Mcgeough michelle (22 risultati)

Condizione: New. Brand new! New.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Trade Paperback. Condizione: Used.

Hardcover. Condizione: As New. Excellent Dust Jacket. Both Book and Dust Jacket are in Excellent Condition ; clean and unmarked with the lightest possible wear. This oversized, oblong hardcover book has 253 pages including lots of color illustrations. The copyright page shows 2009 as the published date. We always ship in a sturdy box.…

Paperback. Condizione: New. From the aesthetics of postwar reconstruction to the functional objects that complemented 1950s West Coast Modern architecture and the expressive material forms of the 1960s and 70s, Modern in the Making will acknowledge the many dimensions that defined British Columbia's cultural identity in the postwar era. It is the first volume to trace the evolution of Modern ceramics, weaving and fiber art, furniture, fashion and jewelry design produced between 1945 and 1975 in the Vancouver Lower Mainland, Vancouver Island and the Okanagan.…

Condizione: New. In English.

Paperback. Condizione: Brand New. 249 pages. 10.50x7.50x1.00 inches. In Stock.

Condizione: New. 2009. Paperback. . . . . .

Paperback. Condizione: New. This book explores Two-Spirit and LGBTTQ* contributions to and interventions in museums and museum studies, both as a means of addressing structural exclusions and of opening new modes of productive inquiry and activism. Building on the inroads that have been made into existing museological practice and scholarship, the collection brings new voices and concerns to the field. For the contributors to this volume, "queering the museum" is not only about addressing representations of gender and sexuality, but also challenging white privilege, racism, and settler colonialism among other structures of oppression as they operate alongside and with heteronormativity, homophobia, and transphobia in and beyond museums, archives, and galleries. To challenge these norms in the context of museums and other knowledge producing institutions means that "queering" must also, simultaneously and inextricably, be decolonial. That is, queering and decolonizing are inseparable strategies if we understand that heteronormativity and gender binaries are constructions that stem from colonial logics and are upheld by colonial institutions. The book features essays by artists, curators, and scholars-emerging and established-from a range of disciplines including Art History, Cultural Studies, Curatorial Studies, English, Indigenous Studies, Museum Studies, and Women's and Gender Studies.…

Paperback. Condizione: New. This book explores Two-Spirit and LGBTTQ* contributions to and interventions in museums and museum studies, both as a means of addressing structural exclusions and of opening new modes of productive inquiry and activism. Building on the inroads that have been made into existing museological practice and scholarship, the collection brings new voices and concerns to the field. For the contributors to this volume, "queering the museum" is not only about addressing representations of gender and sexuality, but also challenging white privilege, racism, and settler colonialism among other structures of oppression as they operate alongside and with heteronormativity, homophobia, and transphobia in and beyond museums, archives, and galleries. To challenge these norms in the context of museums and other knowledge producing institutions means that "queering" must also, simultaneously and inextricably, be decolonial. That is, queering and decolonizing are inseparable strategies if we understand that heteronormativity and gender binaries are constructions that stem from colonial logics and are upheld by colonial institutions. The book features essays by artists, curators, and scholars-emerging and established-from a range of disciplines including Art History, Cultural Studies, Curatorial Studies, English, Indigenous Studies, Museum Studies, and Women's and Gender Studies.…

Condizione: New. 2009. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. 2009. Hardcover. . . . . .

Paperback. Condizione: Brand New. 218 pages. 6.14x0.46x9.21 inches. In Stock.

Paperback. Condizione: New. From the aesthetics of postwar reconstruction to the functional objects that complemented 1950s West Coast Modern architecture and the expressive material forms of the 1960s and 70s, Modern in the Making will acknowledge the many dimensions that defined British Columbia's cultural identity in the postwar era. It is the first volume to trace the evolution of Modern ceramics, weaving and fiber art, furniture, fashion and jewelry design produced between 1945 and 1975 in the Vancouver Lower Mainland, Vancouver Island and the Okanagan.…

Condizione: New. 2009. Hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - This book explores Two-Spirit and LGBTTQ\* contributions to and interventions in museums and museum studies, both as a means of addressing structural exclusions and of opening new modes of productive inquiry and activism. Building on the inroads that have been made into existing museological practice and scholarship, the collection brings new voices and concerns to the field. For the contributors to this volume, 'queering the museum' is not only about addressing representations of gender and sexuality, but also challenging white privilege, racism, and settler colonialism among other structures of oppression as they operate alongside and with heteronormativity, homophobia, and transphobia in and beyond museums, archives, and galleries. To challenge these norms in the context of museums and other knowledge producing institutions means that 'queering' must also, simultaneously and inextricably, be decolonial. That is, queering and decolonizing are inseparable strategies if we understand that heteronormativity and gender binaries are constructions that stem from colonial logics and are upheld by colonial institutions. The book features essays by artists, curators, and scholars--emerging and established--from a range of disciplines including Art History, Cultural Studies, Curatorial Studies, English, Indigenous Studies, Museum Studies, and Women's and Gender Studies.…

Paperback. Condizione: New. This book explores Two-Spirit and LGBTTQ* contributions to and interventions in museums and museum studies, both as a means of addressing structural exclusions and of opening new modes of productive inquiry and activism. Building on the inroads that have been made into existing museological practice and scholarship, the collection brings new voices and concerns to the field. For the contributors to this volume, "queering the museum" is not only about addressing representations of gender and sexuality, but also challenging white privilege, racism, and settler colonialism among other structures of oppression as they operate alongside and with heteronormativity, homophobia, and transphobia in and beyond museums, archives, and galleries. To challenge these norms in the context of museums and other knowledge producing institutions means that "queering" must also, simultaneously and inextricably, be decolonial. That is, queering and decolonizing are inseparable strategies if we understand that heteronormativity and gender binaries are constructions that stem from colonial logics and are upheld by colonial institutions. The book features essays by artists, curators, and scholars-emerging and established-from a range of disciplines including Art History, Cultural Studies, Curatorial Studies, English, Indigenous Studies, Museum Studies, and Women's and Gender Studies.…

Hardcover. Rust-colored cloth, gilt letters on spine & front cover, brown & white & illus. dust jacket, 253 pp., many color illus. Issued in conjunction with a 2009-2010 exhibition of selections from "the Charlotte Greenleaf Mittler Collection is one of the most extensive holdings of Native American easel painting in private hands. The collection focuses on works created by students who attended the Santa Fe Indian School from 1918 to 1945, and on independent painters who pioneered Santa Fe's modern Indian art movement." (dj). VG (DJ slightly bent at bottom edge, otherwise Like New.).…

Paperback. Condizione: New. This book explores Two-Spirit and LGBTTQ* contributions to and interventions in museums and museum studies, both as a means of addressing structural exclusions and of opening new modes of productive inquiry and activism. Building on the inroads that have been made into existing museological practice and scholarship, the collection brings new voices and concerns to the field. For the contributors to this volume, "queering the museum" is not only about addressing representations of gender and sexuality, but also challenging white privilege, racism, and settler colonialism among other structures of oppression as they operate alongside and with heteronormativity, homophobia, and transphobia in and beyond museums, archives, and galleries. To challenge these norms in the context of museums and other knowledge producing institutions means that "queering" must also, simultaneously and inextricably, be decolonial. That is, queering and decolonizing are inseparable strategies if we understand that heteronormativity and gender binaries are constructions that stem from colonial logics and are upheld by colonial institutions. The book features essays by artists, curators, and scholars-emerging and established-from a range of disciplines including Art History, Cultural Studies, Curatorial Studies, English, Indigenous Studies, Museum Studies, and Women's and Gender Studies.…

Hardcover. Condizione: New.