michael jeremy robinson (31 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

1989, Asia, University of Hawaii, 196 p., good ex-library cloth no dust jacket.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.

Hardcover. Condizione: Very Good. Photographs by Urata Hoichi (illustratore). First Edition. Dust jacket has a mylar plastic cover which shows some light rubbing, scuffing and shelf wear. Dust jacket itself shows some very light shelf wear and browning from age. Book itself shows some light edge wear.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. University of Hawaii Press: 1989. Octavo. Hardcover with a dust jacket. First U.S. edition. Black boards with silver gilt lettering to the spine. Small stain to the fore edge of the text block. Bottom edges of the boards ever so slightly faded. Unclipped jacket has rubbing to the ends of the spine and a small closed tear to the back cover. Book and jacket are both in very good condition.

hardcover. Condizione: New. BRAND NEW! Ships within 24 hours!

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good+. Condizione sovraccoperta: Very Good+. Publisher's silver-titled cloth. Light edgewear/corner wear, block edge mildly soiled; slightly warped. The DJ in mylar is lighlty soiled/worn. ; Japanese Studies; 8vo 8" - 9" tall; 196 pages.

Paperback. Condizione: New.

Condizione: New.

A detailed ethnographic and cultural study of domestic rituals in Japan, focusing on the symbolic meanings of household ceremonies, family traditions, and everyday practices. Drawing on fieldwork in T?no, Japan, the authors explore how ritual, religion, and social customs shape Japanese home life. A valuable contribution to anthropology, Japanese studies, and cultural history.

Condizione: New. Satisfaction Guaranteed or your money back.

54 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)" "Conversation with Brice Marden." Cover: Robert Ryman. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Fair. 9 mm. long "1.00" written in blue ink on recto. Tearing along spine wrapping around to covers including 1.2 cm., 1 cm., 2.1 cm. and others. 1.2 cm. loss to top edge of spine. Bumping and chipping across top edge of recto and verso. 1.4 cm. loss to verso at spine. 5.3 cm. soiling to right side edge of first page. Contents otherwise clean and unmarked.

54 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)" "Conversation with Brice Marden." Cover: Robert Ryman. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Fair / Good. 15.3 cm. and 3.6 cm. tears to spine. 2.2 cm. tear to recto, bumping of top edge of recto, and 1.2 cm. dog-ear to bottom right corner of recto. Chipping and tearing across top edge of verso. Yellowing of covers and pages. 2 mm. tear to page 3 and 1.3 cm. tear to pages 51-54. Contents clean and unmarked.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.

1st Ed. [xvi] + 196pp. Frontis., 6 tables, 29 figures, 30 plates from photos. by Urata Hoichi. Illus. e.ps., top edge of upper board very sl. faded, good in d/w. US$59.

Condizione: Gut. XV; 196 S.; viele Illustr.; 24 cm; fadengeh. Orig.-Pappband m. illustr. OUmschlag. Gutes Exemplar; Umschlag etwas berieben. - Englisch. - This delightful yet thoughtful book relates the experience of living in Tono, a small town in the Japanese Tibet, and combines vivid description with informed analysis of ritual and customs, marriage procedures, festivals, house planning and building and the routines of day-to-day life in a hostile environment far removed from the sophistication of Tokyo. Anthropologists, cultural geographers, sociologists and architects will find much of interest here, while the dramatic photographs will be a provocative eye-opener for anyone who sees Japanese culture in terms of microchips and flower-arranging. (Verlagstext) // INHALT : List of tables ----- List of figures ----- List of plates Preface ----- Introduction ----- 1 Tono ----- 2 The ie and family life ----- 3 Ceremonial and the ie ----- 4 Marriage in the ie ----- 5 Housebuilding in Tono ----- 6 Reflections ----- Bibliography ----- Glossary and index of principal Japanese terms ----- General index. // Abbildungen: Tono: location - The Tada kamidana - Shinto papers in the Tada kamidana - Translated Tada hirden seating plan - Cyclic changes in kaso symbolism - Summary of kaso symbolism - Summary of kaso advice - Shinto jichinsai used by the Hachiman shrine - Buddhist jichinsai - Full tatemae display - Tatemae arrowhead display - Crosswork capital - Otatami musubi - Tatemae plaque and inscriptions - Tatemae offerings and seating - The magariya of Matsuma Yoshitsugi - Matsuma Yoshitsugi house - The hiroya - Sengai tsukuri design and eaves detail - Suggested arrangements of tatami mats - Horiuchi house: elevations - Horiuchi house: view of genkan - Horiuchi house: framework and features - Detail of wall construction - The Tada tokonoma and chigaidana - The Tada sboin - Kimoya and shachihoko tilework - Examples of irimoya construction - Detail of eaves tile and tomoe-maru // The horizon is serrated with lines of receding hills. - In the event that grandparents are able to serve as a surrogate, - the extent of disapproval is somewhat lessened. - Families who distinguish little between the old and the new. - Many old women are bent double, permanently shaped by a - regime of work in the fields. - These winter conditions preclude farm work. - Those few households which continue the tradition of horse - breeding do so out of love for the horse. - People do not feel the same attachment to tobacco that the rice - plant engenders. - Departed ancestors continue to live as real members of the ie. - The family gather together in a group which conveys the most - powerful visual image of the ie. - Old people remain as active as possible as long as health permits. - In the farming ie it is common to see children in the fields in the - care of their grandmother. - The Buddhist altar is a reminder of ie lineage. - The purpose of obon is to mark the return of the souls of - deceased forebears. - In 1982 the victor in Tono's mayoral elections triumphantly - painted in the second eye of a large daruma doll. - Steamed rice was pounded in large wooden pestles. - The girls are all dressed in their finest kimonos. - The simple square of bright material that is used to clothe the - mulberry stick dolls is not removed and replaced, but merely - added to each year. - In Iwate the carved head is allowed to protrude through the hole. - The dancer wears a shishi mask. - The height allows for an impressive mizu ki display, while its - blackness serves as sombre contrast. - 'O ta we' anticipates the first work of planting. - When the men arrive the atmosphere develops quickly under the - usual influence of sake and beer. - Both dolls have fearsome faces painted on paper. - The bride is called hana yome or 'flower bride'. - (u.a.) ISBN 0719025060 Sprache: Deutsch Gewicht in Gramm: 650.