millard william j (16 risultati)

Printer Wrapper. Condizione: Very Good. No Jacket. First Edition. A very good copy of this increasingly-hard-to-finf special number of The Palimpsest. The text is wholly unmarked, pristine, and the cover bright and fresh in appearance, with a teace of discoloration on the front cover panel along the base, as from the removal of a miniscule price label. A lovely copy.

Pamphlet. Condizione: Very Good. Paper 1217, pp. 12-26, Illus, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet else VG.

Single Issue Magazine. Condizione: Good. Cover art by Earle Bergey (illustratore). First Edition. Better Publications, NY , 1943 First Edition 130 page Pulp Magazine. Edited by Oscar J. Friend with stories by William Morrison, Frank Belknap Long, Malcolm Jameson, Joseph J. Millard, Nelson S. Bond. Cover art by Earle Bergey A good to very good copy with small edge tears, dust soiling, text toned. See Photos whb1.

Single Issue Magazine. Condizione: Good. Cover art by Earle Bergey (illustratore). First Edition. Better Publications, NY , 1943 First Edition 130 page Pulp Magazine. Edited by Oscar J. Friend with stories by William Morrison, Frank Belknap Long, Malcolm Jameson, Joseph J. Millard, Nelson S. Bond. Cover art by Earle Bergey A good to very good copy with small edge tears, duts soiling, text toned. See Photos bx 431E.

Soft cover. Condizione: New. William J. Salman (Photographer) (illustratore). 2nd Edition. BRAND NEW COPY. 2nd Edition. History of Navajo silver and turquoise jewelry illustrated with 253 close-up photographs (52 in color), augmented by detailed captions. 213 pgs. Volume covers 1868 through 1930. Drawing on contemporary Spanish, Mexican, and Plains Indian records, the author describes Navajo tools & techniques as the art of jewelry-making evoloved from a past-time to an esteemed profession, as well the sophisticated Pueblo Indian use of turquoise. This extraordinary presentation of conchas, necklaces, bracelets, rings, hair ornaments, bridles, and other pieces, are grouped by collection - The Smithsonian Institution, the Field Museum of Natural History, the Museum of the American Indian, the Museum of New Mexico, the Heard Museum, the Wheelwright Museum, the Millicent Rogers Museum, the Lynn D. Trusdell Collection, and private holdings.

Softcover. 73 p.; 19.5 cm. Summary of papers from the Worship Study Conference held at Goshen College Biblical Seminary, March 1965. Good in orig. green wrapper. Prior owner's sig. on title-page.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. William Salman (illustratore). 1st Edition. (1978) 214 pp., illus. with 52 color and 210 black & white photographs; printed on coated stock. Binding is a little dry, shows one weak spot, but is still solid; dj is very nice except for crease on front flap.

Wraps. Condizione: Very Good. Vol. XXIV, No. 1. Pulp magazine. [Edited by Oscar J. Friend.] Cover art by Bergey for "Conquest of Venus" (novel) by Joseph J. Millard. Includes "Pawns of Chaos" by Nelson S. Bond; "Lotus Juice" by Malcolm Jameson; "The Heavy Man" (John Carstairs series) by Frank Belknap Long; "The Invincible Wrestler" by William Morrison. Articles: "Forty Billion Winks" by Roy Kingsley, Ph.D.; "Atlantis, Here We Come" by Charles Stoddard. Features: "Looking Forward" by Science Fiction League; "Scientifacts"; "Headliners in the Next Issue"; "Wonders of War"; "The Reader Speaks"; "The Story Behind the Story". Illustrated by Parkhurst, Marchioni, Morey and others. Letters from Chad Oliver, Sgt. Albert R. de Pina, and others. Lean; tanning; standard wear and tear at edges, but a little less than usual; dark, narrow, tanned strip at upper rear cover edge; minor rear cover soiling. Book.

1st edition. Vintage pulp fiction magazine. Contains one featured novel (Trouble on Titan by Barnes), two novelets (Slaves of the Life-Ray by Bester & Hercules Muscles In by Kent), four short stories including cover feature Blind Victory by Friend, plus features. Nice birght tight copy. 7 x 10, 130 pp, b/w illus & ads. VeryGood+, bright jacket, backstip intact, very little wear, faint cover creases. Magazine in color illus wraps (art by Earl K. Bergey), side-stapled.

SingleIssueMagazine. Condizione: Good to Very Good-. Vol. 1, no. 2. Cover art is uncredited [Belarski] for "Blue Water Pilots" (novel) by Robert Sidney Bowen. Includes "Clay Pigeon of the A.E.F." (novelet) by J. J. Millard; "Twenty Minutes to Hell" by Laurence Donovan; "Bomb Trap" by William O'Sullivan; "First Command" by Joe Archibald; "Sailor's Last Forever" by Walter H. Springs; "The Takeoff". Illustrated by Orban, A. Schomburg, L. Morey, Hall, and others. Taped 2.5" tear at lower front hinge; tape insiide cover foredge and lower edge; tanning; other short tears; small loss at lower front foredge corner and to first page at lower spine corner. Book.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Cloth. Condizione: Fine. Condizione sovraccoperta: Near Fine. William J. Salman (illustratore). 1st Edition. This work celebrates the historic silver and turquoise jewelry of the Navajo and Pueblo Indians. It presents over 300 superb objects in close-up photographs--conchas, necklaces, bracelets, rings, hair ornaments, bridles, and other pieces, as well as rare photographs of Indians wearing jewelry. It also discusses the history of this jewelry from 1868, when the Navajos were restored to their homeland, to 1930, when tourist demand and mass production ended the first phase of the craft. The book contains photographs, illustrations, a glossary, a chronology, a bibliography, and an index. This copy is clean and solid. SIGNED BY THE AUTHOR, inscribed on the title page. Signed by Author(s).

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. Salman, William J. (photographs by) (illustratore). First Edition. 214 pp. With glossary, chronology of techniques, selective bibliography, list of illustrations by object, index, and accession numbers. Profusely illustrated with 52 beautiful photos in full colour, and 201 in b&w. Slight fading along edges of boards; price-clipped pictorial dustjacket shows some surface scratching, a few barely perceptible spots, else an excellent copy. "This splendidly illustrated book celebrates the historic silver and turquoise jewelry of the Navajo and Pueblo Indians. It presents for the first time over 300 superb objects that are usually hidden from view in museum storerooms and private collections across the United States." Dustjacket in protective mylar cover.

1st edition. A vintage pulp fiction mag with 18 complete stories &,features. Cover features The Lost Race Comes Back by Wilcox; rear wrap features Martian Spaceships Invade New York (art by Frank R.Paul - flying saucers & devastation). Nice bright copy of special oversize issue. 7 x 10, 244 pp, b/w illus & ads. VeryGood+, bright wraps, backstrip intact, not much wear, bookstore stamp on rear wrap. Magazine in color illus wraps (cover art uncredited), side-stapled.

First Edition. First edition. Softcover. The fourth entry in Weber's All-American series. Includes numerous color and black and white images by Weber along with other contributions by JBruce, Howard Bingham, Kyle Maynard, Robert F. Kennedy, Horace Bristol, Charles Shannon, Bill Traylor, Mary McGrory, Captain William Putney, Millard Sheets, John Derek, Donald Justice, Ruth Labarge, Zack Stefan, and Mattie J.T. Stepanek A near fine copy in wrappers with some light vertical creasing to the front half of the book possibly from the publishing process. Signed and inscribed by Weber on the title page. Uncommon signed. Signed.

Final script for the 1974 film. Final script, dated February 5, 1974. An intense, violent film exploring racial tension in the Deep South (Alabama), with enough shock and awe to evenly divides its fans and detractors. Written by Samuel Fuller (who recalls, "I put everything [he] had into that one!"), a script John Cassavetes said was one of the best he'd read. But after heavy rewrites by a studio hand, the story was perceived as being outdated and consequently exploitative. Fuller finally remarked that they (Paramount) "turned my original work into a disastrous piece of bullshit," and left his name on it, against his objections. Final Script has blue titled wrappers, rubber stamped copy No, 81. Title page present, dated February 5, 1974, noted as FINAL SCRIPT, with credits for screenwriter Kaufman and novelist Huie. 131 leaves, lacking pages 69 and 70 (as used), lithograph duplication. Pages Near Fine, wrapper Very Good plus bound with two gold brads. Fuller, A Third Face (2002), p. 472.