Michelle mcgeough (41 risultati)

Condizione: New. Brand new! New.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Trade Paperback. Condizione: Used.

Hardcover. Condizione: As New. Excellent Dust Jacket. Both Book and Dust Jacket are in Excellent Condition ; clean and unmarked with the lightest possible wear. This oversized, oblong hardcover book has 253 pages including lots of color illustrations. The copyright page shows 2009 as the published date. We always ship in a sturdy box.…

Paperback. Condizione: New. From the aesthetics of postwar reconstruction to the functional objects that complemented 1950s West Coast Modern architecture and the expressive material forms of the 1960s and 70s, Modern in the Making will acknowledge the many dimensions that defined British Columbia's cultural identity in the postwar era. It is the first volume to trace the evolution of Modern ceramics, weaving and fiber art, furniture, fashion and jewelry design produced between 1945 and 1975 in the Vancouver Lower Mainland, Vancouver Island and the Okanagan.…

Paperback. Condizione: New. From the aesthetics of postwar reconstruction to the functional objects that complemented 1950s West Coast Modern architecture and the expressive material forms of the 1960s and 70s, Modern in the Making will acknowledge the many dimensions that defined British Columbia's cultural identity in the postwar era. It is the first volume to trace the evolution of Modern ceramics, weaving and fiber art, furniture, fashion and jewelry design produced between 1945 and 1975 in the Vancouver Lower Mainland, Vancouver Island and the Okanagan.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In English.

Paperback. Condizione: Brand New. 249 pages. 10.50x7.50x1.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2009. Paperback. . . . . .

Paperback. Condizione: New. This book explores Two-Spirit and LGBTTQ* contributions to and interventions in museums and museum studies, both as a means of addressing structural exclusions and of opening new modes of productive inquiry and activism. Building on the inroads that have been made into existing museological practice and scholarship, the collection brings new voices and concerns to the field. For the contributors to this volume, "queering the museum" is not only about addressing representations of gender and sexuality, but also challenging white privilege, racism, and settler colonialism among other structures of oppression as they operate alongside and with heteronormativity, homophobia, and transphobia in and beyond museums, archives, and galleries. To challenge these norms in the context of museums and other knowledge producing institutions means that "queering" must also, simultaneously and inextricably, be decolonial. That is, queering and decolonizing are inseparable strategies if we understand that heteronormativity and gender binaries are constructions that stem from colonial logics and are upheld by colonial institutions. The book features essays by artists, curators, and scholars-emerging and established-from a range of disciplines including Art History, Cultural Studies, Curatorial Studies, English, Indigenous Studies, Museum Studies, and Women's and Gender Studies.…

Paperback. Condizione: New. This book explores Two-Spirit and LGBTTQ* contributions to and interventions in museums and museum studies, both as a means of addressing structural exclusions and of opening new modes of productive inquiry and activism. Building on the inroads that have been made into existing museological practice and scholarship, the collection brings new voices and concerns to the field. For the contributors to this volume, "queering the museum" is not only about addressing representations of gender and sexuality, but also challenging white privilege, racism, and settler colonialism among other structures of oppression as they operate alongside and with heteronormativity, homophobia, and transphobia in and beyond museums, archives, and galleries. To challenge these norms in the context of museums and other knowledge producing institutions means that "queering" must also, simultaneously and inextricably, be decolonial. That is, queering and decolonizing are inseparable strategies if we understand that heteronormativity and gender binaries are constructions that stem from colonial logics and are upheld by colonial institutions. The book features essays by artists, curators, and scholars-emerging and established-from a range of disciplines including Art History, Cultural Studies, Curatorial Studies, English, Indigenous Studies, Museum Studies, and Women's and Gender Studies.…

Condizione: New.

Paperback. Condizione: New.

Condizione: New. 2009. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. 2009. Hardcover. . . . . .

Paperback. Condizione: Brand New. 218 pages. 6.14x0.46x9.21 inches. In Stock.

Hardback. Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - This book explores Two-Spirit and LGBTTQ\* contributions to and interventions in museums and museum studies, both as a means of addressing structural exclusions and of opening new modes of productive inquiry and activism. Building on the inroads that have been made into existing museological practice and scholarship, the collection brings new voices and concerns to the field. For the contributors to this volume, 'queering the museum' is not only about addressing representations of gender and sexuality, but also challenging white privilege, racism, and settler colonialism among other structures of oppression as they operate alongside and with heteronormativity, homophobia, and transphobia in and beyond museums, archives, and galleries. To challenge these norms in the context of museums and other knowledge producing institutions means that 'queering' must also, simultaneously and inextricably, be decolonial. That is, queering and decolonizing are inseparable strategies if we understand that heteronormativity and gender binaries are constructions that stem from colonial logics and are upheld by colonial institutions. The book features essays by artists, curators, and scholars--emerging and established--from a range of disciplines including Art History, Cultural Studies, Curatorial Studies, English, Indigenous Studies, Museum Studies, and Women's and Gender Studies.…

Paperback. Condizione: New. From the aesthetics of postwar reconstruction to the functional objects that complemented 1950s West Coast Modern architecture and the expressive material forms of the 1960s and 70s, Modern in the Making will acknowledge the many dimensions that defined British Columbia's cultural identity in the postwar era. It is the first volume to trace the evolution of Modern ceramics, weaving and fiber art, furniture, fashion and jewelry design produced between 1945 and 1975 in the Vancouver Lower Mainland, Vancouver Island and the Okanagan.…

Taschenbuch. Condizione: Neu. Neuware - From the aesthetics of postwar reconstruction to the functional objects that complemented 1950s West Coast Modern architecture and the expressive material forms of the 1960s and 70s, Modern in the Making will acknowledge the many dimensions that defined British Columbiäs cultural identity in the postwar era. It is the first volume to trace the evolution of Modern ceramics, weaving and fiber art, furniture, fashion and jewelry design produced between 1945 and 1975 in the Vancouver Lower Mainland, Vancouver Island and the Okanagan.…

Condizione: New. 2009. Hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New. &Uumlber den AutorrnrnCurrently Interim Director at the Vancouver Art Gallery, Daina Augaitis was Chief Curator/Associate Director from 1996 to 2017 where she worked with a team of curators to conceive and develop the Gallery s exhibitions, pub.

Condizione: New.

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - This catalogue from a 2009 exhibition at the Wheelwright Museum focuses on paintings by students who attended the Santa Fe Indian School between 1919 and 1945. The school had been established by the federal government in 1890 as an attempt to assimilate Native American children into the greater American society. Reforms to the school's mission were made in the early twentieth century with the establishment of an art school curriculum that grew in popularity. By 1932, under the direction of Dorothy Dunn and later Geronima Cruz Montoya, the school encouraged a modernist style to students--many would later become renowned artists. Fred Kabotie, Velino Shije Herrera, Allan Houser, Andrew Tsihnahjinnie, Pablita Velarde, and Sybil Yazzie are among the artists represented. Author and curator Michelle McGeough consulted with and interviewed many of the living artists and their descendants to present a compelling narrative about the paintings that represents the view of the artists and communities.…

Paperback. Condizione: New. This book explores Two-Spirit and LGBTTQ* contributions to and interventions in museums and museum studies, both as a means of addressing structural exclusions and of opening new modes of productive inquiry and activism. Building on the inroads that have been made into existing museological practice and scholarship, the collection brings new voices and concerns to the field. For the contributors to this volume, "queering the museum" is not only about addressing representations of gender and sexuality, but also challenging white privilege, racism, and settler colonialism among other structures of oppression as they operate alongside and with heteronormativity, homophobia, and transphobia in and beyond museums, archives, and galleries. To challenge these norms in the context of museums and other knowledge producing institutions means that "queering" must also, simultaneously and inextricably, be decolonial. That is, queering and decolonizing are inseparable strategies if we understand that heteronormativity and gender binaries are constructions that stem from colonial logics and are upheld by colonial institutions. The book features essays by artists, curators, and scholars-emerging and established-from a range of disciplines including Art History, Cultural Studies, Curatorial Studies, English, Indigenous Studies, Museum Studies, and Women's and Gender Studies.…