Muntadas antoni (159 risultati)

paperback. Condizione: Good. Crease/tear to cover.

Paperback. Condizione: Acceptable. reading copy only - damaged /worn /marked. May be ex-libris Standard-sized.

Softcover, 190 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condizione: Fine. Sealed in original shrinkwrap.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. illustrated edition. 164 pages. 6.00x3.25x0.25 inches. In Stock.

Condizione: New.

Paperback. Condizione: New.

Soft cover. Condizione: Near Fine. 1st Edition. Ministerio de Cultura, Madrid, 1988. Softcover, 1st edition. Illustrated in color and black & white. Half-paginated (approximately 110 pp.) Interdisciplinary and media artist Antoni Muntadas left Spain for New York in the early 1970s. This catalog documents his 1988 exhibition held in Madrid. The book is double-sided and has two covers (see photos), It can be started from either end. One side of the book has numbered pages up to 55. The other side is unpaginated. Text in Spanish. Near fine.…

Paperback. Condizione: New. Of Works B ed.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. May contain underlining and/or highlighting. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Pamphlet. 55p. of text and [56]p. of photographs, bound dos-a-dos, wraps, 8x9.25 inches, light handling wear else very good condition. Text in Spanish. Cover title: "Muntadas." Barcelona-born postconceptual multimedia artist.

Condizione: Bueno. 13.5x24.5. 208pp. Castellano.

Softcover, 304 pages; in Spanish; very good condition; except light rubbing to covers; and small waterstain to lower right corner of rear cover at spine edge and last couple pages; no internal marks. Foreign shipping may be extra.

Softcover, 288 pages, in English; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: New.

Softcover, staple-bound, 16 pages; good condition; scattered scuffs to covers with heavy yellowing to inside front cover; no internal marks.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Rústica ilustrada con Solapa. Condizione: Bueno. Signatura.-Zabala.-Periodismo.-Portada, 262 pgs.-Con numerosas ilustraciones.-Muy buen ejemplar.-Envío nacional certificado, sin contra reembolso: 4 euros.

Paperback. Condizione: Good. Paperback. 98pp. Lightly edgeworn, 'Discard/ Solomon Guggenheim Library' stamp on front free endpaper, else good. Text in French.

Exhibition Announcement Cards. The original announcement card/exhibition brochure for a group show titled "Close Looking" and held at Kent gallery, NYC, October 25 - December 21, 2007. The exhibition was curated by Ayesha Williams and included Dennis Adams, John Brill, Heide Fasnacht, Elizabeth King, Antoni Muntadas, and Emily Prince. Thin card, double-parallel-fold pamphlet; 8 pages; 13 color illustrations; 5.5 x 8.5 inches. Condition: Fine. Laid-in is the gallery press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Softcover, 112 pages, in French; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: new. Paperback. Between the Frames: The Forum (1983-93) is the result of Muntadas's interest in understanding why the intermediaries between the artist, the artwork and the public gained so much power in the 1980s. The installation comprises eight sections, each corresponding to an intermediary - dealers, collectors, galleries, museums, docents, critics, media and artists - arranged in a circular structure that evokes the form of a Panopticon. By means of a critical essay and an interview with Muntadas, Anne Benichou, the editor of this publication, reveals how the artist's working process is more archaeological than documentary in its approach. The emphasis is not so much on what is said or on who says it, but on allowing the public to use this space to construct their own narratives." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: Brand New. illustrated edition. 288 pages. 8.75x7.00x1.00 inches. In Stock.

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. FIRST PRINTING.NEAR FINE GLOSSY SOFTWRAPS ORIGINAL.TEXT IN ENGLISH AND SPANISH.COLOUR GLOSSY PHOTOS OF TOILETS AROUND EUROPE.28 Language: eng Language: eng 0.0 Language: eng Language: eng.

Paperback. Condizione: Very Good+. Binding sound, text clean, very light shelf wear. Spanish and some English texts. Illustrated. 128 pages. Folio (oversize) paperback. Heavy item: priority or international shipping may require additional charges. Book.

Hardcover. Condizione: New. In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale 'takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new. but by now it is an obsolete structure.' Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, 'I am not talking about translation in a literal sense, but in a cultural sense--how the world we live in is a totally translated world, everything is always filtered by some social, political, cultural and economic factor. by the media, of course, by context and by history.' Accordingly, I Giardini looks into the context and history of the Biennale's Giardini del Castello, delving into the transformations and 'translations' it has undergone over time, and investigating Venice's status and the space that frames the Biennale. Muntadas notes, for instance, that a new Italian pavilion built on Mussolini's orders was replaced again after the war. …

Hardcover. Condizione: new. Hardcover. In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale "takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new. but by now it is an obsolete structure." Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, "I am not talking about translation in a literal sense, but in a cultural sense--how the world we live in is a totally translated world, everything is always filtered by some social, political, cultural and economic factor. by the media, of course, by context and by history." Accordingly, I Giardini looks into the context and history of the Biennale's Giardini del Castello, delving into the transformations and "translations" it has undergone over time, and investigating Venice's status and the space that frames the Biennale. Muntadas notes, for instance, that a new Italian pavilion built on Mussolini's orders was replaced again after the war. In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale "takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new. but by now it is an obsolete structure." Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, "I am not talking about translation in a literal sense, but in a cultural sense—how the world we live in is a totally translated world, everything is always filtered by some social, political, cultural and economic factor. by the media, of course, by context and by history." Accordingly, I Giardini looks into the context and history of the Biennale's Giardini del Castello, delving into the transformations and "translations" it has undergone over time, and investigating Venice's status and the space that frames the Biennale. Muntadas notes, for instance, that a new Italian pavilion built on Mussolini's orders was replaced again after the war. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…