking, socializing, resting, and one man on horseback. The figures emphasize the scale of the ruins, and Dubourg's use of light and shadows highlight the grandeur of the architecture. Behind the ancient columns within the forum is the campanile of the church Santa Maria Annunziata ai Monti, demolished in the early 20th century by Mussolini's regime.

Etching with aquatint and engraving with hand coloring in watercolor on watermarked J Whatman Turkey Mill 1843 paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full sheet. Significant edge wear including scattered losses which do not enter the image area. Significant toning, spots of adhesive residue from a former mount at each edge on the verso, as well as scattered fragments of nonarchival tape. Colors slighty attenuated. Plate No. 2 from Views of the Remains of Ancient Buildings in Rome and Its Vicinity. Printed c1844. The Temple of Vesta was tended by the six Vestal Virgins, drawn between the ages of 6 and 10 from freeborn, or traditionally, aristocratic families. They surrendered all legal connections with their birth family, and came under the authority of the pontifex maximus, Rome's chief priest. The Vestal oath of virginity during their 30-year tenure set them apart from other Roman women. While chastity until marriage was considered proper in Rome, long-term celibacy was not, as women were generally expected to marry, and give birth to heirs for their husbands. A Vestal who broke her vow of chastity during her priestly tenure disrupted the relationship between Rome and its gods. The Romans believed that this would lead to disaster, such as pestilence, social breakdown or military defeats.

Condizione: Fine. Matthew Dubourg (illustratore). First Edition. Original hand colored aquatint from "Views of the Remains of Ancient Buildings in Rome, in its Vicinity. With a Descriptive and Historical Account of Each Subject" by Dubourg. Hinge-mounted with over-mat. Mat: 18 x 16 in.; Window:13.5 x 11 in.; Paper: 15.75 x 12.25 in.; Image: 12 x 8.75 in.

Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 12 1/4 inches (290 x 312 mm), full, but unevenly trimmed lower margin, trimmed outside of the platemark, but lacking the the gilded edge. In very good condition with extremely fresh and pleasant coloration. Plate No. 19 from Views of the Remains of Ancient Buildings in Rome and Its Vicinity. Printed 1844. The tomb of the Roman emperor Hadrian, also called Hadrian's mole, was erected on the right bank (or northern edge) of the Tiber, between 134 and 139 CE. Originally the mausoleum was a decorated cylinder, with a garden top and golden quadriga. Hadrian's ashes were placed here a year after his death in Baiae in 138 CE, together with those of his wife Sabina, and his first adopted son, Lucius Aelius, who died in 138CE. Following this, the remains of succeeding emperors were also put here, the last recorded deposition being Caracalla in 217 CE. The urns containing these ashes were probably placed in what is now known as the Treasury Room, deep within the building. Hadrian also built the Pons Aelius facing straight onto the mausoleum - it still provides a scenic approach from the center of Rome and the left bank of the Tiber, and is renowned for the Baroque additions of statues of angels holding aloft instruments of the Passion of Christ. The structure was once the tallest building in Rome.