Hardcover. Condizione: new. Hardcover. When Hannah Modigh was three years old, her family moved to India for about four years. While herparents were working, a woman named Sivagami took care of her and her sisters. For a time, Sivagamibecame part of their family, but without a right to demand anything. She was dependent on theModighs, just as they were on her. When the Modigh family moved back to Sweden, Sivagami cried. Asa child, Hannah thought her tears were because they were leaving, but perhaps they reflected her ownuncertain future.In her work Searching for Sivagami, Hannah Modigh returns to India, trying to nd Sivagami aer 30years. This emotional and physical journey led Hannah to trace streets and places through memoriesand sensory experiences. She sought out women who resemble Sivagami, not so much in appearancebut in their struggles, sharing similar backgrounds and lives. Hannah visited places she might havebeen or passed through, including the area where she used to live and the beaches they visitedtogether. By photographing other women to represent Sivagami and herself, Modigh reacts on theloss she felt and searches for traces of a relationship. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. When Hannah Modigh was three years old, her family moved to India for about four years. While herparents were working, a woman named Sivagami took care of her and her sisters. For a time, Sivagamibecame part of their family, but without a right to demand anything. She was dependent on theModighs, just as they were on her. When the Modigh family moved back to Sweden, Sivagami cried. Asa child, Hannah thought her tears were because they were leaving, but perhaps they reflected her ownuncertain future.In her work Searching for Sivagami, Hannah Modigh returns to India, trying to nd Sivagami aer 30years. This emotional and physical journey led Hannah to trace streets and places through memoriesand sensory experiences. She sought out women who resemble Sivagami, not so much in appearancebut in their struggles, sharing similar backgrounds and lives. Hannah visited places she might havebeen or passed through, including the area where she used to live and the beaches they visitedtogether. By photographing other women to represent Sivagami and herself, Modigh reacts on theloss she felt and searches for traces of a relationship. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. When Hannah Modigh was three years old, her family moved to India for about four years. While herparents were working, a woman named Sivagami took care of her and her sisters. For a time, Sivagamibecame part of their family, but without a right to demand anything. She was dependent on theModighs, just as they were on her. When the Modigh family moved back to Sweden, Sivagami cried. Asa child, Hannah thought her tears were because they were leaving, but perhaps they reflected her ownuncertain future.In her work Searching for Sivagami, Hannah Modigh returns to India, trying to nd Sivagami aer 30years. This emotional and physical journey led Hannah to trace streets and places through memoriesand sensory experiences. She sought out women who resemble Sivagami, not so much in appearancebut in their struggles, sharing similar backgrounds and lives. Hannah visited places she might havebeen or passed through, including the area where she used to live and the beaches they visitedtogether. By photographing other women to represent Sivagami and herself, Modigh reacts on theloss she felt and searches for traces of a relationship. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Aggiungi al carrelloHardback. Condizione: New. New Book, Direct from Publisher.
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Aggiungi al carrelloBuch. Condizione: Neu. Neuware.
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Aggiungi al carrelloCondizione: Neu. Neuware.
Prima edizione Copia autografata
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Aggiungi al carrelloHardcover. Condizione: Fine. First Edition. Hardback. No Dust Jacket. Tall 8vo. 30 x 14 cm. pp 106. Original publishers faux wood effect boards, lettered brown on front cover. First edition printed in 500 numbered copies, this being no. 272 and accompanied by an original colour print in a pocket at the rear, signed by Hannah Modigh. 93 black and colour photographs. ISBN: 9791091406710 Fine. Signedes.
Da: Okmhistoire, St Rémy-des-Monts, SARTH, Francia
Prima edizione
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Aggiungi al carrelloCouverture rigide. Condizione: Comme neuf. Edition originale. Paris 2019. 1 Volume/1. -- Comme Neuf -- Hardback // Reliure éditeur cartonnée . Format étroit( 30,5 x 14,5 cm ). ----- 112 pages.****************** Edition originale tirée à 500 exemplaires numérotés et accompagnés d un tirage original en couleurs signé au verso par Hannah Modigh. 93 photographies noir et couleur. ********************** ref od & fav-02-07.
Hardcover. Condizione: New. 1st Edition. Solid first edition in new condition. out of print.
EUR 118,84
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Aggiungi al carrelloHardcover. Condizione: New. The fog over San Francisco is like warm breath on a window. It prevents us from seeing anything else but what is near. Tenderloin wakes up slowly every morning, but never sleeps. The only ones with hunger suction is all these bedbugs, waiting for you. There are walking men, women, and shemales for dollars along Post Street in New Orleans. Chance draws in the mist in the lungs and the brain turns off. Who wants to remember yesterday or be reminded of tomorrow? There are small puppies close under the trees sucking on the pipes in Golden Gate Park. Dirty nails are talking about their escape. How they hunt, hunt to forget, to forget how they hunt. The day is calm and the skin is indifferent. Emotions are distorted and controlled behind the skin. To wake up here, or in this single room occupancy is far from the church, turkey and hugs. / Hannah Modigh The pictures are photographed 2009 in San Francisco, Death Valley, Yosemite & Redwood City, USA. 61 color images Editing and design: Hannah Modigh, Gösta Flemming, Johan Lindberg Hard cover 250 x 305 mm 124 pages English.