Michael redgrave starring (32 risultati)

No Binding. Condizione: VG. None. This is an original vintage print trade ad that measures approximately 10 x 13 and is in VG or better condition. Ideal for framing, this ad comes protected in a plastic sleeve and backer and is shipped first class mail in a cardboard mailer. Paper.

No Binding. Condizione: VG. A lot of 2 VG or better original release 11 x 14 lobby cards. Poster.

No Binding. Condizione: VG. A VG or better original release 11 x 14 lobby card. Size: 11" X 14". Poster.

No Binding. Condizione: VG. A VG or better original release 11 x 14 lobby card. Size: 11" X 14". Poster.

No Binding. Condizione: VG. A VG or better original release 11 x 14 lobby card. Size: 11" X 14". Poster.

No Binding. Condizione: VG. A VG or better original release 11 x 14 lobby card. Size: 11" X 14". Poster.

No Binding. Condizione: VG. A VG or better original release 11 x 14 lobby card. Size: 11" X 14". Poster.

No Binding. Condizione: VG. A VG or better original release 11 x 14 lobby card. Size: 11" X 14". Poster.

No Binding. Condizione: Very Good. A VGF or better original release 8 x 10 still. Poster.

No Binding. Condizione: Very Good. A VGF or better original release 8 x 10 still with snipe on back. Poster.

No Binding. Condizione: VG. A lot of 3 VG or better original release 11 x 14 lobby cards. Poster.

No Binding. Condizione: VG. A lot of five VG or better original release 11 x 14 lobby cards. Poster.

No Binding. Condizione: VG+. A lot of nine VGF or better original release 8 x 10 stills. Photographic Image.

No Binding. Condizione: VG+. A lot of nine VGF or better original release 8 x 10 stills. Photographic Image.

No Binding. Condizione: Good. A good or better complete lot of six original release 11 x 14 lobby cards. Poster.

No Binding. Condizione: VG. A lot of seven VG or better original release 11 x 14 lobby cards. Poster.

Vintage studio still photograph from the 1952 film. Snipe affixed to the verso. Based on Oscar Wilde's witty play of the same name, in which a Algernon discovers that his friend, Earnest, has created a fictional brother in order to intermittently leave his country home to visit the city. Algernon decides to assume the brother's identity and pay a little visit to his friend's estate. The film is a goofy and earnest rendition of Wilde's beloved play. Shot on location in England. 8 x 10 inches. Very Good plus. Small stain to the recto and a manuscript graphite notation to the verso. Criterion Collection 158.…

Vintage full-color British front-of-house card from the 1967 UK film. A musical romp through northern England, about two young women venturing out to find fame and fortune. 8 x 10 inches. About Near Fine. Ink notation on verso.

Two vintage full-color still photographs from the 1979 American-English-German film. Set during WWII on American army bases in Great Britain. Many of British military personnel have prejudices against the "Yanks," mostly when it comes American men interacting with British women. Winner of two BAFTA awards (1980), and Lisa Eichhorn was nominated for two Golden Globe awards. 8 x 10 inches. Light rubbing overall, and a few faint creases, else Near Fine.…

Soft cover. Condizione: VG. A VG or better 20-page screening program with no cuts or missing pages. Ultra rare. Book.

Condizione: Very Good. Original theatre programme. 4 printed pages. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Vintage film still photograph from the 1938 film. Based on the 1936 novel "The Wheel Spins" by Ethel Lina White. One of Hitchcock's undisputed classics, a light thriller made (along with "Jamaica Inn" in 1939) at the end of his first British period. Young Iris Henderson (Margaret Lockwood), heading home on a train after a vacation in the Balkans, befriends an old woman, Miss Froy (May Whitty) after Iris gets hit in the head with a flowerpot meant for Miss Froy. On the train, recovering from the blow, Iris falls asleep. When she awakens, Miss Froy has vanished, replaced by someone else in Miss Froy's clothing. Iris talks to the other passengers, a bizarre collection of eccentrics who think Iris is crazy for insisting there ever was a Miss Froy. Finally, Iris finds a young musician, Gilbert (Michael Redgrave), who believes her and the two proceed to search the train for clues. 12 x 9.5 inches. Very Good, with pinholes and creasing to corners and small chip to right corner margin.…

Vintage borderless publicity photograph from the 1947 film noir, showing actress Barbara O'Neil. Printed mimeo snipe affixed to the verso. Loosely based on the French fairy tale of Bluebeard, about a newlywed woman who suspects that her husband is trying to kill her. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and was tand went on to be the head of the still photography department at Universal Pictures, where he worked well into the 1950s. Approximately 7.5 x 9 inches, trimmed irregularly. Very Good.…

Vintage reference photograph from the 1966 British documentary film, showing actress Julie Christie stretching out in a rattan chair. Provenance label on the verso. Considered by many to be the definitive portrayal of Swinging London at its peak, incorporating concert footage, street scenes, art events, film premieres and more. 10 x 8 inches. Near Fine.…

Collection of 6 vintage full-color British front-of-house cards from the 1979 American-English-German film. Set during WWII on American army bases in Great Britain. Many of British military personnel have prejudices against the "Yanks," mostly when it comes American men interacting with British women. Winner of two BAFTA awards (1980), and Lisa Eichhorn was nominated for two Golden Globe awards. 8 x 10 inches. Light rubbing overall, and a few faint creases, else Near Fine.…

Condizione: Very Good. Original stapled illustrated souvenir theatre programme. 24 printed pages. In Very Good condition with a fantastic looking young John Gielgud. Member of the P.B.F.A. THEATRE PROGRAMMES.

Archive of material relating to Eugene O'Neill's 1931 play cycle and the subsequent 1947 film adaptation, including a Final script for the film and a bound carbon typescript of the condensed published version of the play. Film script belonging to director Dudley Nichols, with his name in manuscript pencil on the title page, and his annotations in pencil on several pages, amending dialogue and noting deletions. Additionally included with the archive is a 1956 Columbia University Master's degree thesis credited to a Herbert Kennedy Jr., comparing the film and play, with photographs from both. Based on the Oresteia, with the setting moved from ancient Greece to New England shortly after the American Civil War, about a Union general returning from war, only to confront deception and adultery in the women who have waited at home. O'Neill's play premiered on Broadway at the Guild Theatre on October 26, 1931, running for a successful 150 performances. Originally released by RKO with a three-hour run time, the screen adaptation was heavily cut after release, ultimately clocking in at 105 minutes, with the complete version currently considered lost. Rosalind Russell and Michael Redgrave were nominated for Academy Awards for their performances as Lavinia and Orin Mannon, respectively. Film script: Generic blue card wrappers, with Kennedy's name and address in manuscript ink on the front wrapper. Title page present, dated FEBRUARY 25, 1947, noted as FINAL SCRIPT, stamped copy No. 8, with credit for O'Neill. Distribution page present, with receipt removed. 202 leaves, with last page of text numbered 199. Mimeograph duplication, rectos only, with ten blue revision pages dated 3/12/47. Pages Very Good plus, wrapper Very Good plus, bound internally with a silver prong. Condensed play script: Black card wrappers with a typed title label affixed to the front wrapper. Title page present, with credit for O'Neill and writer Demetrios Vilan. 120 leaves, with last page of text numbered 3-2-10. Carbon typescript on onionskin stock, rectos only. Pages Very Good plus, wrapper Very Good plus, bound with three silver brads. Thesis: Black card wrappers with a typed title label affixed to the front wrapper crediting Kennedy. Title page present, with a credit for Kennedy. Approximately 164 leaves. Carbon typescript on onionskin stock, rectos only. Pages Very Good plus, wrapper Very Good plus, bound internally with a silver prong.…

Two vintage French lobby cards from the 1938 film. Based on the 1936 novel "The Wheel Spins" by Ethel Lina White. One of Hitchcock's undisputed classics, a light thriller made (along with "Jamaica Inn" in 1939) at the end of his first British period. Young Iris Henderson (Margaret Lockwood), heading home on a train after a vacation in the Balkans, befriends an old woman, Miss Froy (May Whitty) after Iris gets hit in the head with a flowerpot meant for Miss Froy. On the train, recovering from the blow, Iris falls asleep. When she awakens, Miss Froy has vanished, replaced by someone else in Miss Froy's clothing. Iris talks to the other passengers, a bizarre collection of eccentrics who think Iris is crazy for insisting there ever was a Miss Froy. Finally, Iris finds a young musician, Gilbert (Michael Redgrave), who believes her and the two proceed to search the train for clues. 12 x 9.5 inches. Very Good plus, with pinholes and creasing to corners.…

Vintage studio still photograph from the 1957 film, showing actors Barbara Laage and Gene Kelly. Two young students escape from their Swiss boarding school and make for Paris. Their respective parents-an American father and a French mother-team up to retrieve them. Shot on location in Paris and Côte-d'Or, France. 10 x 8 inches. Near Fine.…

Vintage reference photograph of director Jack Clayton on the set of the 1961 film. Adapted by Truman Capote from William Archibald's 1950 stage adaptation of the 1961 Henry James short story "The Turn of the Screw." One of the most successful adaptations of a Henry James work, and a classic of literary horror films, in which Deborah Kerr plays a governess who believes her two young wards are being possessed by spirits. Prior to Capote's involvement with the script, the events occurring were presented as literally happening, but Capote's edits introduce the possibility of plausible insanity in the case of the governess as an explanation (though this is famously never clarified by the film's end). Capote worked on this script concurrently with "In Cold Blood," and even so is said to have turned it around in only eight weeks. The film utilized notably dramatic staging and editing, and was also the first to use synthesized electronic sounds, created by Daphne Oram. Nominated for the Palme d'Or. Shot on location in England. 10 x 8 inches. Very Good plus, lightly age toned. Criterion Collection 727.…