Miuccia prada (116 risultati)

Softcover exhibition catalog, 52 pages, in Italian and English, very good condition, no internal marks, clean and crisp.

Paperback. Condizione: Very Good. Lightly edge worn. Clean and solid. ; Color Photographs; 12mo; 541 pages.

Soft cover. Condizione: Very Good. Two volumes in slipcase - paperbacks in very sturdy faux wood case. 450 pages covering the gamut of the artists enigmatic career. Both volumes are clean and attractive, with the larger of the two volumes showing a fair amount of reading creases to the spine. However, binding still strong on both volumes. Interiors are bright and clean and free of marks. Covers clean with some light rubbing and shelfwear, case in excellent crisp condition. …

Condizione: Buone. inglese Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Paperback. Condizione: Very Good. unmarked, light shelfwear-NICE Jumbo-sized.

Paperback. Condizione: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Paperback. Condizione: Acceptable. May have a detached spine. Jumbo-sized. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library.

Hardcover. Condizione: Fine. No Jacket. 1st Edition. Silk textured cloth boards, 240pp., b/w and colored illustrations.(BH) 1/24.

Hardcover without dustjacket as issued, 128 pages, in English; very good condition, light edgewear to covers; no internal marks. Foreign shipping may be extra.

Hard cover. Condizione: Very good. Condizione sovraccoperta: Very good. Great condition. Jacket and cover has light wear, but is bright. Binding is tight, and inside is clean and unmarked.

Softcover. Condizione: Fine. No jacket. First Edition.

591 pp.; 28 x 21 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at The Menil Collection, Houston, TX, February 19 - July 24, 2016. Traveled to Fondazione Prada, Milan, Italy, October 20 - January 8, 2017. Includes texts by Miuccia Prada, Josef Helfenstein, Germano Celant, Toby Kamps, Jonathan Griffin, Paul B. Franklin, Gwen Allen, and Alison M. Gingeras. Includes appendix with notes to the chronology, bibliography, essays in Italian, and exhibition checklist. Text in English and Italian. Very Good. Light edgewear. Contents clean and unmarked. Due to large size and weight, additional shipping charges will be required for international orders.…

Condizione: NEW.

Hardcover. Illustrated paper/plain card boards; sunflower cloth spine. 127 pp. with color and bw images throughout. Catalogue for the exhibition of April to June 2007. The solo exhibition by Tobias Rehberger (Esslingen, 1966), one of Germany's leading contemporary artists, includes a film and an architectural installation, which have been specially commissioned by Fondazione Prada. Rehberger started working in the early nineties, and attracted international acclaim for various forms of artistic output: sculptures, and industrial and handcrafted objects. The concept of transformation is the pivotal theme of his art, and the experimental focus are processes of perception and of awareness, temporality and the sense of transience, discontinuity and ambiguity, on changes and relationships, as well as on the connections between objects and the reality around them. With "On Otto" the artist deconstructs the filmmaking process by producing a work of art in reverse, starting with the movie poster and ending with the script. Rehberger's aim was not to produce a finished film program, but a walk-through museum installation. A key aspect of the installation will be the involvement of movie stars Kim Basinger, Willem Dafoe, Emmy Rossum, Justin Henry, and Danny DeVito, who will appear in the audience of an empty cinema. The actors assume the role of spectators, while the visitors to the installation peering through portals become the 'stars' on screen. VG- (NF contents but with general rubbing to covers and sticker on lower front cover.).…

Soft cover. Condizione: Near Fine. 1st Edition. Substantial exhibition publication. English language text. Very faint wear to covers. No marks to pages. No crease to spine. Appears unread. s113.

Soft cover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 2 volumes ** Softback is overall in NEAR FINE condition, with a NEAR FINE slip case. ** Illustrated covers feature images of bees next to the title of the book. Wraps and covers are in overall near fine condition. Spine has black text against a white background with an image of bees. Binding is strong and secure on each volume. [Volume 1] Endpaper has RHE sticker. Slight bumped corner on the fold out cover near the back head edge. Spine ends show some yellowing. [Volume 2] Is in near fine condition. Illustrations are bright and clear. Inside pages are free of writing and intentional marks. 2 volumes come in a faux wood Slip Case that is in overall near fine condition. Book may exhibit additional minor signs of age or wear. ** "Tom Friedman's exhibition at the Fondazione Prada constitutes a wide-ranging survey of the American artist's activity up to the present day. On this occasion Friedman is showing some of his most significant works, which are displayed alongside recent creations executed specifically for Milan." ** 452 pages. 9.5 x 12 inches. ** Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. **. …

Rilegato. Condizione: new. A cura di C. Costa e Tuymans L.Testo Italiano e Inglese.Milano, 2018; ril., pp. 240, ill. b/n e col., cm 21x28. "Sanguine" è una lettura personale del Barocco, costituita da accostamenti inediti e associazioni inaspettate tra lavori di artisti contemporanei e opere di maestri del passato. Senza seguire un rigido ordine cronologico o un criterio strettamente storiografico, Tuymans elude la nozione tradizionale di Barocco e invita a rileggere l'arte seicentesca, ma anche quella contemporanea, mettendone al centro la figura dell'artista e il suo ruolo nella società.Seguendo la lezione di Walter Benjamin, secondo il quale il Barocco segna l'inizio della modernità, Tuymans indaga in questa mostra la ricerca di autenticità, il valore politico della rappresentazione artistica, il turbamento indotto dall'arte, l'esaltazione della personalità dell'autore e la dimensione internazionale della produzione artistica, riconoscendo nel Barocco l'interlocutore privilegiato dell'arte di oggi. "Sanguine" non solo forza i confini abituali della nozione stessa di Barocco, estendendone la durata fino al nostro presente, ma dimostra anche come gli artisti abbiano contribuito, nel corso degli ultimi due secoli, a ridefinirla, dall'accezione negativa attribuita dalla critica d'arte del tardo Settecento, fino alla rivalutazione attuata dal pensiero post-moderno e alla riaffermazione di un'espressività barocca e figurativa nell'arte degli ultimi anni.Il titolo della mostra - una parola che identifica il colore del sangue, il temperamento violento e ricco di vitalità di una persona, ma anche una tecnica pittorica - suggerisce una molteplicità di prospettive attraverso le quali si possono interpretare le opere esposte in cui convivono violenza e simulazione, crudeltà e teatralizzazione, realismo ed esagerazione, disgusto e meraviglia, terrore ed estasi.Nella visione di Luc Tuymans, Caravaggio - presente in mostra con Fanciullo morso da un ramarro (1595-96) e Davide con la testa di Golia (post 1606) - grazie al realismo psicologico espresso dal suo innovativo linguaggio pittorico, supera per primo la tradizione classica e manierista, incarnando lo spirito dell'artista barocco e la volontà di comunicare con il pubblico attraverso la forza della rappresentazione.Il confronto con Peter Paul Rubens, il pittore di Anversa ritrattista dei potenti e uomo politico, rivela l'ambiguità formale caratteristica della pittura barocca e la complessità delle relazioni che gli artisti hanno sviluppato nell'Europa della Controriforma e dell'insorgere della borghesia mercantile.L'arte barocca del Sei e Settecento è la prima corrente artistica ad assumere una dimensione mondiale, pur mantenendo specificità e caratteri legati alle diverse culture locali e alle sensibilità personali testimoniate in mostra, tra gli altri, da Guido Cagnacci e Andrea Vaccaro, Anthony van Dyck e Jacob Jordaens, Francisco de Zurbarán e Johann Georg Pinsel. All'interno del nostro mondo ancora più globalizzato e connesso, suggestioni, dinamiche e temi tipici dell'arte barocca si possono individuare nei lavori di autori contemporanei lontani tra loro e riuniti da Luc Tuymans in "Sanguine".Il percorso espositivo di "Sanguine", che si sviluppa negli spazi della galleria Nord, del Podium e del Cinema della Fondazione Prada, è completato dai lavori di Nick Andrews, John Armleder, Carla Arocha e Stéphane Schraenen, Fred Bervoets, Jacques-André Boiffard, Michaël Borremans, Adriaen Brouwer, Pavel Büchler, Jake e Dinos Chapman, Vaast Colson, Njideka Akunyili Crosby, Roberto Cuoghi, Berlinde De Bruyckere, Thierry De Cordier, Willem de Rooij, Cornelis de Vos, Lili Dujourie, Marlene Dumas, Zhang Enli, Luciano Fabro, Giuseppe Gabellone, Marcel Gautherot, Isa Genzken, Joris Ghekiere, David Gheron Tretiakoff, Franciscus Gijsbrechts, Pierre Huyghe, Jonathan Johnson, On Kawara, Zlatko Kopljar, Dominik Lejman, Ives Maes, Maestro dell'Annuncio ai Pastori, Mark Manders, Diego Marcon, Kerry Jam. Libro.…

Condizione: Collectible; Good. Cover and inside as new but unfortunately detached from each other.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. The latest large-scale multimedia installation by American artists Lizzie Fitch and Ryan Trecartin (both born 1981) investigates borders, back-to-the-land ideology and the perpetual promise of "new" terrain. Whether Line documents this project in the countryside of Ohio. The latest large-scale multimedia installation by American artists Fitch and Trecartin investigates borders, back-to-the-land ideology, and the perpetual promise of "new" terrain. This volume documents this project in the countryside of Ohio. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Rilegato. Condizione: new. Milano, Fondazione Prada, 6 aprile - 5 agosto 2019. A cura di C. Costa. Testo Italiano e Inglese. Milano, 2019; ril., pp. 460, ill. col., tavv. col., cm 17x23. Il volume approfondisce la ventennale collaborazione tra Fitch e Trecartin, iniziata nel 2000, e documenta il progetto "Whether line", attraverso il quale i due artisti indagano il concetto di "nuova" terra promessa e l'instabilità intrinseca all'appropriazione territoriale. Libro.…

Hardcover. Condizione: Gut bis sehr gut. 1. Auflage. B : 120 pages - This instantly collectible exhibition catalogue for German artist Tobias Rehberger's exhibition at Milan's Fondazione Prada includes two brightly colored volumes bound together by four colored, custom-made elastic bands. Once these are pulled from the set, two very independent pieces are revealed. The first is an exhaustive reconstruction of Rehberger's solo exhibitions from 1990 to 2007, reproduced in glossy color, with installation views and details of his architecture-based sculptures and other works. The second volume is a more concise artist's book, including an interview with prominent curator and art historian Germano Celant. In this second, slimmer book, which presents his audacious film and installation project, On Otto (featuring work by Kim Basinger, Willem Dafoe, Danny DeVito, Ennio Morricone and others), Rehberger investigates the dynamics of filmmaking by reconstructing the process itself, going backwards. This book, imaginatively designed by Double Standard, includes texts by Miuccia Prada, Celant and Ina Blom.…

Hardcover. Condizione: Very Good. First Edition. Hardback. Large 4to. pp 287. Original publisher's Illustrated boards, lettered white on front cover. Copiously illustrated throughout. Published to accompany an exhibition entitled 'On Otto' held at the Fondazione Prada, Milan, 20 Apr.-6 June 2007. ISBN: 9788887029390 About fine. …

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. Paperback.Width: 17 cm. Height: 23cm. 460 pages. English text.

Condizione: Buone. inglese Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Condizione: New.

Paperback. Condizione: new. Paperback. An image-text dialogue between David Cronenberg's vision of the human body and wax models from a legendary Italian science museumThis book was published for an exhibition at Fondazione Prada, where the models of La Specola Museum (part of the Museum of Natural History in Florence) were exhibited alongside a newly conceived short film by Canadian film director David Cronenberg. It includes interviews with the director and an anthology of previously published texts on La Specola's collection and Cronenberg's filmography by Maria Luisa Azzaroli, Fausto Barbagli, Mario Bucci, Gianni Canova, Simone Contardi, Eleanor Crook, Francesco Paolo de Ceglia, Georges Didi-Huberman, Joanna Ebenstein, Giovanni Festa, Marcie Frank, Mauro Giori, John Hatch, Zoltan Kadar, Peter K. Knoefel, Chloe Anna Milligan, Marta Poggesi, Mario Praz, Dylan Trigg and Marcos Uzal, among others. The contributions examine the remarkable heritage and the current resonance of the wax models from historical, academic and artistic perspectives, and investigate David Cronenberg's vision of the body, to underline the relevance of scientific research and its connection to creative practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…