Monika szewczyk (76 risultati)

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. light shelfwear, NICE! Standard-sized.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Lidwien Van De Ven - Rotterdam: Sensitive Times This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Hardcover. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condizione: Very Good. unmarked, light shelfwear-NICE Oversized.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condizione: Très bon. Légères traces d'usure sur la couverture. Edition 2012. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Paperback. Condizione: Like New. The first critical reader on one of today's most pivotal (and perplexing) contemporary artists.Liam Gillick emerged as part of the generation of Young British Artists who energized the British art scene in the 1980s and 1990s. He is now one of the most influential (and perplexing) artists in all of contemporary art. Gillick's discursive mode of art practice--often associated with relational aesthetics--complicates object production, embraces the exhibition as medium, and explores the social role and function of art. His body of work includes variations on discussion platforms (architectural structures that question or facilitate social interaction), text sculptures, and published texts that reflect on the increasing gap between utopian idealism and the real world. Artist, writer, curator, and provocateur, Gillick explores how an artistic practice can be conducted and represented, while at the same time questioning curatorial practice and the conventions of applied design. This reader coincides with a year-long, multi-venue, mid-career retrospective that serves both as a continuous investigation into Gillick's practice and an in-depth study of his work to date. The book offers a range of critical perspectives on Gillick's work. Among them: political scientist Chantall Mouffe develops her notion of radical democracy and antagonism; sociologist Maurizio Lazzarato (whose theorization of immaterial labor influenced Gillick) comments on the current economic crisis; philosopher and artist Beno t Maire links Gillick to continental philosophy; and Johanna Burton questions Gillick's practice in the context of feminist critique.ContributorsPeio Aguirre, Julieta Aranda, Johanna Burton, Nikolaus Hirsch, John Kelsey, Maurizio Lazzarato, Maria Lind, Sven L tticken, Beno t Maire, Chantall Mouffe, Barbara Steiner, Marcus Verhagen.…

Softcover, 144 pages; in English; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Softcover. Condizione: Very Good. Remainder mark on top edge. ; Sternberg Press; B&W Illustrations; 9.4 X 6.7 X 0.9 inches; 276 pages.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condizione: Like New. The first critical reader on one of today's most pivotal (and perplexing) contemporary artists.Liam Gillick emerged as part of the generation of Young British Artists who energized the British art scene in the 1980s and 1990s. He is now one of the most influential (and perplexing) artists in all of contemporary art. Gillick's discursive mode of art practice--often associated with relational aesthetics--complicates object production, embraces the exhibition as medium, and explores the social role and function of art. His body of work includes variations on discussion platforms (architectural structures that question or facilitate social interaction), text sculptures, and published texts that reflect on the increasing gap between utopian idealism and the real world. Artist, writer, curator, and provocateur, Gillick explores how an artistic practice can be conducted and represented, while at the same time questioning curatorial practice and the conventions of applied design. This reader coincides with a year-long, multi-venue, mid-career retrospective that serves both as a continuous investigation into Gillick's practice and an in-depth study of his work to date. The book offers a range of critical perspectives on Gillick's work. Among them: political scientist Chantall Mouffe develops her notion of radical democracy and antagonism; sociologist Maurizio Lazzarato (whose theorization of immaterial labor influenced Gillick) comments on the current economic crisis; philosopher and artist Beno t Maire links Gillick to continental philosophy; and Johanna Burton questions Gillick's practice in the context of feminist critique.ContributorsPeio Aguirre, Julieta Aranda, Johanna Burton, Nikolaus Hirsch, John Kelsey, Maurizio Lazzarato, Maria Lind, Sven L tticken, Beno t Maire, Chantall Mouffe, Barbara Steiner, Marcus Verhagen.…

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condizione: Very Good. Remainder mark.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Trade Paperback. Condizione: New. If it's not an oxymoron to describe something as both distinguished and cutting edge, that's the perfect description for Rotterdam's Witte de With Center for Contemporary Art. This illustrated softcover book brings together a series of essays on contemporary art based on the center's high-octane Cornerstones lecture series. At each of the monthly lectures, one leading art historian focuses on one artist who is foudational to contemporary art. Among this volume's treasures are Donald Kuspit on Louise Bourgeois, Helmut Friedel on Gerhard Richter, Vanessa Joan Muller on John Baldessari and Douglas Crimp on Gordon Matta-Clark. These essays share the fascination that each of the authors has with the work of an artist and how this work functions in relation to larger contexts and broader ideas.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: leichte Gebrauchsspuren. Polish / English READY TO SEND! Very good condition, nice and clean copy - international shipping In englischer Sprache. 80 p. 310 x 230 mm.

Hardcover. Condizione: Near Fine. No Jacket.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Soft cover. Condizione: Near Fine. No Jacket.

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition.

Perfect Binding, 86 pages. Condizione: Good +. 3-D glasses included. Scuffing and creasing to covers. Large bump to bottom right corner affecting pages 7 - 29. Light soiling to outer text block.

Condizione: Used - Very Good. VG paperback. 2008 1st edition to accompany an exhibition; numerous colour and B&W illustrations; spine and cover uncreased; a very clean, tidy copy. Used - Very Good. VG paperback.

Hardcover. Condizione: Fine. 1st Edition - Stated. Type: Book Type: Exhibition Catalogue 112 pp., navy glazed cloth spine and colour phototype covered boards bdg. with white-stamped spine spine. Exhibition catalogue produced to accompany the show held at Presentation House in Vancouver B.C. from Sept 18th 2007 to Nov.18th 2007, and travelling to Calgary's Illington Kerr Gallery from Jan. 13th 2008 to Dec. 13th 2008.Please contact us directly for a full description. Photo scan available upon request. Photo scan available. Shipments to USA, USPS via Canada Post Express; FREE OF CUSTOMS OR DUTY CHARGE.…