michelson hal (27 risultati)

Soft cover. Condizione: Good. Mild Shelfwear And Edgewear, Light Stain On Front Cover, Crack In Binding Between Pages 84 And 85 With Page 83/84 Become Loose On Bottom, But No Other Damage, Otherwise An Unmarked, Clean, And Solid Copy.

Soft cover. Condizione: Near Fine. Softcover. Spring 1998. This issue contains essays by Hal Foster, Alastair Wright, and Brigid Doherty among others. Near Fine. Thin octavo; stiff paper wraps; 144 pp.; illustrated in b/w; unobtusive creasing to top corner throughout, else a clean, crisp copy.

Soft Cover. Condizione: Very Good. octavo; 123pp illus; Softcover, October 61, Summer 92, "Identity in Question" issue (Laclau-Mouffe, Ranciere, Cornel West, Bhabha, et al), no creases, light shelf wear, penciling to one article, o/w clean tight excellent copy.

Soft Cover. Condizione: Near Fine. octavo; 129pp illus; Softcover, October 60, Spring 92, Documents Dossier (Bataille, et al) & other articles, no markings, no creases, slight corner bump, o/w pristine unused copy.

Softcover. Condizione: Very Good with no dust jacket. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear. Contents: Foster, What's new about the neo-avant-garde? Buchloh, Three conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris. Armstrong, Interviews with Ed Ruscha and Bruce Conner. de Duve, Echoes of the readymade: critique of pure modernism. Buskirk, Interviews with Sherie Levine, Louise Lawler, and Fred Wilson. Buskirk, Thoroughly modern Marcel. Round table: conceptual art and the reception of Duchamp. ; 9.0" tall; 146 pages.

Softcover. Condizione: Very Good with no dust jacket. Sound binding. Pages bright and clean. Wrappers have very light shelf wear. ; Contents: Rajchman, Introduction: the question of identity. Scott, Multiculturalism and the politics of identity. West, A matter of life and death. Mouffe, Citizenship and political identity. Bhabha, Freedom's basis in the indeterminate. Rancière, Politics, identification, and subjectivization. Huyssen, The inevitability of nation: German intellectuals after unification. Laclau, Universalism, particularism, and the question of identity. Aronowitz, Reflections on identity. Smith, The Americans. ; 9.0" tall; 123 pages.

Softcover. Condizione: Very Good with no dust jacket. Square, tight binding. Clean and bright pages. Wraps have edge rubbing, light shelf and handling wear, light soiling. ; Contents: Grigsby, "Geometry/Labor = Volume/Mass?"; Allen and Foster, "A Conversation with Kenneth Frampton"; Vidler, "Toward a Theory of the Architectural Program"; Scott, "Involuntary Prisoners of Architecture"; Anderson, "The Edge of Darkness: On W. G. Sebald"; Dean, "W. G. Sebald"; Jennings, "Not Fade Away: The Face of German History in Michael Schmidt's Ein-heit." ; 9.0" tall; 152 pages.

Condizione: Very Good. Very Good Condition. Five star seller - Buy with confidence!

Soft cover. Condizione: Near Fine. Softcover. Spring 1994. This issue contains essays by Rosalind Krauss, Jonathan Crary, and Linda Nochlin among others. Near Fine. Thin octavo; stiff paper wraps; 121 pp.; illustrated in b/w; slight rubbing and edgewear to cover, else a clean, crisp copy.

Soft cover. Condizione: Near Fine. Softcover. Summer 1994. This issue contains essays by T.J. Clark, Dennis Hollier, and Andre Breton among others. Near Fine. Thin octavo; stiff paper wraps; 144 pp.; illustrated in b/w; slight rubbing and edgewear to cover, else a clean, crisp copy.

Soft cover. Condizione: Near Fine. Softcover. Fall 1998. This issue contains essays by David F. Noble, John Rajchman and Jean-Francois Lyotard among others. Near Fine. Thin octavo; stiff paper wraps; 129 pp.; illustrated in b/w; slight rubbing and edgewear to cover, else a clean, crisp copy.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condizione: Used - Good. Open copy, light foxing along text edges and covers, interior pages clean.

123 pp.; 22.8 x 17.8 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz and "The Americans," by E.E. Smith. Very Good. 8 mm. black ink mark on recto near spine. Bumping of top and bottom right corners of covers and contents. Light yellowing of covers and pages. Contents clean and unmarked.

113 pp.; 23 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Postmodernism in Parallax," by Hal Foster; "The Bullfight as Mirror," by Michel Leiris; "The Simple Life: Pastoralism and the Persistence of Genre in Recent Art," by Thomas Crow; "Before 'Bed,'" by Helen Molesworth "The Psychoanalysis of AIDS," by Tim Dean. Cover: Michael Asher, detail from "Sign in the Park," 1981. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 280. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condizione: Very Good. Publisher: MIT Press, Cambridge, Mass, 2003.First Softcover Edition, First Printing. NEAR FINE softcover book in pictorial/illustrated wraps, as issued. Featuring articles about W.G. Sebald. Not remainder marked. Not a book club edition. Not an ex-library copy.

Trade Paperback. Condizione: Used - Good. Light red pen markings throughout book.otherwise, very clean pages and tight binding.

Soft cover. Condizione: Near Fine. Softcover. Fall 1994. This issue contains essays by Thierry de Duve, Hal Foster, Benjamin H.D. Buchloh, and Martha Buskirk among others. Near Fine. Thin octavo; stiff paper wraps; 146 pp.; illustrated in b/w; a touch of shelfwear to cover, else a clean, crisp copy.

131 pp.; 23 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "The Rat's Ass," by Molly Nesbit; "The Unsecret Life: A Warhol Advertisement," by David James; "'Where Is Your Rupture?': Mass Culture and the Gesamtkunstwerk," by Annette Michelson; "Armor Fou," by Hal Foster; "From Detail to Fragment: Décollage Affichiste," by Benjamin H.D. Buchloh; "'Nostalgie de la Boue,'" by Rosalind Krauss "Capital Effects," by Jonathan Crary. Cover: Window display, Bonwit Teller, New York, 1961. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 280. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

142 pp.; 22.8 x 17.8 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," by Susan Buck-Morss; "Ernst Jünger and the Transformed World," by Brigitte Werneburg; "Spiritual Reactionaries After German Reunification: Syberberg, Foucault, and Others," by Diedrich Diederichsen; "Kiefer in Berlin," by Andreas Huyssen; "Painting Negation: Gerhard Richter's Negatives," by Peter Osborne; "Moments of Interpretation," by Desa Philippi; "Hand-Made Photographs and Homeless Representation," by Thomas Crow and "The Richter-Scale of Blur," by Gertrud Koch. Good. Light yellowing of covers with spotty ocher spotting to recto and light soiling of verso with rubbing to corners. 12.2 cm. dog-ear to table of contents, light yellowing of page edges. Contents otherwise clean and unmarked.

Wrappers. Condizione: Bueno. 1st ed. 18.5x23.5. 148pp. Wrappers. Good. Round Table: Independence in the Cinema - Stuart Klawans, Annette Michelson, Richard Pena, James Schamus and Malcolm Turvey; Hantai, Villegle and the Dialectics of Painting's Dispersal - Benjamin H. D. Buchloh; Play-tactics of the Internationale Situationiste - Libero Andreotti; Performance, Video and the Rhetoric of Presence - Anne M. Wagner; Los Angeles Photographs 1976-78 - James Welling; From Clementina to Kasebier: The Photographic Attainment of the 'Lady Amateur' - Carol Armstrong; The Estates General of the Documentary Film - Annette Michelson. English.

Paperback. Condizione: New.

Soft cover. Condizione: As New. No Jacket. 1st Edition. Periodical Softcover illus. pp142. Articles Susan Buck-Morss on Walter Benjamin, Brigitte Werneburg on Ernst Junger, Diedrich Diederichsen on Spiritual Reactionaries after Reunification, Huyssen on Kiefer in Berlin, Peter Osborne on Richter, Desa Philippi on Interpretation, Thomas Crow on photographs, Gertrud Koch on Richter. Condition As New.

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Trade Paperback. Condizione: Used - Good. Except for red pen markings from page 124 -136 and slight blue smudge on back cover, this book is in very nice/good condition - remaining pages are very clean.

Paperback. Condizione: New.

Plastic binder. Condizione: Fine. First Edition. An 8"x10" binder featuring photocopied drawings and diagrams for the various sections of the Starship Enterprise from the movie Star Trek: The Motion Picture (1979). The binder is one of several put together by Lee Cole, head console designer, for cast members, to inform them and series writers about the redesigned spaceship. The binder covers Bridge layout, individual components of the Bridge, the Engine Room, the Briefing Room, the Transporter Room, Kirk's Quarters, the Medical Lab, the Examining Room, and the Sick Bay (bed monitor). There are five sections separated by tabs; each page within a section is protected by a clear page protector. Hal Michelson, credited as the production designer along with Joseph R. Jennings, was nominated for an Academy Award for his work, contributing to the interior and exterior deign of the refit USS Enterprise. Jennings, who worked as an art director for the original TV series, was also nominated for an Academy Award for Best Art Direction. Most of the Bridge consoles, designed by Cole, remained from the scrapped television series. Cole worked on the motion picture production and was responsible for much of the visual artwork created. The bridge ceiling was redesigned, with Michelson taking structural inspiration from a jet engine fan. Star Trek: The Motion Picture was the first major Hollywood adaptation of a TV series that had been off the air for nearly a decade to retain its original cast. On March 28, 1978, Paramount assembled the largest press conference held at the studio since Cecil B. DeMille announced he was making The Ten Commandments. Lee Eisner announced that Academy Award-winning director Robert Wise would direct the film adaptation of the television series. Set construction began in July 1977. The fabrication was supervised by Joseph Jennings, an art director involved in the original television series A unique piece of film history. Fine condition.