Moore gwyn harry (37 risultati)

paperback. Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Soft cover. Condizione: Very Good. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK. Book.

paperback. Condizione: Very Good. Norman Clark - A Life in Pictures: Paintings and Works on Paper by Norman Clark, RWS (1913-1992) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Condizione: Very Good. 1st Edition. Catalogue of an exhibition of the artist's works for sale, organised by Moore-Gwyn Fine Art and Liss Fine Art, held at Gallery 27, London, 8-12 Feb. 2011 and at the Manor House Museum and Alfred East Art Gallery, Kettering, 19 Feb.-2 April 2011. This copy includes private view card loosely inserted. 1 v. (unpaged) : ill. (some col.), ports. ; 21 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Paperback. Condizione: Brand New. 92 pages. 6.30x8.27x0.47 inches. In Stock.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. A draughtsman of remarkable ability, matching even his mentor Augustus John, Henry Lamb (1883-1960) was a founder-member of the Camden Town Group, exhibiting at their inaugural exhibition in 1911. He was a powerful and original War artist, and an engaging and sensitive portrait painter, whose group portraits in particular are as successful as those by any British painter of the age. To date unfairly eclipsed by the glamorous and culturally infl uential circle around him, Lamb is now probably best known through these fi gures and his many compelling portraits of them, amongst them Lady Ottoline Morrell, Evelyn Waugh and Lytton Strachey, whose monumental full-length portrait by Lamb in Tate Britain is probably the artist's best-known work. Lamb abandoned a promising medical career in Manchester to pursue his training as an artist at the London art school run by William Orpen and Augustus John. He found inspiration in the rural simplicity of Brittany, and a later visit to Ireland inspired his great genre painting Fisherfolk, Gola Island of 1913 - not seen in public since the last major retrospective in 1984. Following active service during the First World War as an army medical offi cer (for which he was awarded a Military Cross), he contributed two of the greatest artworks to the proposed National Hall of Remembrance a year after armistice in 1919. Following a productive period in Poole after the War, where he produced some evocative townscapes of its streets and skylines, he eventually settled in Coombs Bissett near Salisbury. Here he established a reputation as a sought-after portrait painter, executing a constant stream of landscapes, still lives, genre pictures and fi ne domestic subjects. Accompanying an exhibition at Salisbury Museum in 2018 and Poole Museum in 2019, Henry Lamb: Out of the Shadows will focus on over 50 works by the artist from across his career. As well as loans from major national collections, the group will include signifi cant works from private collections, including a substantial archive from the artist's family and a number of re-discovered masterpieces. The catalogue will also feature an introductory essay by Lamb's cousin, the writer Thomas Pakenham who knew the artist well.…

Condizione: New. 2018. Paperback. . . . . .

Condizione: New. pp. 120.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condizione: New. Henry Lamb stands amongst the most distinctive, talented but unjustly forgotten figurative British painters of the first decades of the last century. Published to coincide with the first major retrospective on the artist in over 30 years, and featuring a number of rediscovered masterpieces, Henry Lamb: Out of the Shadows aims to cement his rightful position in the forefront of early 20th-century British art. A draughtsman of remarkable ability, matching even his mentor Augustus John, Henry Lamb (1883-1960) was a founder-member of the Camden Town Group, exhibiting at their inaugural exhibition in 1911. He was a powerful and original War artist, and an engaging and sensitive portrait painter, whose group portraits in particular are as successful as those by any British painter of the age. To date unfairly eclipsed by the glamorous and culturally influential circle around him, Lamb is now probably best known through these figures and his many compelling portraits of them, amongst them Lady Ottoline Morrell, Evelyn Waugh and Lytton Strachey, whose monumental full-length portrait by Lamb in Tate Britain is probably the artist's best-known work. Lamb abandoned a promising medical career in Manchester to pursue his training as an artist at the London art school run by William Orpen and Augustus John. He found inspiration in the rural simplicity of Brittany, and a later visit to Ireland inspired his great genre painting Fisherfolk, Gola Island of 1913 - not seen in public since the last major retrospective in 1984. Following active service during the First World War as an army medical officer (for which he was awarded a Military Cross), he contributed two of the greatest artworks to the proposed National Hall of Remembrance a year after armistice in 1919. Following a productive period in Poole after the War, where he produced some evocative townscapes of its streets and skylines, he eventually settled in Coombs Bissett near Salisbury. Here he established a reputation as a sought-after portrait painter, executing a constant stream of landscapes, still lifes, genre pictures and fine domestic subjects. Accompanying an exhibition at Salisbury Museum in 2018 and Poole Museum in 2019, Henry Lamb: Out of the Shadows will focus on over 50 works by the artist from across his career. As well as loans from major national collections, the group will include significant works from private collections, including a substantial archive from the artist's family and a number of rediscovered masterpieces. The catalog will also feature an introductory essay by Lamb's cousin, the writer Thomas Pakenham who knew the artist well.…

Paperback. Condizione: new. Paperback. Henry Lamb stands amongst the most distinctive, talented but unjustly forgotten figurative British painters of the first decades of the last century. Published to coincide with the first major retrospective on the artist in over 30 years, and featuring a number of rediscovered masterpieces, Henry Lamb: Out of the Shadows aims to cement his rightful position in the forefront of early 20th-century British art. A draughtsman of remarkable ability, matching even his mentor Augustus John, Henry Lamb (1883-1960) was a founder-member of the Camden Town Group, exhibiting at their inaugural exhibition in 1911. He was a powerful and original War artist, and an engaging and sensitive portrait painter, whose group portraits in particular are as successful as those by any British painter of the age. To date unfairly eclipsed by the glamorous and culturally influential circle around him, Lamb is now probably best known through these figures and his many compelling portraits of them, amongst them Lady Ottoline Morrell, Evelyn Waugh and Lytton Strachey, whose monumental full-length portrait by Lamb in Tate Britain is probably the artist's best-known work. Lamb abandoned a promising medical career in Manchester to pursue his training as an artist at the London art school run by William Orpen and Augustus John. He found inspiration in the rural simplicity of Brittany, and a later visit to Ireland inspired his great genre painting Fisherfolk, Gola Island of 1913 - not seen in public since the last major retrospective in 1984. Following active service during the First World War as an army medical officer (for which he was awarded a Military Cross), he contributed two of the greatest artworks to the proposed National Hall of Remembrance a year after armistice in 1919. Following a productive period in Poole after the War, where he produced some evocative townscapes of its streets and skylines, he eventually settled in Coombs Bissett near Salisbury. Here he established a reputation as a sought-after portrait painter, executing a constant stream of landscapes, still lifes, genre pictures and fine domestic subjects. Accompanying an exhibition at Salisbury Museum in 2018 and Poole Museum in 2019, Henry Lamb: Out of the Shadows will focus on over 50 works by the artist from across his career. As well as loans from major national collections, the group will include significant works from private collections, including a substantial archive from the artist's family and a number of rediscovered masterpieces. The catalog will also feature an introductory essay by Lamb's cousin, the writer Thomas Pakenham who knew the artist well. Published to coincide with the first major retrospective on the artist in over 30 years, and featuring a number of rediscovered masterpieces, Henry Lamb: Out of the Shadows aims to cement his rightful position in the forefront of early 20th-century British art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: Very Good. First Edition. Exhibition catalogue, no date (2000s?), 48 pages, colour illustrations, price list loosely inserted.

Soft cover. Condizione: Good. No Jacket. Softcover. Condition: Good, with light shelfwear to covers. Previous owners neat address label at top of half-title. 120pp. 51 plates, the majority in colour. This catalogue was produced to accompany the exhibition of work by the Australian born British painter Henry Lamb (1883-1960) held at Salisbury Museum, Wiltshire from 26 May to 30 September 2018 which then toured to Poole Museum, Dorset from 18 May to 29 September 2019.…

Condizione: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: Brand New. 120 pages. 11.00x8.50x0.50 inches. In Stock.

Condizione: New. pp. 120.

Soft cover. Condizione: Very Good. 1st Edition. Book is in very good condition. 120pp with colour illustrations.

Paperback. Condizione: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condizione: Good. First edition (softcover). 8vo (24cm by 19cm), 60pp. Illustrated throughout in colour. Original laminated card wrappers. There is some light wrinkling of the text block; overall, this book is in good condition. Loosely inserted are a price list and an invitation to the private viewing of the exhibition.…

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. In English.

Paperback. Condizione: New. Qto., 128 pages, colour illustrated. A New copy.

Taschenbuch. Condizione: Neu. Neuware - Henry Lamb stands amongst the most distinctive, talented but unjustly forgotten figurative British painters of the first decades of the last century. Published to coincide with the first major retrospective on the artist in over 30 years, and featuring a number of rediscovered masterpieces, Henry Lamb: Out of the Shadows aims to cement his rightful position in the forefront of early 20th-century British art. A draughtsman of remarkable ability, matching even his mentor Augustus John, Henry Lamb (1883-1960) was a founder-member of the Camden Town Group, exhibiting at their inaugural exhibition in 1911. He was a powerful and original War artist, and an engaging and sensitive portrait painter, whose group portraits in particular are as successful as those by any British painter of the age. To date unfairly eclipsed by the glamorous and culturally influential circle around him, Lamb is now probably best known through these figures and his many compelling portraits of them, amongst them Lady Ottoline Morrell, Evelyn Waugh and Lytton Strachey, whose monumental full-length portrait by Lamb in Tate Britain is probably the artist's best-known work. Lamb abandoned a promising medical career in Manchester to pursue his training as an artist at the London art school run by William Orpen and Augustus John. He found inspiration in the rural simplicity of Brittany, and a later visit to Ireland inspired his great genre painting Fisherfolk, Gola Island of 1913 - not seen in public since the last major retrospective in 1984. Following active service during the First World War as an army medical officer (for which he was awarded a Military Cross), he contributed two of the greatest artworks to the proposed National Hall of Remembrance a year after armistice in 1919. Following a productive period in Poole after the War, where he produced some evocative townscapes of its streets and skylines, he eventually settled in Coombs Bissett near Salisbury. Here he established a reputation as a sought-after portrait painter, executing a constant stream of landscapes, still lifes, genre pictures and fine domestic subjects. Accompanying an exhibition at Salisbury Museum in 2018 and Poole Museum in 2019, Henry Lamb: Out of the Shadows will focus on over 50 works by the artist from across his career. As well as loans from major national collections, the group will include significant works from private collections, including a substantial archive from the artist's family and a number of rediscovered masterpieces. The catalog will also feature an introductory essay by Lamb's cousin, the writer Thomas Pakenham who knew the artist well.…

Soft cover. Condizione: New. 128 pages : illustrations (chiefly color), portraits ; 27 cm Contents: Forewords -- A strange simplicity / Alexandra Harris -- Early Rowntree / Alan Powers -- Design and illustration / Peyton Skipwith -- The late work / John Milner -- Chronology -- Bibliography -- Contributors. Catalogue for the retrospective held at The Fry Art Gallery, Saffron Walden, and which toured to Pallant House Gallery, Chichester, and to The Redfern Gallery, in 2015. …

SOFTCOVER. Condizione: New. 1st Edition. 4to in colour printed stiff glossy card covers, 32pp, colour plates, etc. A selling exhibition. Price list loosely inserted . [CONDITION: NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Condizione: New. 1st Edition. Small 4to. in colour printed stiff card covers, 40pp on stiff paper, 74 paintings all or most illustrated in colour, etc. Price list loosely inserted loosely inserted . [CONDITION: NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Paperback. Condizione: New. A draughtsman of remarkable ability, matching even his mentor Augustus John, Henry Lamb (1883-1960) was a founder-member of the Camden Town Group, exhibiting at their inaugural exhibition in 1911. He was a powerful and original War artist, and an engaging and sensitive portrait painter, whose group portraits in particular are as successful as those by any British painter of the age. To date unfairly eclipsed by the glamorous and culturally infl uential circle around him, Lamb is now probably best known through these fi gures and his many compelling portraits of them, amongst them Lady Ottoline Morrell, Evelyn Waugh and Lytton Strachey, whose monumental full-length portrait by Lamb in Tate Britain is probably the artist's best-known work. Lamb abandoned a promising medical career in Manchester to pursue his training as an artist at the London art school run by William Orpen and Augustus John. He found inspiration in the rural simplicity of Brittany, and a later visit to Ireland inspired his great genre painting Fisherfolk, Gola Island of 1913 - not seen in public since the last major retrospective in 1984. Following active service during the First World War as an army medical offi cer (for which he was awarded a Military Cross), he contributed two of the greatest artworks to the proposed National Hall of Remembrance a year after armistice in 1919. Following a productive period in Poole after the War, where he produced some evocative townscapes of its streets and skylines, he eventually settled in Coombs Bissett near Salisbury. Here he established a reputation as a sought-after portrait painter, executing a constant stream of landscapes, still lives, genre pictures and fi ne domestic subjects. Accompanying an exhibition at Salisbury Museum in 2018 and Poole Museum in 2019, Henry Lamb: Out of the Shadows will focus on over 50 works by the artist from across his career. As well as loans from major national collections, the group will include signifi cant works from private collections, including a substantial archive from the artist's family and a number of re-discovered masterpieces. The catalogue will also feature an introductory essay by Lamb's cousin, the writer Thomas Pakenham who knew the artist well.…