middendorp jan (100 risultati)

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail.

Hardcover. Condizione: Good. No Jacket. Proves why FontFont has made an indelible impression on type and typography trends. Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Gebunden. Condizione: neu. OVP Titel Type navigator : the independent foundries handbook ; Special Ed. Person(en)Middendorp, Jan (Herausgeber) Organisation(en)TwoPoints.Net (Sonstige) VerlagBerlin : Gestalten Zeitliche EinordnungErscheinungsdatum: 2011 Umfang/Format314 S. ; 300 mm x 240 mm + 1 CD-ROM ISBN/Einband/Preis978-3-89955-551-6 Pp. : EUR 29.90 (DE), EUR 30.80 (AT), sfr 38.90 (freier Pr.) EAN9783899555516 Sachgruppe(n)700 Künste, Bildende Kunst allgemein In englischer Sprache. 320 pages. 300x240 mm.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.

Condizione: New. 2015. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: Like New. Never used! Light wear to corners/edges from shelving.

Hardcover. Condizione: New. New copy.

Hardcover. Condizione: Fine. 320 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Fine dust jacket. Book still in original publisher shrink wrap. INCLUDES CD. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.

Condizione: New. 2015. hardcover. . . . . .

Hardcover. Condizione: Fine. Condizione sovraccoperta: No Jacket (as issued). Fully illustrated. Very tiny bumps to rear cover corners. Clean, bright, and unmarked. Complimentary fonts DVD in pocket at rear.

Flexibound. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Large hardcover in excellent, unmarked condition: slight handling, slight indentations along the lower edges, slight corner tip wear. 239 pages, with font designs throughout. [3.6 lbs]. Book.

Hardcover. Condizione: Used - Very Good. Thanks to ever-increasing digitalization, design has gone through a process of democratization since the 1990s. Because the internet has made the digital tools of various creative directions so easily accessible, many young designers are currently working in a multidisciplinary way. Today, the most compelling work is being created where classic design categories intersect. Young designers are moving fluidly between established job descriptions such as graphic designer, advertiser, street artist, video director, typographer, illustrator, product designer, and musician - often working as several at the same time. Because they customize their fields to suit their individual needs and their output often meanders through very different categorizations, the work of these designers may seem random at first glance. Still, despite or because of the way the work, they are profoundly innovative as well as remarkably determined when it comes to realizing their creative visions and establishing a personal style. Precursor introduces outstanding young design talent from around the world and documents their most recent work. Although regional creative differences and design traits still exist, the examples collected here show how a new transnational style is currently being established. This work exists beyond current trends and retro looks; its only obligation is to innovate. Slight scratching/scuffing on cover.

Hardcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2011. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condizione: Fine. Edited by Jan Middendorp and Erik Spiekermann, 352 pages, profusely illustrated in color throughout, quarto (4to), hardcover, paper covered boards. Fine condition. Bookseller inventory #52156.

Softcover. Condizione: Fine. Leichte Rillen / Abschürfungen / Risse / Knicke; Gebrochener Buchrücken; Farbtonänderung. Book by.

Hardcover. Condizione: New. Brand New.

Condizione: Good. Oorspronkelijk blind omslag, illustraties in kleur, 8vo.

quarto, printed boards. First Edition. First Edition. quarto, printed boards. 351 pp. Mark Batty Publisher, Founded in 1990 by Erik Spiekermann and Neville Brody, FontFont produces innovative and influential fonts by designers, for designers. Made with FontFont is an anthology of type specimens and essays closely and creatively examining how FontFont operates, to elucidate how this relative newcomer on the type design scene has made such an impression on the trends of type and typography. The 368 pages are divided into five chapters revealing the essence of FontFont and its legacy: Thinking FontFont, Talking FontFont, Making FontFont, Showing FontFont, Made with FontFont. These heavily illustrated sections demonstrate the dynamic range of the FontFont typefaces, which have been used for everything from instructions for wearing an Indian sari to the packaging for Viagra. Made with FontFont reads like a Who's Who of contemporary designers and design writers. Contributions from Akira Kobayashi, Rian Hughes, Emily King, Ellen Lupton and Reza Abedini, among others, including FontFont's founders, of course, will educate and inspire anyone with an interest in contemporary graphic design. New.

quarto, wrappers. First Edition. First Edition. quarto, wrappers. 191 pp. BIS Publishers, Creative Characters is a collection of in-depth interviews with the most influential typeface designers in the business as well as up-and-coming young guns, who discuss the motives and methods behind type. The list of designers includes Jim Parkinson, Underware, David Berlow, Alejandro Paul, Veronika Burian, Rian Hughes, Cristian Schwartz, and many more. Extensively illustrated. New.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2000grams, ISBN:9783899553451.

Hardcover. Condizione: Fine. 1st Edition. UK1ST.EDITION.1ST.PRINTING.FINE HARDBACK WITH DECORATED BOARDS .79 & & 83.Language: eng.

Condizione: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9789063692247.

hardcover. Condizione: Very Good.

Paperback. Condizione: new. Paperback. Everyone is a typographer. This is the inevitable conclusion when looking at the way in which today's computer users are forced to make decisions about fonts and layout for their day-to-day communication. Writing, typesetting and printing have become part of almost everyone's experience. However, many users are clueless about how fonts work, what constitutes a functional layout and how to communicate best with readers. There has even been a decline in basic typographic knowledge among young design professionals. And yet, a thoughtful and purpose-driven shaping of text lies at the basic of effective, powerful graphic communication.Shaping Text takes a practical and broad approach to typography. It is aimed at design students and graphic designers, and also at those who are concerned with content: writers, editors and publishers. Showing a wide range of examples from first-rate designers across the world, the book examines why and how typographic designs work well in a given context. Particular attention is given to the team play between the text itself - written language - and the design - the shaping of the text - to form a new, multi-level visual message with a complex content.Many textbooks on typography look at the details of type and lettering first, often taking a historical approach, then zoom out to gradually reveal a larger whole. Shaping Text works the other way around. It starts by looking at graphic products - in print, on the screen and in the environment - and then examines the constituting elements, including type, image, ornament, layout, and colour. Historical examples are used as references for most genres of text-shaping; a chronological overview of type design and printing techniques forms a lengthy appendix rather than the core of the book.Finally Shaping Text is firmly rooted in contemporary design praxis. It discusses the state of the art in type design and technology, and tackles problems and questions that font users may be struggling with. Besides being a typographic writer and consultant for leading companies such as FontShop and MyFonts, the author has worked as a graphic designer and teacher; Shaping Text reflects this broad experience with typographic form and content. Showing a wide range of examples from first-rate designers across the world, Shaping Text is a primer for graphic designers and typographers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. Everyone is a typographer. This is the inevitable conclusion when looking at the way in which today's computer users are forced to make decisions about fonts and layout for their day-to-day communication. Writing, typesetting and printing have become part of almost everyone's experience. However, many users are clueless about how fonts work, what constitutes a functional layout and how to communicate best with readers. There has even been a decline in basic typographic knowledge among young design professionals. And yet, a thoughtful and purpose-driven shaping of text lies at the basic of effective, powerful graphic communication.Shaping Text takes a practical and broad approach to typography. It is aimed at design students and graphic designers, and also at those who are concerned with content: writers, editors and publishers. Showing a wide range of examples from first-rate designers across the world, the book examines why and how typographic designs work well in a given context. Particular attention is given to the team play between the text itself - written language - and the design - the shaping of the text - to form a new, multi-level visual message with a complex content.Many textbooks on typography look at the details of type and lettering first, often taking a historical approach, then zoom out to gradually reveal a larger whole. Shaping Text works the other way around. It starts by looking at graphic products - in print, on the screen and in the environment - and then examines the constituting elements, including type, image, ornament, layout, and colour. Historical examples are used as references for most genres of text-shaping; a chronological overview of type design and printing techniques forms a lengthy appendix rather than the core of the book.Finally Shaping Text is firmly rooted in contemporary design praxis. It discusses the state of the art in type design and technology, and tackles problems and questions that font users may be struggling with. Besides being a typographic writer and consultant for leading companies such as FontShop and MyFonts, the author has worked as a graphic designer and teacher; Shaping Text reflects this broad experience with typographic form and content.