Morganstern anne (29 risultati)

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: New.

Hardcover. Condizione: New. Condizione sovraccoperta: New. New tightly bound hardcover with black cloth over boards with silver lettering to the spine and front cover. New DJ. 4to.(8 x 0.85 x 10 inches) Clean text free of marks or underling. Book design and typesetting by Garrett Markvoort, B&W photos and illustrations. Includes list of illustrations, appendices [3], bibliography and an index. xvii, 199 pp. Fast shipping in a secure book box mailer with tracking. In the 1790s the sculptural decoration of many French cathedrals was destroyed, and monastic churches were stripped of their royal and noble tombs. As a result, modern art historians have remained largely unaware of the link between architectural sculpture and monumental tomb sculpture. Some years ago, Anne Morganstern recognized the hand of a master sculptor who worked at Chartres in the little-known tomb of a nobleman. This connection prompted the author to investigate the relationship between the two. In High Gothic Sculpture at Chartres Cathedral, the Tomb of the Count of Joigny, and the Master of the Warrior Saints, Morganstern offers a new study of the sculptor whom Louis Grodecki associated with a group of stained-glass windows that he attributed to the "Master of Saint Chéron." Morganstern proposes that the windows reflect the designs of the sculptor whom she calls the "Master of the Warrior Saints," whether or not he was their designer. She also shifts the chronological framework associated with the south transept porch back approximately twenty years, a move that has broad implications for scholarly consideration of the development of French High Gothic sculpture. .…

Hardcover. Condizione: New. New copy.

Hardcover. Condizione: Used-Very Good. dj. 1st Edition. Cloth, dj. Slight shelf-wear.

Hardcover. Condizione: New.

Softcover. Condizione: Very Good with no dust jacket. Pages clean and bright. Wrappers have light overall shelf wear. Contents: Stevick, "The Design of Lindisfarne Gospels folio 138v"; McClendon, "An Early Funerary Portrait from the Medieval Abbey at Faria"; Reynolds, "Image and Text: The Liturgy of Clerical Ordination in Early Medieval Art"; Seuren, "Charlieu und der "English style"; Moskowitz, "I Trecento Classicism and the Campanile Hexagons"; Davis, "'Troys Portaulx et Deux Grosses Tours': Tne Flamboyant Façade Project for the Cathedral of Clermont"; Lacaze and Morganstern, "Gothic Splendor in Paris: A Review"; Blum and Hayward, "Sumner McKnight Crosby (1909-1982)."; 11.0" tall; 96 pages.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. A nice, bright copy. ; B&W Plates; 10.7 X 8.7 X 0.9 inches; 216 pages.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. In original shrinkwrap.

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Water damaged. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:0271018593.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New. Brand New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. In the 1790s the sculptural decoration of many French cathedrals was destroyed, and monastic churches were stripped of their royal and noble tombs. As a result, modern art historians have remained largely unaware of the link between architectural sculpture and monumental tomb sculpture. Some years ago, Anne Morganstern recognized the hand of a master sculptor who worked at Chartres in the little-known tomb of a nobleman. This connection prompted the author to investigate the relationship between the two. In High Gothic Sculpture at Chartres Cathedral, the Tomb of the Count of Joigny, and the Master of the Warrior Saints, Morganstern offers a new study of the sculptor whom Louis Grodecki associated with a group of stained-glass windows that he attributed to the "Master of Saint Chéron." Morganstern proposes that the windows reflect the designs of the sculptor whom she calls the "Master of the Warrior Saints," whether or not he was their designer. She also shifts the chronological framework associated with the south transept porch back approximately twenty years, a move that has broad implications for scholarly consideration of the development of French High Gothic sculpture.…

Condizione: New. In English.

Library Binding. Condizione: Brand New. 195 pages. 10.00x8.25x0.75 inches. In Stock.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: new. Hardcover. In the 1790s the sculptural decoration of many French cathedrals was destroyed, and monastic churches were stripped of their royal and noble tombs. As a result, modern art historians have remained largely unaware of the link between architectural sculpture and monumental tomb sculpture. Some years ago, Anne Morganstern recognized the hand of a master sculptor who worked at Chartres in the little-known tomb of a nobleman. This connection prompted the author to investigate the relationship between the two. In High Gothic Sculpture at Chartres Cathedral, the Tomb of the Count of Joigny, and the Master of the Warrior Saints, Morganstern offers a new study of the sculptor whom Louis Grodecki associated with a group of stained-glass windows that he attributed to the Master of Saint Cheron. Morganstern proposes that the windows reflect the designs of the sculptor whom she calls the Master of the Warrior Saints, whether or not he was their designer. She also shifts the chronological framework associated with the south transept porch back approximately twenty years, a move that has broad implications for scholarly consideration of the development of French High Gothic sculpture. Re-examines the sculpture on the transept porches of Chartres Cathedral and revises their chronology, based on information from the previously unstudied tomb of the count of Joigny. Documents the production of the monument within the context of French High Gothic sculpture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. 2012. Library Binding. . . . . .

Gebunden. Condizione: New. Re-examines the sculpture on the transept porches of Chartres Cathedral and revises their chronology, based on information from the previously unstudied tomb of the count of Joigny. Documents the production of the monument within the context of French High .

Hardback. Condizione: New. In the 1790s the sculptural decoration of many French cathedrals was destroyed, and monastic churches were stripped of their royal and noble tombs. As a result, modern art historians have remained largely unaware of the link between architectural sculpture and monumental tomb sculpture. Some years ago, Anne Morganstern recognized the hand of a master sculptor who worked at Chartres in the little-known tomb of a nobleman. This connection prompted the author to investigate the relationship between the two. In High Gothic Sculpture at Chartres Cathedral, the Tomb of the Count of Joigny, and the Master of the Warrior Saints, Morganstern offers a new study of the sculptor whom Louis Grodecki associated with a group of stained-glass windows that he attributed to the "Master of Saint Chéron." Morganstern proposes that the windows reflect the designs of the sculptor whom she calls the "Master of the Warrior Saints," whether or not he was their designer. She also shifts the chronological framework associated with the south transept porch back approximately twenty years, a move that has broad implications for scholarly consideration of the development of French High Gothic sculpture.…

Library Binding. Condizione: Brand New. 195 pages. 10.00x8.25x0.75 inches. In Stock.

Condizione: New. 2012. Library Binding. . . . . . Books ship from the US and Ireland.

Buch. Condizione: Neu. Neuware.

Couverture souple. Condizione: bon. R110030603: 1970. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 179 à 264. Nombreuses photos et plans en noir et blanc dans et hors texte. . . . Classification Dewey : 930.1-Archéologie.