mocafico guido (65 risultati)

First Edition. First edition. Oblong softcover. 13 pages. Exhibition catalog that had a stop in Munich and another in London. Text in English and German by Blanca Bernheimer and Jan Seewald. Includes over 25 color illustrations and a checklist. A fine copy in stapled wrappers.

Paperback. Condizione: new. Paperback. In 1999, Babeth Djian fashion editor and avant-gardestylist founded Numero, a Parisian magazine now famous for itsunique and bold aesthetic combining fashion and contemporaryart. From the first issue, then very regularly, Babeth gives GuidoMocafico carte blanche for the closing pages of the magazine.Free and suffering no diktat, the photographer takes the opportunityto create immutable and provocative still lifes the major genresin photography such as architecture, landscape, or nude. This platform, a place of innovation and experimentation, allows him togive free rein to his imagination, to offer an offbeat, critical lookat our contemporary world made of vanity.In 2016, the box set Mocafico / Numero gathered all theseries from 1999 to 2016 in 6 volumes. Here is volume 7. Italian still life photographer Guido Mocafico was bornin Switzerland; he currently divides his time between his homein Switzerland and his studio in Paris.Guido Mocafico has become recognized as a contemporarymaster of still life. His interest in this most classic of art formsstarted early whilst studying photography at Vevey School inSwitzerland. He initially focused on commercial and advertisingprojects for brands such as Chanel, Clinique, Dior, Gucci, Armaniand YSL. His images have been published in numerous magazinesover the years including Vogue US, Vogue France, Harpers Bazaar,The Face, and Wallpaper and Numero.About more than twenty years ago he began to developpersonal projects, separate from his commercial accomplishments;these resulted from his personal passions. He explored hischosen themes deeply, first with research, to gain an in-depthunderstanding of his subjects.Subject topics are varied and copious: in architecture, with hisseries Brasilia/Beirut; Medusa, jellyfish; Serpens, snakes; Aranea,spiders; Guns and Roses; Movement, fine watches; Nature Morte,banquets and floral arrangements, an interpretation of Dutch StillLife, and most recently Blaschka glass models, by the father andson duo Leopold and Rudolf Blaschka. His work has been exhibitedinternationally since 1999, including venues in London, Paris,Munich and Tokyo. Various books have been published comprisinghis personal projects: Venenum (2005), Medusa (2006); Serpens(2007); Movement (2008) and Stilleven (2012), published by Steidl. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: New.

Paperback. Condizione: New. In 1999, Babeth Djian - fashion editor and avant-gardestylist - founded Numéro, a Parisian magazine now famous for itsunique and bold aesthetic combining fashion and contemporaryart. From the first issue, then very regularly, Babeth gives GuidoMocafico carte blanche for the closing pages of the magazine. Free and suffering no diktat, the photographer takes the opportunityto create immutable and provocative still lifes the major genresin photography such as architecture, landscape, or nude. This platform, a place of innovation and experimentation, allows him togive free rein to his imagination, to offer an offbeat, critical lookat our contemporary world made of vanity. In 2016, the box set Mocafico / Numéro gathered all theseries from 1999 to 2016 in 6 volumes. Here is volume 7. Italian still life photographer Guido Mocafico was bornin Switzerland; he currently divides his time between his homein Switzerland and his studio in Paris. Guido Mocafico has become recognized as a contemporarymaster of still life. His interest in this most classic of art formsstarted early whilst studying photography at Vevey School inSwitzerland. He initially focused on commercial and advertisingprojects for brands such as Chanel, Clinique, Dior, Gucci, Armaniand YSL. His images have been published in numerous magazinesover the years including Vogue US, Vogue France, Harpers Bazaar,The Face, and Wallpaper and Numéro. About more than twenty years ago he began to developpersonal projects, separate from his commercial accomplishments;these resulted from his personal passions. He explored hischosen themes deeply, first with research, to gain an in-depthunderstanding of his subjects. Subject topics are varied and copious: in architecture, with hisseries Brasilia/Beirut; Medusa, jellyfish; Serpens, snakes; Aranea,spiders; Guns and Roses; Movement, fine watches; Nature Morte,banquets and floral arrangements, an interpretation of Dutch StillLife, and most recently Blaschka - glass models, by the father andson duo Leopold and Rudolf Blaschka. His work has been exhibitedinternationally since 1999, including venues in London, Paris,Munich and Tokyo. Various books have been published comprisinghis personal projects: Venenum (2005), Medusa (2006); Serpens(2007); Movement (2008) and Stilleven (2012), published by Steidl.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: as new. Wie neu/Like new.

Condizione: New.

Condizione: New.

29,5 x 21 cm (quer). 16 S. mit 22 farb. Abbildungen, OKt. (allerfeinste Kratzspuren). Sonst sehr gutes Exemplar. EA.

mit zahlreichen Fotografien, englischsprachige Ausgabe, 261 S., Quart, Umschlag mit kleinen Randläsuren, Besitzvermerk auf dem hinteren Vorsatz, sehr gutes Exemplar, Original-Leinen mit Originalumschlag,

Paperback. Condizione: new. Paperback. In 1999, Babeth Djian fashion editor and avant-gardestylist founded Numero, a Parisian magazine now famous for itsunique and bold aesthetic combining fashion and contemporaryart. From the first issue, then very regularly, Babeth gives GuidoMocafico carte blanche for the closing pages of the magazine.Free and suffering no diktat, the photographer takes the opportunityto create immutable and provocative still lifes the major genresin photography such as architecture, landscape, or nude. This platform, a place of innovation and experimentation, allows him togive free rein to his imagination, to offer an offbeat, critical lookat our contemporary world made of vanity.In 2016, the box set Mocafico / Numero gathered all theseries from 1999 to 2016 in 6 volumes. Here is volume 7. Italian still life photographer Guido Mocafico was bornin Switzerland; he currently divides his time between his homein Switzerland and his studio in Paris.Guido Mocafico has become recognized as a contemporarymaster of still life. His interest in this most classic of art formsstarted early whilst studying photography at Vevey School inSwitzerland. He initially focused on commercial and advertisingprojects for brands such as Chanel, Clinique, Dior, Gucci, Armaniand YSL. His images have been published in numerous magazinesover the years including Vogue US, Vogue France, Harpers Bazaar,The Face, and Wallpaper and Numero.About more than twenty years ago he began to developpersonal projects, separate from his commercial accomplishments;these resulted from his personal passions. He explored hischosen themes deeply, first with research, to gain an in-depthunderstanding of his subjects.Subject topics are varied and copious: in architecture, with hisseries Brasilia/Beirut; Medusa, jellyfish; Serpens, snakes; Aranea,spiders; Guns and Roses; Movement, fine watches; Nature Morte,banquets and floral arrangements, an interpretation of Dutch StillLife, and most recently Blaschka glass models, by the father andson duo Leopold and Rudolf Blaschka. His work has been exhibitedinternationally since 1999, including venues in London, Paris,Munich and Tokyo. Various books have been published comprisinghis personal projects: Venenum (2005), Medusa (2006); Serpens(2007); Movement (2008) and Stilleven (2012), published by Steidl. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New. New Book, Direct from Publisher.

Condizione: New.

Hardcover, unpaginated. Condizione: Very Good +. Condizione sovraccoperta: Very Good +. First Edition. First Edition. Light bumping to top and bottom of outer spine. Debossed title on front board and outer spine. Cloth boards. Light fading to boards. Minor soiling to text block. Minor signs of reading, handling and shelf wear to dust jacket. **Due to size or weight of book additional charges for international and priority shipping may apply.**.

1.Auflage. 35 x 23 cm. 261 S. OLeinen mit illustriertem OUmschlag. Sehr gutes Exemplar. Durchgehend mit farbigen, auf absolutem Hochganzpapier wiedergegebenen Fotografien von ineinander verschlungenen Schlangen. Enthält im Anhang Erläuterungen zu den jeweiligen Fotos respektive Arten. Text in Englisch.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Oversized black cloth hardcover titled in silver gilt. The DJ has trace of edge creasing. Full page photos of a variety of artistically arranged snakes with information about them at rear. ; 13.62 X 8.82 X 1.02 inches.

Hardcover. Condizione: New. Qto., A New copy, in the pale green slip case. Shrink wrapped as issued. A Pristine condition copy.

Paperback. Condizione: new. Paperback. In 1999, pioneering fashion editor and stylist Babeth Djian founded Numero, the now famous Paris magazine with an unmistakable aesthetic that boldly combines fashion, contemporary art, music and design. Guido Mocafico has photographed provocative still-lifes for Numero since its first issue, and this comprehensive three-volume publication contains all this work to date. Every month Babeth gives Mocafico carte blanche for the closing pages of Numero, a rare privilege in today's advertising-driven fashion magazines. In response he creates radical still-lifes (of objects including perfume bottles, shoes, watches and jewelry) that incorporate the genres of architecture, landscape and nude photography, and make comparable work in other magazines look like uninspired product shots. The experimental forum offered to Mocafico by Numero facilitates his maverick, sometimes critical view of contemporary vanity, and has given birth to some of his larger influential series including "Medusa," "Movement," "Serpens" and "Stilleven." In 1999, pioneering fashion editor and stylist Babeth Djian founded Numero, the now famous Paris magazine with an unmistakable aesthetic that boldly combines fashion, contemporary art, music and design. This book deals with his work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. In 1999, Babeth Djian - fashion editor and avant-gardestylist - founded Numéro, a Parisian magazine now famous for itsunique and bold aesthetic combining fashion and contemporaryart. From the first issue, then very regularly, Babeth gives GuidoMocafico carte blanche for the closing pages of the magazine. Free and suffering no diktat, the photographer takes the opportunityto create immutable and provocative still lifes the major genresin photography such as architecture, landscape, or nude. This platform, a place of innovation and experimentation, allows him togive free rein to his imagination, to offer an offbeat, critical lookat our contemporary world made of vanity. In 2016, the box set Mocafico / Numéro gathered all theseries from 1999 to 2016 in 6 volumes. Here is volume 7. Italian still life photographer Guido Mocafico was bornin Switzerland; he currently divides his time between his homein Switzerland and his studio in Paris. Guido Mocafico has become recognized as a contemporarymaster of still life. His interest in this most classic of art formsstarted early whilst studying photography at Vevey School inSwitzerland. He initially focused on commercial and advertisingprojects for brands such as Chanel, Clinique, Dior, Gucci, Armaniand YSL. His images have been published in numerous magazinesover the years including Vogue US, Vogue France, Harpers Bazaar,The Face, and Wallpaper and Numéro. About more than twenty years ago he began to developpersonal projects, separate from his commercial accomplishments;these resulted from his personal passions. He explored hischosen themes deeply, first with research, to gain an in-depthunderstanding of his subjects. Subject topics are varied and copious: in architecture, with hisseries Brasilia/Beirut; Medusa, jellyfish; Serpens, snakes; Aranea,spiders; Guns and Roses; Movement, fine watches; Nature Morte,banquets and floral arrangements, an interpretation of Dutch StillLife, and most recently Blaschka - glass models, by the father andson duo Leopold and Rudolf Blaschka. His work has been exhibitedinternationally since 1999, including venues in London, Paris,Munich and Tokyo. Various books have been published comprisinghis personal projects: Venenum (2005), Medusa (2006); Serpens(2007); Movement (2008) and Stilleven (2012), published by Steidl.

Kartoniert. Condizione: Gut. 21 x 29,5 cm 16 S. Orig.-Karton. Gutes Exemplar.

Taschenbuch. Condizione: Neu. Neuware - In 1999, Babeth Djian - fashion editor and avant-gardestylist - founded Numéro, a Parisian magazine now famous for itsunique and bold aesthetic combining fashion and contemporaryart. From the first issue, then very regularly, Babeth gives GuidoMocafico carte blanche for the closing pages of the magazine. Free and suffering no diktat, the photographer takes the opportunityto create immutable and provocative still lifes the major genresin photography such as architecture, landscape, or nude. This platform, a place of innovation and experimentation, allows him togive free rein to his imagination, to offer an offbeat, critical lookat our contemporary world made of vanity. In 2016, the box set Mocafico / Numéro gathered all theseries from 1999 to 2016 in 6 volumes. Here is volume 7. Italian still life photographer Guido Mocafico was bornin Switzerland; he currently divides his time between his homein Switzerland and his studio in Paris. Guido Mocafico has become recognized as a contemporarymaster of still life. His interest in this most classic of art formsstarted early whilst studying photography at Vevey School inSwitzerland. He initially focused on commercial and advertisingprojects for brands such as Chanel, Clinique, Dior, Gucci, Armaniand YSL. His images have been published in numerous magazinesover the years including Vogue US, Vogue France, Harpers Bazaar,The Face, and Wallpaper and Numéro. About more than twenty years ago he began to developpersonal projects, separate from his commercial accomplishments;these resulted from his personal passions. He explored hischosen themes deeply, first with research, to gain an in-depthunderstanding of his subjects. Subject topics are varied and copious: in architecture, with hisseries Brasilia/Beirut; Medusa, jellyfish; Serpens, snakes; Aranea,spiders; Guns and Roses; Movement, fine watches; Nature Morte,banquets and floral arrangements, an interpretation of Dutch StillLife, and most recently Blaschka - glass models, by the father andson duo Leopold and Rudolf Blaschka. His work has been exhibitedinternationally since 1999, including venues in London, Paris,Munich and Tokyo. Various books have been published comprisinghis personal projects: Venenum (2005), Medusa (2006); Serpens(2007); Movement (2008) and Stilleven (2012), published by Steidl.

Condizione: New.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Tall 4to. 261 pp. Near Fine in Near Fine dust jacket. Black cloth. Subtle wear and dust soiling to extremities. Slight wear to jacket. Text in French.

Hard cover. 262 p. Audience: General/trade. Very good in very good dust jacket. Light shelf wear & bumping. Pages appear clean and unmarked.

hardcover. Condizione: As New. Prima edizione (First Edition). Fotografie a colori, a piena pagina, e testi di Guido Mocafico . Cm 34x34. pp. 96. . Perfetto (Mint). . Prima edizione (First Edition). . Il tempo è naturalmente scandito dal ripetersi dei fenomeni astronomici, dal ciclo giornaliero e dalle stagioni, dall'avvicendarsi delle notti e dei mesi. Per suddividerlo in frazioni più sottili, i nostri antenati hanno inventato le meridiane e clessidre. Ma dal 1657, quando fu creato il primo orologio, abbiamo utilizzato i movimenti oscillatori di un sistema meccanico per svolgere questo compito. Il fotografo Guido Mocafico, si propone di osservare questi sistemi. Ha scelto meccanismi complessi e rari - fisicamente meccanici piuttosto che elettronici - che lo hanno condotto in un mondo di conoscenze tradizionali controllate da maestri orologiai.Guido Mocafico è nato in Svizzera nel 1962 e oggi lavora in Svizzera e a Parigi. Specializzato in nature morte, tra i libri di Mocafico con Steidl figurano Venenum (2005), Medusa (2006), Serpens (2007), Movement (2008), Stilleven (2013) e Mocafico Numéro (2016). Book.

Hardcover. Condizione: Wie neu. Condizione sovraccoperta: Wie neu. Time is naturally marked by repeating astronomical phenomena, by the daily cycle and the seasons, as nights and months come and go. Guido Mocafico was born in Switzerland in 1962, and today he works in Switzerland and Paris. 96 pages, 34 x 34 cm, 1637 g.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.