Michelle naka pierce (38 risultati)

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Very Good. 1st Edition. First printing (complete number line) softcover in glossy, excellent, unmarked, near-pristine condition (slightest handling, slightest corner tip wear, slightest linear indentation). 95 pages. [8oz]. Book.

Condizione: New.

Paperback. Condizione: New.

Condizione: New.

paperback. Condizione: Very Good. softcover book in very good shape, very light wear to cover and book edges.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In English.

Condizione: New.

Paperback. Condizione: Brand New. 100 pages. 8.25x8.25x0.24 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Continuous Frieze Bordering Red documents the migratory patterns of an Other, as she travels between countries, languages, seasons, and shifting identities. A narrative on hybridity, the text explores [dis]location as a cultural swerve while it interrogates Rothko's red: his bricked-in, water-damaged windows [floating borders], which reflect unstable cultural borders to the hybrid. A person of mixed race [hybrid, mongrel, mutt] traverses these "invisible" cultural borders repeatedly. Border identity comes with flux, instability, and vibrational pulls. An Other is marked as someone who does not belong. She is always a foreigner: when traveling and when at "home." She is cast aside, bracketed from the dominant culture. She is [neither][nor][both]. She exists in a liminal space: in place and displaced simultaneously. That is, her identity and body are peripatetic, which is reflected in the continuous horizontal frieze. The reader must literally cross the borders of each page in order to navigate each line of text, leaving the reader in constant motion as well. The poem also functions as an ekphrasis of Rothko's Seagram murals: Rothko writes that the paintings make the observers "feel that they are trapped in a room where all the doors and windows are bricked up." The hybrid is confined and isolated. Even though the Other is estranged from herself and desires a sense of cultural belonging, she ultimately wants to "acknowledge this scar tissue and proceed" so that she is not held to false measures of "purity." Continuous Frieze Bordering Red attempts to move away from pejorative definitions of "hybrid" and embrace the monstrous self. …

Paperback. Condizione: Very Good. First Paperback Edition. 8vo. Large format paperback. Prose poems. ISBN: 0972606319 Pages: 76 Pierce serves as the dean of Naropa University's Jack Kerouac School of Disembodied Poetics. This work was written while she and her partner, the poet Chris Pusateri, were in a long-distance relationship. Faint rubbing at edges, otherwise very good indeed.…

Paperback. Condizione: Brand New. 1st edition. 92 pages. 8.50x8.50x0.50 inches. In Stock.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardback. Condizione: New. Continuous Frieze Bordering Red documents the migratory patterns of an Other, as she travels between countries, languages, seasons, and shifting identities. A narrative on hybridity, the text explores [dis]location as a cultural swerve while it interrogates Rothko's red: his bricked-in, water-damaged windows [floating borders], which reflect unstable cultural borders to the hybrid. A person of mixed race [hybrid, mongrel, mutt] traverses these "invisible" cultural borders repeatedly. Border identity comes with flux, instability, and vibrational pulls. An Other is marked as someone who does not belong. She is always a foreigner: when traveling and when at "home." She is cast aside, bracketed from the dominant culture. She is [neither][nor][both]. She exists in a liminal space: in place and displaced simultaneously. That is, her identity and body are peripatetic, which is reflected in the continuous horizontal frieze. The reader must literally cross the borders of each page in order to navigate each line of text, leaving the reader in constant motion as well. The poem also functions as an ekphrasis of Rothko's Seagram murals: Rothko writes that the paintings make the observers "feel that they are trapped in a room where all the doors and windows are bricked up." The hybrid is confined and isolated. Even though the Other is estranged from herself and desires a sense of cultural belonging, she ultimately wants to "acknowledge this scar tissue and proceed" so that she is not held to false measures of "purity." Continuous Frieze Bordering Red attempts to move away from pejorative definitions of "hybrid" and embrace the monstrous self. …

Condizione: New. pp. 92.

Condizione: New. pp. 92.

Softcover/Taschenbuch. Condizione: Neu. In this poignant meditation, Michelle Naka Pierce writes: "Memor? is all one body." Part historical document, part mourning song, MAMA is a hybrid work that traces a nonagenarian mother's cognitive decline and her stories of surviving World War II on Tsukishima / Moon Island. With memor? playing on continuous loop, the text leans into the Zuihitsu tradition of "following the brush"-stitching together poem, song, letter, and grief as they arise.Set against the devastation of the T?ky?daik?sh? / Great Tokyo Air Raid, MAMA offers a rare perspective on a past often erased from dominant narratives. Spanning continents, the book reckons with intergenerational trauma, diaspora, and the silences of immigrant life, braiding English and Japanese with archival fragments and embodied experience. At its heart, MAMA is a vow: to bear witness before memory disappears. This act of writing is one of oyak?k? / filial devotion-honoring the enduring bond between mother and daughter. A vital contribution to Japanese American literature and experimental poetry, MAMA asks how we carry ancestral stories when language falters and memory slips. Sprache: Englisch Gewicht in Gramm: 97.…

Taschenbuch. Condizione: Neu. Neuware - Continuous Frieze Bordering Red documents the migratory patterns of an Other, as she travels between countries, languages, seasons, and shifting identities. A narrative on hybridity, the text explores [dis]location as a cultural swerve while it interrogates Rothko's red: his bricked-in, water-damaged windows [floating borders], which reflect unstable cultural borders to the hybrid. A person of mixed race [hybrid, mongrel, mutt] traverses these 'invisible' cultural borders repeatedly. Border identity comes with flux, instability, and vibrational pulls. An Other is marked as someone who does not belong. She is always a foreigner: when traveling and when at 'home.' She is cast aside, bracketed from the dominant culture. She is [neither][nor][both]. She exists in a liminal space: in place and displaced simultaneously. That is, her identity and body are peripatetic, which is reflected in the continuous horizontal frieze. The reader must literally cross the borders of each page in order to navigate each line of text, leaving the reader in constant motion as well. The poem also functions as an ekphrasis of Rothko's Seagram murals: Rothko writes that the paintings make the observers 'feel that they are trapped in a room where all the doors and windows are bricked up.' The hybrid is confined and isolated. Even though the Other is estranged from herself and desires a sense of cultural belonging, she ultimately wants to 'acknowledge this scar tissue and proceed' so that she is not held to false measures of 'purity.' Continuous Frieze Bordering Red attempts to move away from pejorative definitions of 'hybrid' and embrace the monstrous self.…

Condizione: New. Continuous Frieze Bordering [Red] documents the migratory patterns of an Other as she travels between countries, languages, and shades of Rothko s red. A narrative on hybridity, the text navigates the instability of cultural border identities and functions .

Gebundene Ausgabe. Condizione: Neu. In this poignant meditation, Michelle Naka Pierce writes: "Memor? is all one body." Part historical document, part mourning song, MAMA is a hybrid work that traces a nonagenarian mother's cognitive decline and her stories of surviving World War II on Tsukishima / Moon Island. With memor? playing on continuous loop, the text leans into the Zuihitsu tradition of "following the brush"-stitching together poem, song, letter, and grief as they arise.Set against the devastation of the T?ky?daik?sh? / Great Tokyo Air Raid, MAMA offers a rare perspective on a past often erased from dominant narratives. Spanning continents, the book reckons with intergenerational trauma, diaspora, and the silences of immigrant life, braiding English and Japanese with archival fragments and embodied experience. At its heart, MAMA is a vow: to bear witness before memory disappears. This act of writing is one of oyak?k? / filial devotion-honoring the enduring bond between mother and daughter. A vital contribution to Japanese American literature and experimental poetry, MAMA asks how we carry ancestral stories when language falters and memory slips. Sprache: Englisch Gewicht in Gramm: 166. …

Paperback. Condizione: New. Continuous Frieze Bordering Red documents the migratory patterns of an Other, as she travels between countries, languages, seasons, and shifting identities. A narrative on hybridity, the text explores [dis]location as a cultural swerve while it interrogates Rothko's red: his bricked-in, water-damaged windows [floating borders], which reflect unstable cultural borders to the hybrid. A person of mixed race [hybrid, mongrel, mutt] traverses these "invisible" cultural borders repeatedly. Border identity comes with flux, instability, and vibrational pulls. An Other is marked as someone who does not belong. She is always a foreigner: when traveling and when at "home." She is cast aside, bracketed from the dominant culture. She is [neither][nor][both]. She exists in a liminal space: in place and displaced simultaneously. That is, her identity and body are peripatetic, which is reflected in the continuous horizontal frieze. The reader must literally cross the borders of each page in order to navigate each line of text, leaving the reader in constant motion as well. The poem also functions as an ekphrasis of Rothko's Seagram murals: Rothko writes that the paintings make the observers "feel that they are trapped in a room where all the doors and windows are bricked up." The hybrid is confined and isolated. Even though the Other is estranged from herself and desires a sense of cultural belonging, she ultimately wants to "acknowledge this scar tissue and proceed" so that she is not held to false measures of "purity." Continuous Frieze Bordering Red attempts to move away from pejorative definitions of "hybrid" and embrace the monstrous self. …

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.