morell lars (81 risultati)

Trade Paperback. Condizione: Used - Good. Open copy. Scratching/scuffing on dust jacket. Sticker residue on jacket. Interior pages in very nice condition. Book has minor shelf wear. Sold as is.

hardcover. Condizione: Fine copy in fine dust jacket. Profusely illustrated (illustratore). 1st. Oblong 4to, 110 pp., Texts in English & Danish.

Softcover staple bound exhibition catalog, 28 pages; in German; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hard cover. Condizione: Very good. No jacket. Text is in Swedish. Spine is cocked but secure. Cover edges are slightly worn. Cover corners are chipped. Text block and inside edges are tanned, but legibility is not impacted. Inside is unmarked.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

The walls all along the stairway up to ImmendorffÆs studio - located in a neglected block of workshops, are lined with framed posters of his own production. The posters can be regarded as trophies of a kind, like a rock musicianÆs display of gold and platinum albums. They are signs of having exhibited in the right places at the right times. As for the generation of Immendorff (b. 1945), these were places such as Galerie N?chst St. Stephan (Vienna), Kunsthalle Bern, van Abbemuseum (Eindhoven) and Villa Stuck (Munich) which were important stations at the end of the 1970Æs and the beginning of the 1980Æs. Posters are an element of reality, the universe of the streets breaking into the artistÆs studio, and what this artist calls a reminiscence of his political past., English, Year2006, Illust. B/W9, Illust. Color16, ISBN 8790552199, Code 5819. Softbound, In Pristine Condition, Pages 78, Size 8 1/2öx 6ö.

47pp. Prof. illus. Lrg. 8vo. Wraps. English-language summary.

Hardback. Condizione: New. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obviously only a sedimentary geologist can. Not only do curators and critics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, "A picture without intellectual superstructure is nothing." In "The Artist as Polyhistor", Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives -- everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely about something is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art.

This is the first monograph on the Stone House, conceptualised by Per Kirkeby and erected in 1996 in Jutland, Denmark; a fascinating brick building of sparse elegance, accommodating the geological collection of the university Skµrum M°lle. Presented is the genesis of the exhibition hall from the first sketches to the erection complemented by the auditorium, the observatory and the study hall. The author gives many references to sacral architecture and modern classics, such as Peter Behrens. Furthermore he reveals KirkebyÆs surprising sources of inspiration: for example the staircase in RembrandtÆs painting The Meditating Philosopher., English, Year2006, Illust. B/W15, Illust. Color2, ISBN 386560126x, Code 6094. Softbound, In Pristine Condition, Pages 32, Size 6 1/2öx 10ö.

31pp. Prof. illus. Tall 4to. Wraps. D.j.

39pp. Prof. illus. 4to. Wraps. Parallel texts in English and German.

Gr.8°, OKart. mit farbig illustr. OU; 26 (6) Seiten mit Zeichnungen und fotografischen Abbildungen. Erste Auflage von 500 Exx. ISBN 3865601251. - Umschlag an Ecken und Kanten angestoßen. Sauberes Exemplar.

Condizione: New. 2005. Hardcover. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland. This work examines intellectual content in the Kirkeby oeuvre from eleven disciplinary perspectives - everything from theology to genetics and eros to crystallography. Num Pages: 294 pages, illus. BIC Classification: AC; AGB. Category: (P) Professional & Vocational. Dimension: 256 x 248 x 29. Weight in Grams: 1548. . . . . .

Hardcover. Condizione: new. Hardcover. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obviously only a sedimentary geologist can. Not only do curators and critics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, "A picture without intellectual superstructure is nothing." In "The Artist as Polyhistor", Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives -- everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely about something is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art. Not only do curators and critics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

1. Aufl./500 Ex. (Sehr gut erhalten - neuwertig, ungelesen / in very good condition - as new) Sprache: Deutsch Gewicht in Gramm: 400 Broschur m. Schutzumschlag / Softcover with dust-jacket.

1. Okrt., Ou., 78 S., 8°; 2. Okrt., 67 S., Gr8°. (1. gutes Exemplar; 2. Leichte Altersspuren, hinterer Deckel und bis S. 58 leichte Impression, sonst gutes Exemplar). Abgabe der 2 Titel nur zusmmen. Als kostenlose Zugabe: Reinhard Mucha, Austellungskatalog, Institut für Auslandsbeziehungen 1997. Okrt., 47 S., Gr8°. (leichte Altersspuren, gutes Exemplar)., 1. With a Catalogue Raisonnee; 2. Avec biographie, bibliographie, expositions et liste des oeuvres: Zugabe: Biographie, Ausstellungen, Bibliographie. 1500 gr. 0.0.

Condizione: New. 2005. Hardcover. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland. This work examines intellectual content in the Kirkeby oeuvre from eleven disciplinary perspectives - everything from theology to genetics and eros to crystallography. Num Pages: 294 pages, illus. BIC Classification: AC; AGB. Category: (P) Professional & Vocational. Dimension: 256 x 248 x 29. Weight in Grams: 1548. . . . . . Books ship from the US and Ireland.

Wrappers. Condizione: Very Good. 58 pages. Paperback journal format. Texts in Danish with a brief summary in English at the rear. Moderate wear overall, particularly at the corners. The previous owner's bookplate (designed by American artist and theater impressario Robert Wilson) remains affixed to the penultimate page, but there are no other internal markings. The original price label is affixed to the rear cover. Bound in stiff illustrated paper covers.

Hardcover. Condizione: Brand New. 293 pages. 9.75x9.50x1.00 inches. In Stock.

141, (3)pp. Prof. illus. Sm. oblong 4to. Wraps.` Published in conjunction with an exhibition at Kunsthallen Brandts Klædefabrik, Odense, April-June 1997.

In January 1998, a bronze sculpture was installed by the German painter G?nther F÷rg in front of Boggalleriet in R°nde. It was erected on private initiative, but in the public space, and thus was R°nde one of the few places in Denmark where the cityscape can see a sculpture of a foreign artist. The layout of G?nther F÷rgs stele was the first step in the project Open Water, working with an art and urban project in R°nde center. In the book Lars Morell interprets the stele by putting it in the context of the specific environments in R°nde. Likewise, he compares the sculpture to seven steles at Louisiana set with nature as background.The book ends with a conversation between G?nther F÷rg and Lars Morell. Here G?nther F÷rg tells why he, who is a painter, makes sculptures. The book has a loose dust jacket by G?nther F÷rg printed as an original lithograph by Hostrup-Pedersen & Johansen., German / Danish, Year2001, Illust. B/W3, Illust. Color13, ISBN , Code 6865. Softbound - A Wrap Around Lithograph, In Pristine Condition, Pages 39, Size 12öx 8ö.

Wrappers. Condizione: Fine Condition. 352 pp., 450 illustrations 200 in color. Published by Aristo Publishing, distributed by Gingko Press, Corte Madera, CA. Yellow paper half dustwrapper is now encased in protective Mylar.

Klappenbrosch. Condizione: Sehr gut. 39 Seiten, zahlr. Abb. Very good condition with small signs of wear. - Language: German and English / Per Kirkeby's large painting, "The Ceiling", was made for the new foyer at Aarhuus Stiftsbogtrykkerie. In May 1994, Per Kirkeby first examined the ceiling of the, at that time, almost completed extension to the building. The painting itself was made on 138 square panels spread out on the floor of a factory building in Copenhagen from the end of January until the end of March 1995. The installation of the Ceiling in Århus began on Thursday, March 30th, 1995, and it was inaugurated on Friday, August 25th, 1995. Per Kirkebys Sprache: Englisch Gewicht in Gramm: 250.

Condizione: New. Die Experimentierende Kunstschule (Den Eksperimenterende Kunstskole) wurde 1961 in Kopenhagen von dem Maler Poul Gernes gegruendet. Ohne sich um internationale Bewegungen zu kuemmern, schuf Gernes die Programmatik einer Schule, in der Lehrer und Studierende g.

Mit zahlr. Abb. Broschiert. Condizione: Sehr gut. 1. Ausg., 1. Aufl. 29 S. Ein gutes und sauberes Exemplar. - Skærum Mølle liegt in einem naturschönen Bezirk an der Einmündung des Lilleåen (=Kleinflüßchen) im Storåen (= Großflüßchen). Wie der Name deutet an, gab es hier früher ein Mühlenhof mit Wassermühle und landwirtschaftlichem Betrieb. Außerdem lagen hier auch eine Ziegelei und ein Kraftwerk, das von der Wasserkraft des Lilleåen betrieben wurde. Der Baukomplex Skærum Mølle ist heute das Eigentum des Volksuniversitätszentrums. Das Haus der Steine und Sterne, von dem Künstler Per Kirkeby entworfen, wurde 1996 auf dem alten Ziegeleigrundstück aufgeführt. Per Kirkeby hat in der ganzen Welt mehrere Backsteinskulpturen geschafft. Das Haus der Steine und Sterne ist eine dieser Skulpturen. ISBN 9783865601254 Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. Condizione: Brand New. 293 pages. 9.75x9.50x1.00 inches. In Stock.

Uppsala Universitet, Uppsala 2008. 299 sidor. Inbunden med skyddsomslag. Gott skick. ISBN 978-91-554-7291-7. (Uppsala Studies in Economic History 86).

Leinen. Condizione: Gut. 105 S. : zahlr. Ill. ; 25 cm Guter Zustand. Mit Einladung und Zeitungsartikel zur Ausst. Sprache: Deutsch Gewicht in Gramm: 520.

Buch. Condizione: Neu. The Brotherhood | The Experimenting Art School. Copenhagen 1961-1969 | Lars Morell | Buch | 440 S. | Englisch | 2016 | Kehrer Verlag /Kehrer Design | EAN 9783868287035 | Verantwortliche Person für die EU: Kehrer Verlag /Kehrer Design Heinsteinwerk, Klaus Kehrer, Mannheimer Str. 175, 69123 Heidelberg, contact[at]kehrerverlag[dot]com | Anbieter: preigu.

Condizione: New. KlappentextrnrnIt has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master s in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obvi.