morrissey simon (62 risultati)

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.

Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New.

Paperback. Condizione: new. Paperback. Richard Wilson was born in London in 1953. Descended on one side from a line of builders and on the other of artists, his work often comes closer to engineering or even architecture than it does to traditional sculpture. Typically he transforms the viewer's environment into something unsettling and strange by the interventions he makes, whether in the internal space of a gallery, the structure of a building or in one of the ships with which he has a particular affinity. Perhaps his best-known work is 20:50, currently on show at, and probably the most popular exhibit in, the Saatchi Gallery in London. For 20:50, Wilson flooded a gallery space with oil, which has a highly reflective surface. Into the oil is built a kind of narrow pier or promenade down which one person at a time can walk, the oil perilously close to their body. So reflective is the oil that the room induces a strong sense of disorientation. Further along the River Thames, next to the Millennium Dome, is another Wilson piece that provides an unexpected sight.The skeletal ship A Slice of Reality, its sides removed and with the tides moving freely through it, is both a startling sculptural object in its own right and a comment on the vanished shipping industry that was once a mainstay of the river community. In Los Angeles, Wilson was inspired by one of the most ubiquitous symbols of Californian life, the swimming pool, suspending a fibreglass pool shell from a sixty foot-long pipe in MOCA's subterranean gallery (Deep End). In addition to and often in conjunction with these large-scale projects, Wilson makes films and sculpture, takes photographs and stages performance events and has been a formative influence on a generation of British artists. This lavishly illustrated career survey includes a new interview with Wilson and examines six key works in depth. Born in London in 1953 to a family of builders and artists, Richard Wilson creates works that often come closer to engineering or even architecture than to traditional sculpture. Typically he transforms the viewer's environment into something unsettling and strange through interventions that not only alter the physical space but also interfere with our perception of it. Perhaps his best-known work is "20:50," currently on view at the Saatchi Gallery in London. A room is flooded with oil that has a highly reflective surface. Into the oil is built a kind of narrow pier down which one person can walk, the oil perilously close to their body. So reflective is the oil that the room induces a strong feeling of disorientation. In addition to such large-scale pieces, Wilson makes films and sculpture, takes photographs, and stages performance events. He has been a formative influence on a generation of younger artists. This book is part of a Tate Publishing series focused on living artists. Generously illustrated, accessible, and affordable, the Modern Artists series will build to become an essential reference for all those interested in contemporary visual culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. Richard Wilson was born in London in 1953. Descended on one side from a line of builders and on the other of artists, his work often comes closer to engineering or even architecture than it does to traditional sculpture. Typically he transforms the viewer's environment into something unsettling and strange by the interventions he makes, whether in the internal space of a gallery, the structure of a building or in one of the ships with which he has a particular affinity. Perhaps his best-known work is 20:50, currently on show at, and probably the most popular exhibit in, the Saatchi Gallery in London. For 20:50, Wilson flooded a gallery space with oil, which has a highly reflective surface. Into the oil is built a kind of narrow pier or promenade down which one person at a time can walk, the oil perilously close to their body. So reflective is the oil that the room induces a strong sense of disorientation. Further along the River Thames, next to the Millennium Dome, is another Wilson piece that provides an unexpected sight.The skeletal ship A Slice of Reality, its sides removed and with the tides moving freely through it, is both a startling sculptural object in its own right and a comment on the vanished shipping industry that was once a mainstay of the river community. In Los Angeles, Wilson was inspired by one of the most ubiquitous symbols of Californian life, the swimming pool, suspending a fibreglass pool shell from a sixty foot-long pipe in MOCA's subterranean gallery (Deep End). In addition to and often in conjunction with these large-scale projects, Wilson makes films and sculpture, takes photographs and stages performance events and has been a formative influence on a generation of British artists. This lavishly illustrated career survey includes a new interview with Wilson and examines six key works in depth.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Tight and clean. ***Please Read*** Nice clean book showing slight wear (see picture) - 43 pages - my shelf location -mag-12.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. new title edition. 128 pages. 10.25x8.00x0.50 inches. In Stock.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9781854375704.

paperback. Condizione: Very Good. Fast Shipping - Safe and Secure 7 days a week!

Paperback. Condizione: Used-Very Good. Pbk. 4to. Profusely illus. Some shelf-wear. Else clean copy.

Condizione: New. 2006. Paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. 2006. Paperback. . . . . .

Condizione: Used - Very Good. VG paperback. A clean, tidy copy with colour illustrations. Used - Very Good. VG paperback.

Paperback. Condizione: Very Good. A nice, bright copy. ; Color Photographs; 4to ; 224 pages.

Hardcover. Condizione: Brand New. 40 pages. 9.06x8.35x0.20 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Soft Cover. Condizione: Fine. First Edition; First Printing. As New. ; Numerous color plates. With an essay by Simon Morrissey. Published on the occasion of the exhibition In 1993. ; Tight, clean and crisp. No inscriptions. No remainder mark. Not ex-library. In excellent condition. As New. ; 8vo - over 7 3/4" - 9 3/4" tall.; 24 pages.

Condizione: New.

Trade Paperback. Condizione: New. Born in London in 1953 to a family of builders and artists, Richard Wilson creates works that often come closer to engineering or even architecture than to traditional sculpture. Typically he transforms the viewer's environment into something unsettling and strange through interventions that not only alter the physical space but also interfere with our perception of it. Perhaps his best-known work is '20:50,' currently on view at the Saatchi Gallery in London. A room is flooded with oil that has a highly reflective surface. Into the oil is built a kind of narrow pier down which one person can walk, the oil perilously close to their body. So reflective is the oil that the room induces a strong feeling of disorientation. In addition to such large-scale pieces, Wilson makes films and sculpture, takes photographs, and stages performance events. He has been a formative influence on a generation of younger artists. This book is part of a Tate Publishing series focused on living artists. Generously illustrated, accessible, and affordable, the Modern Artists series will build to become an essential reference for all those interested in contemporary visual culture.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: Good. Some outer edges have minor scuffs. Cover has light scratches/marks. Book content is in very good readable condition.

First edition, first printing. Fine paperback exhibition catalogue.

Soft cover. Condizione: As New. No Jacket. The British Council Visual Arts Publications, 1999. Paperback in as new condition.

Soft cover. Condizione: Very Good. 74 pages. Illustrated. PN Review 189, featuring cover painting 'Babujan/ Afrika' by Breyten Breytenbach, includes: Poems by Sinéad Morrissey, Simon Armitage, David Rain, Neil Powell and others Norm Sibum on Montreal, Romans and Barbarians André Naffis interviews Breyten Breytenbach Nigel Fabb on the difference between verse and poetry A broad analysis of the current poetry scene, including reviews ofW. S. Merwin, Frederick Seidal, Stephen Romer, amongst others In his editorial, Michael Schmidt discusses Paul Chowder, American Narrator (U.P.).

Paperback. Condizione: Near Fine. 270 x 210 mm. 120 pp. Pictorial card covers. A clean, bright copy. Spine not creased. Well illustrated, mainly in colour. Book.