menut alophe (13 risultati)

Condizione: New. pp. 51.

Condizione: New. pp. 51.

Condizione: New. pp. 51.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Print on Demand. This book explores the remarkable history and evolution of photography from its humble beginnings in the early 19th century to its widespread adoption and remarkable influence in art and science. The author, a renowned photographer, provides fascinating insights into the groundbreaking discoveries and advancements that shaped the medium. From the experimental techniques of Niepce and Daguerre to the introduction of the calotype and later advancements in the field, the book delves into the technical innovations that revolutionized image-making. It examines the impact of photography on portraiture, its role in documenting historical events, and its profound influence on visual arts like painting and drawing. The author discusses the aesthetic and philosophical debates surrounding photography, exploring its unique ability to capture both the objective world and the artist's subjective vision. Through captivating prose and stunning visual examples, this book celebrates the transformative power of photography as an art form, a tool for scientific inquiry, and a medium that continues to shape our understanding of the world around us. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Hardcover. Condizione: Very Good. 36 Hand-coloured lithographs - Prints of humorous scenes of French domestic life. First half of the 19th century, Containing a total of thirty six hand-colored lithographed plates from various artists, editors, lithographs and albums: Francis, Ducarme, Pigal, Edme Jean, Marie-Alexandre Alophe, dit Menut, Philipon Charles, Ambroise Louis Garneray, Julien VALLOU de VILLENEUVE, Gottfried Engelmann, after Wattier, . Formentin, Joséphine-Clémence (en 1802), imprimeur-lithographe Tilt ou Thilt, Charles, editeur Janet, François Pierre, marchand d'estampes Chez Martinet Esquisses Parisiennes [SCHEFFER, Jean-Gabriel]. J.S -, PIGAL &c. Recueil des Scènes Familières, et de Société de Paris. Paris: n.p. [Chez Martinet], 1824. Old Master Prints, Print, lithography, Woodcut, Engraving, Engraver, Etching, Estampe, Mezzotint, Aquatint, Drypoint, Screen, printing, Monotype, Monoprint, Giclée, Watermarks, dry stamp, collector,

Wraps, with Custom-Made Folder. Condizione: Very Good. First Edition. N.d., circa 1850. Colas 103 gives an earlier date, 1838, but this is improbable based on some of the dancers and roles depicted. Fourteen hand-colored plates of the leading ballerinas of the day, all in performance: Taglioni, in La sylphide (a role she created in 1832); Rosati, in Corsaire; Ferraris, in des Elfes; Zaina Richard, in Marco Spada; Marquet, in Marco Spada; Marquet, in le ballet du Dieu et la bayadère; Fiocre, in L'amour de Pierre de Medicis; Cassegrain, in Marco Spada; Emarot, in Guillaume Tell; Emma Livry, in Herculanum; Caroline, in Marco Spada; Plunkett, in La mañola de La favorite; Vibon, in le ballet Vert-Vert; and Lefevre, in Orfa. Aided by the restrained use of color, which bears a similarity to how photographs would be hand colored, the illustrations have a near-photographic quality, and they thereby convey to us the physical aesthetic that prevailed in the mid-nineteenth century on the dance stage. Measuring 34 by 25 cm. The green wraps have a paper infill where there was edge chipping and tearing. Spine paper now gone. After heavy soiling on the first tissue guard, though, the plates are all clean and bright, and other than tiny corner creases, without issue. A handsome tan cloth custom-made box now houses the book.

Condizione: Good. Bound portfolio of prints without text in oblong formats. 24 x 30cm. average. Many are of the art works exhib ted at the annual Salons. Most are lithographs by Jean-Georges FREY (1798-185?) and fewer by his partner Jean-François BENARD (1796-185?).

1 lettre autographe signée 2 In-32 sans marques au crayon rouge en tête. Il annonce qu'il remet à un commis la somme d'argent convenue. Peintre et lithographe.

No Binding. Condizione: Fair. Portrait of Alexandre Joseph Montagney dit Artot. Born 25 January 1815 in Brussels, Belgium. Died 20 July 1845 in Ville-d'Avray, France. Lithography by Adolphe Menut dit Alophe (1811-1883), c. 1845. Reasonable condition. Paper with overall spotting. Some minor creasing. Verso: blank. Note: dimensions reflect the entire leaf. Dimensions: 283 x 198 mm. Alexandre Joseph Montagney dit Artot was Composer, Musician, Violinist, and "Le bel Artot". c. 1845. Print.