Condizione: very_good.
Condizione: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects.
Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
Condizione: very_good.
Condizione: very_good.
Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
Condizione: New. Shrink wrapped! A brand new, unused and unread copy in perfect condition.
Condizione: very_good.
Condizione: very_good.
Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
Condizione: As New. Unread book in perfect condition.
Condizione: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects.
Da: Ed's Editions LLC, ABAA, West Columbia, SC, U.S.A.
hardcover. Condizione: Good. Clean, has good binding, no marks or notations, light wear to the dust jacket. LF.
Condizione: As New. Unread book in perfect condition.
Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Oversized Hardcover. Condizione: Good.
hardcover. Condizione: Very Good. 2018 Glenstone Museum Pub. Fine/Like New and unread. Grey cloth hardcover is like new.
Condizione: New.
Hardcover. Condizione: new. Hardcover. This book marks the long-term installation of Robert Gobers (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the works original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condizione: very_good.
Condizione: very_good.
Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
Lingua: Inglese
Editore: Glenstone Museum, Potomac, Maryland, 2018
ISBN 10: 0980108675 ISBN 13: 9780980108675
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condizione: As new. Square Quarto. Hardcover. Strip style jacket. Board are bound in grey cloth with a belly band. 47 pages : illustrations (some color), plans ; 33 c. American sculptor Michael Heizer (born 1944) was among the first artists to reject the white cube gallery space in favor of the open land and majestic vistas of the western United States. Michael Heizer marks the unveiling of 'Collapse' (1967/2016) and 'Compression Line' (1968/2016) at Glenstone Museum. Monumental in scale but composed with rhythm and elegance, the two sculptures individually embody opposing aspects of Heizer's sculptural practice: beams exploding from an unseen depth and a sliver of space compressed so precisely that the viewer is unaware of the vast negative area hidden beneath it. This book includes an interview with the artist, previously unpublished archival images and extensive process and installation photography. Exhibition: Glenstone Museum, Potomac, USA (on permanent display from 18/10/2018).
Condizione: New.
EUR 34,54
Quantità: 4 disponibili
Aggiungi al carrelloHardback. Condizione: New. In his sculptural practice, American artist Charles Ray (born 1953) has long been fascinated by the concept of representation, the depiction of the human form and questions of scale. Known for his keen sense of-and respect for-the uncanny, Ray has carved a widely admired path that crisscrosses the arenas of minimalism and conceptual art, while continually pushing the boundaries of visual perception. This book marks the long-term exhibition of works at Glenstone Museum selected by the artist, including Baled Truck (2013), a sculpture made of solid machined stainless steel, emblematic of the artist's meticulous fabrication process. It also includes a conversation with-and text by-the artist and installation photography.
hardcover. Condizione: Acceptable. Almost fully split spine. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Hardcover with bellyband; 48 pages, tears to bellyband otherwise as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
EUR 36,04
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New. This book marks the long-term installation of Robert Gober's (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the work's original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum.