Nattes john claude (21 risultati)

Couverture rigide. Condizione: Bon. Edition originale, Édition limitée. C1 Edmond DELAYE. LYON vu par un ANGLAIS EN 1820 Recueil de 36 DESSINS INEDITS de John Claude NATTES. Editions Pierre Masson, LYON, 1926, en feuillets sous emboitage, Grand Format "a l'italienne" 28*21 cm, 16 pages XXXVI gravures en noir. Emboitage un peu frotte et touche aux coins, manque la chemise rempliee, autrement COMPLET des textes et gravures. BON ETAT, TIRAGE LIMITE a 235 exemplaires, EXEMPLAIRE NUMEROTE (# 140) sur papier Velin PRIX EN L'ETAT ENVOI EN FRANCE UNIQUEMENT : POIDS TROP LOURD POUR L'ETRANGER Je mets quelques ouvrages sur LYON en vente; pour les trouver facilement, tapez C1 LYON dans le moteur de recherche de ce site. John Claude NATTES (illustratore).…

Hardback. Condizione: Good. First Edition. [5], vi-x, [1], 2-98pp, plates. Slightly later half calf and marbled paper over boards, smooth back divided into six panels by gilt rolls, lacking title label to second panel, remaining panels with indistinct fleuron tool in gilt. Heavily rubbed to extremities, upper joint split but holding, marbled paper covering boards is chipped to edges with some loss. Internally the text is browned and occasionally foxed throughout, plates are brighter and cleaner, though plate twenty-three has a damp stain just catching the vignette. Long inscription in pencil to second front free endpaper. With additional engraved title page by William Henry Pyne after Nattes which has been bound after the letterpress title, and forty-five plates (numbered 1-44 with two plate 23's). The 'problems' are engraved by T. King (mentioned briefly in Alexander, 'A Biographical Dictionary of British and Irish Engravers 1714-1820', page 524), and nearly all of the 'problems' have a vignette to the foot by Pyne (Ibid, pages 724-725). Adapted from Le Clerc's 'Geometrie Pratique'. Abbey, 'Life' 160 for a coloured second edition of 1819 Size: 8vo. Pyne, William Henry and King, T. (illustratore).…

Condizione: Good. First Edition. G: in good condition. Cover rubbed with some spine end wear. Foxing to eps and occasional spotting. Plates numbers 25-28 and 26-40 appear to have never been bound in to this copy. Illustrations VG. Armorial book-plate on paste-down with owner's signature in pencil on later prelim page. 290mm x 420mm (11" x 17"). 44pp + plates. Engraved title and tail piece vignette and 40 [of 48] engraved plates. Contains a list of subscribers. Armorial book-plate of Sir John Stuart Forbes Bart of Pitsligo & Fetercairn 'Nec timide nec temere', and signature in pencil on later page. Heavy item - shipping supplement may apply for overseas. Green hardback half-leather cover.…

Hardcover. Condizione: Very good. First. BATH AT ITS REGENCY FINEST. First edition. London: W. Bulmer for William Miller and William Sheppard, 1806. Folio (18 7/8" x 13 1/8", 478mm x 334mm). [Full collation available.] With 30 hand-colored aquatint-engraved plates, of which 2 (the vignettes to the title-page and to p. 56, often found uncolored) are integral with the text. Bound in perhaps later XIXc red morocco over red cloth with double gilt fillets. On the spine, five raised bands. Author and title ("NATTES'/ COLOURED/ VIEWS/ OF/ BATH") gilt to the second panel, number gilt to the tail. Top edge of the text-block gilt. Marbled end-papers. A little scuffed, with some skinning to the lower edge of the rear board. Mildly evenly tanned throughout, with the odd patch of soiling or foxing. A repaired tear to pl. VIII (Pump Room), and a repair to pp. 33-34 (not affecting the text). Pencil numeration in an old hand to the back of each plate, as well as to p. 55. A large and handsome example. Bath -- Aquae Sulis in the Roman period -- along the River Avon has long been a destination for its spa waters. From the XVIIIc, it became fashionable among aristocrats looking to take the waters, and keen for access to its parks and to the surrounding countryside. By the 1770's Bath became the apogee of Georgian architecture -- most famously Robert Adam's Pulteney Bridge (1774) and the Royal Crescent (completed 1774) -- and its picturesque beauty celebrated throughout Britain and Europe. During the Regency of George, Prince of Wales (future George IV) during the incapacitation of his father George III from ca. 1795, Bath ascended to the pinnacle of fashionable society. The novels of Jane Austen -- among many others -- capture Bath in its heyday. Like a débutante captured in the year of her coming out, Bath is in the present work depicted in all her finery. John Claude Nattes (ca. 1765-1839) was a pioneer of watercolor in Britain, and became the preferred recorder of landscape, including Lincolnshire (under the patronage of Sir Joseph Banks) and Scotland in the Scotia Depicta of 1804. His Bath, however, is his magnum opus with its 30 aquatints after Nattes by John Hill and Frederick Christian Lewis. The present example was purchased at the Sotheby's Amsterdam Maggi-Spaulding sale, 28 November 2005, lot 126. Angèle Maggi-Spaulding (1924-2005), heiress to the German culinary firm Maggi, and her husband William Spaulding Jr. (known as "Stu", 1914-1961), scion of a prominent Boston family. Abbey, Scenery 41; Tooley 340.…

Leather. Condizione: Very Good. First edition. A scarce first edition copy of this exceptional example of lithography, depicting the antiquities of Scotland, particularly scarce being complete and in the original publisher's paper covered boards. The first edition of the work. Scarce. Collated complete with forty eight engraved plates; additional engraved title page depicting Fingal's Cave and tail piece depicting David Hume's monument. Rebacked in quarter morocco with the exceptionally scarce original publisher's boards preserved. This charming work is copiously illustrated, offering a scenic description of nineteenth century Scotland's antiquities, cities towns and picturesque scenery. The work contains engravings of abbeys, castles, public buildings, battle grounds, harbours and landscapes John Claude Nattes made drawings of the scenes, with the etchings by James Fittler. James Fittler was an English engraver of portraits and landscapes, appointed by King George III to be his marine engraver. Rebacked in quarter morocco with the exceptionally scarce original publisher's boards preserved. Externally very smart with bumping to the extremities. Marks to the boards. Damp staining to rear board. Internally firmly bound. Pages generally bright and clean with offsetting from tissue guards to text. The occasional tidemark, occasionally affecting the extremity of the plates. Loss to the extremity of plate twelve depicting Glasgow Infirmary. The occasional spot. The occasional handling mark. Very Good. James Fittler; John Claude Nattes (illustratore). book.…

Colored vignette on title page and final page of text plus 28 very fine colored aquatint plates. Folio, 19th c. gilt and blind-embossed diced calf; neatly rebacked preserving the original gilt spine. First edition. Abbey Scenery 41. Old bookplate; ink gift inscription, Tingewick, March 25th, 1869. The text and plates are clean and bright throughout. Binding rubbed at edges, but tight, sound, and attractive. Half-title leaf present. …

Couverture souple. Condizione: Bon. LYON . Chez Pierre Masson . 1926 . EDITION ORIGINALE : Tirage total à 235 exemplaires : UN des 210 exemplaires sur Vélin teinté [ N° 208 ] . Un volume en feuillets libres , format à l'italienne sous chemise rempliée , 280 x 210 m/m , de 18 pages : Titres , table des dessins , justification , notes biographiques , légendes des gravures , suivi de 36 GRAVURES [ COMPLET ] . Emboitage cartonné titré au dos .Petits frottements à la chemise & étui .…

Framed and matted. First Edition. The print (visible) is 16 by 21 cm. The pictorial part of the print: 12.5 by 18 cm. The frame: 35 by 40 cm. The frame is a somewhat elaborate production, with an outer band of blond painted wood, which rises to a narrower, more tradition, gilt molded piece. The matting is an off-white fabric, with a narrow inner gilt piece. The print is browned and foxed, with the picture itself consequently darkened a bit. The hand-coloring was done with considerable care but the color application was done with a light touch (we are speaking of the amount of coloring, not the palette used). The result is muted, but pleasingly so, and we do think the color teases out some detail and actually adds to the illusion of dimensionality. The matting has a light dampstain. The frame itself has some minor surface loss. We think the frame is worth preserving, and as to the outer part of it having an issue, albeit a minor one, we would recommend just painting over this part, and with gilt leaf it will look far better than this frame ever looked. John Claude Nates (or Nattes) (illustratore).…

Drawing. Condizione: Near Fine. A large 10.5" x 14.25" original pencil drawing, inscribed bottom right 'PEVERIL CASTLE CASTLETON DERBYSHIRE August 28', on white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. In excellent original condition mounted on museum board. Bears small neat inscription verso relating to another drawing. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. John Claude Nattes (illustratore).…

Drawing. Condizione: Near Fine. A large 10.5" x 14.25" original pencil drawing, inscribed verso 'CONWAY CASTLE AND BRIDGE Sept 11th', on white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. In excellent original condition mounted on museum board. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. John Claude Nattes (illustratore).…

Drawing. Condizione: Near Fine. A large 10.5" x 14.25" original pencil drawing, inscribed bottom left 'POISSY July 22', on white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. An interesting record of the distinctive spires of the 12th century church of Notre Dame Poissy in its early 19th century rural setting. In excellent original condition mounted on museum board. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. John Claude Nattes (illustratore).…

Drawing. Condizione: Near Fine. A large 10.5" x 14.25" original drawing in pencil, pen and ink, the title and date of the picture 'PONT ABERGLASSLYN September 19th', appears on the reverse of another drawing, which was next in sequence to this drawing in the folio of Nattes drawings. A copy of the inscription that appears on the reverse of the other drawing is included here and is attached to the mount. On white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. In excellent original condition mounted on museum board. John Claude Nattes (illustratore).…

Drawing. Condizione: Near Fine. A large 10.5" x 14.25" original drawing in pencil, pen and ink, inscribed bottom left 'MENNAI BRIDGE', on white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Very minor time discolouration to the extreme edge of the paper, otherwise condition excellent, mounted on museum board. An interesting record of the historic bridge undertaken a few years after its completion in 1826. Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. John Claude Nattes (illustratore).…

Drawing. Condizione: Near Fine. A large 10.5" x 14.25" original drawing in pencil, pen and ink, COUNTRY CHURCH, on white wove paper watermarked 'J. Whatman 1832'. The location is not recorded although the drawing is from a small group of Nattes Kent/Sussex drawings. The church tower is distinctive, as is the memorial to the right of the church, which might possibly help to identify the location. Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. Very minor time discolouration on extreme right edge of paper, otherwise Near Fine, mounted on museum board. John Claude Nattes (illustratore). …

Drawing. Condizione: Near Fine. A large 10.5" x 14.25" original drawing in pencil, pen and ink, inscribed bottom left 'BEDDGELERT September 19th', on white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. An atmospheric drawing capturing a specific moment of early 19th Century Snowdonian Welsh village life. In excellent original condition mounted on museum board. Bears small neat inscription verso relating to another drawing. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. John Claude Nattes (illustratore).…

Drawing. Condizione: Near Fine. A large 10.5" x 14.25" superb original pencil drawing inscribed in pencil bottom right, 'AT TICEHURST SUSSEX', on white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. A consummate pencil drawing in excellent original condition mounted on museum board. Nattes work is represented in the British Museum, the V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. John Claude Nattes (illustratore). …

Drawing. Condizione: Near Fine. A large 10.5" x 14.25" original pen and wash drawing indistinctly inscribed 'BIN.' inscribed bottom left. On white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. A superb atmospheric drawing in excellent condition. Mounted on museum board. Nattes work is represented in the British Museum, the V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. John Claude Nattes (illustratore).…

Watercolour. Condizione: Fine. A large 10.5" x 14.25" original watercolour and wash drawing of a bridge and canal under construction (Grand Union Canal) at Cassiobury. The Cassiobury location was inscribed on the reverse of the adjoining sheet in a small folio of Nates' drawings. On white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. A superb watercolour in perfect condition recording a time of seminal change in English transport. Mounted on museum board. Nattes work is represented in the British Museum, the V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. John Claude Nattes (illustratore). …

Published at 10 guineas. Large folio (50 x 35cm). pp. [iv],86. With 40 fine hand-coloured plates after drawings by Nattes aquatinted by John Hill (some of which watermarked 1813). Light occasional foxing to the text, the plates clean. An excellent untrimmed copy in publisher's marbled boards, rebacked to style with printed label, front endpaper creased. Some light wear to the boards, a little more so to the corners. Modern clam-shell case, felt-lined & with gilt labels. Vg. [Abbey Travel 103; Prideaux 346; Tooley 342; Bohn 155; Alexander 642; Bobins 542; Watt 696a]. …

Softcover. Condizione: New. Reprint. Language: English. Approximately 96 pages. English: Print-on-demand reprint. Original edition : 1805. Text in English. This work is a translation of Sébastien Le Clerc's 'Pratique de la géométrie sur le papier et sur le terrain'. It provides a practical introduction to geometry and perspective, with applications in both theoretical and applied contexts. The book includes numerous plates to illustrate geometric principles and techniques. It offers a practical guide to geometry and perspective, with practical applications in various fields. The volume features numerous plates demonstrating geometric concepts and methods. Book images are non-contractual. This item is printed on demand and ships from our printing partners' facility nearest the destination. These facilities are located mainly in the United States, the United Kingdom and Canada.…

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1805. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 174, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 174 174.…