Neri francesca (52 risultati)

Condizione: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Barnes & Noble Pub Date: 1/1/2007 Binding: hardcover Pages: 191 Reprint edition.

Condizione: Good. Good Condition. Five star seller - Buy with confidence.

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Condizione: Good. Good condition paperback with light wear. Contents are clean and bright throughout with no markings.

DVD. Condizione: Used - Good.

DVD. Condizione: Used - Good.

paperback. Condizione: VERY GOOD. 2006 printing; 192 clean, unmarked, tight pages; very light shelf and corner wear on cover.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Brancaforte, Marcella; Canottiere, Lorena; Neri, Gianluca; Chessa, Francesca; Macchia, Maria Sole; Rivolli, Franco; Stefani, Alberto (illustratore). …

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. A handsome visual survey of Michelangelo Merisi da Caravaggio (1571-1610), tracing his development from his northern Italian beginnings and arrival in Rome through private patronage, major religious commissions, his growing influence, flight across Italy, and turbulent final years. The six chapters - Between Lombardy and Rome; The Favor of Private Patrons; The Great Religious Commissions; Rome: Caravaggio's Sphere of Influence; The Flight Across Italy; and Genius and Disorder - are followed by an index and further reading. The publishers emphasize the book's more than 100 color reproductions, including numerous enlarged details, an especially effective format for studying Caravaggio's dramatic lighting, naturalism, expressions, and handling of flesh and fabric. The 2007 Barnes & Noble edition is 191 pages. Particularly attractive reproductions include Boy with a Basket of Fruit, Boy Bitten by a Lizard, David with the Head of Goliath, The Flagellation of Christ, and numerous dramatic details drawn from Caravaggio's religious paintings. The reproductions were supplied by the Scala Archive, with additional image credits to museums and collections including the Metropolitan Museum of Art, National Gallery, Louvre, Uffizi, Prado, Hermitage, Vatican Museums, Kunsthistorisches Museum, National Gallery of Ireland, and others. The copyright page establishes the publication history quite clearly: © 2004 by Rusconi Libri. This 2007 edition published by Barnes & Noble, Inc. Translated by Alexandra Bonfante-Warren and printed and bound in China. The number line reads: 1 3 5 7 9 10 8 6 4 2, First Barnes & Noble Edition, First Printing, 2007. It is not the first edition of the work, since the copyright identifies the preceding 2004 Rusconi Libri publication. This distinction is worth making because some online records describe the Barnes & Noble issue simply as a 'first edition,' while at least one current bookseller calls it a reprint. Book is Near Fine in publisher's teal-green cloth with gilt spine lettering. Binding tight, square and secure; boards exceptionally clean with only negligible shelf evidence. Interior clean, bright and unmarked, with glossy color reproductions retaining excellent saturation and contrast. No names, inscriptions, bookplates, highlighting or other markings observed. Original pictorial dust jacket Near Fine, bright and complete, with excellent color and only very minor shelf/edge wear. Jacket artwork remains particularly striking, reproducing Caravaggio's The Lute Player across the front. Rear panel clean and bright with publisher's printed price adjacent to the ISBN/barcode. An unusually attractive copy of a book frequently encountered with considerably more handling wear. This edition is especially successful as a detail-study book. Caravaggio's technique depends heavily upon relationships between illumination and darkness, gesture, skin, fabric and facial expression; the designers repeatedly crop paintings to isolate those elements rather than relying exclusively on conventional full-composition reproductions. The dramatic double-page treatment of The Flagellation of Christ visible in this copy is a good example.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Magazine. The April 2009 issue of Interview magazine (Vol. XXXIX, No. 3) with: Sophie Calle interviewed by Louise Neri and photographed by Craig McDean; Ed Ruscha on the collages of Francesca Gabbiani; Marianne Faithful, photographed by Paolo Roversi; Miuccia Prada and Rem Koolhaas; Zac Efron interviewed by Gus Van Zant and photographed by Mikael Jansson; Alison Mosshart; fashion portfolio by Anthony Maule; Amazing Baby; Chris Blackwell; Tommaso Aquilano and Roberto Rimondi; and much more. Edited by Glenn O'Brien. Perfect-bound magazine; 128 pages; color and b&w illustrations throughout; 10 x 13 inches. Condition: Fine with a touch of handling/shelving; no mailing label. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Condizione: Very Good.

Condizione: NEW.

Condizione: NEW.

Condizione: NEW.

Condizione: Very Good. Envoi rapide Très bon état dos un peu jauni intérieur propre. in8. 2006. Broché. Very Good.

Condizione: NEW. Abatzoglu, Valeria; Corradin, Clarissa; Cuomo, Francesca; Di Cara, Giulia; Mancini, Fabio (illustratore).

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condizione: NEW.

paperback. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Condizione: New.

Paperback. Condizione: Brand New. Italian language. 8.82x7.87x0.87 inches. In Stock.

Condizione: new.

Condizione: new. Abatzoglu, Valeria; Corradin, Clarissa; Cuomo, Francesca; Di Cara, Giulia; Mancini, Fabio (illustratore).

Paperback. Condizione: New. New.

Paperback. Condizione: New.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Cartonato. Condizione: fine. Todi, 2005; cartonato, pp. 130, tavv. col., ill. b/n, cm 25x23. La grande Bibbia in due volumi conservata dal 1657 presso la Biblioteca Apostolica Vaticana si distacca nettamente dall'idea classica di codice miniato. Da un lato le sue dimensioni, cm 44,2 x 59,6, e il numero dei fogli, 482 nel primo volume e 622 nel secondo, ne fanno un'opera particolarmente ingombrante, destinata a un sontuoso leggio "da esposizione" più che a una consultazione quotidiana;dall'altro le trentacinque grandi scene miniate che ornano gli incipit dei singoli libri biblici si presentano non già come semplici miniature bensì come vere e proprie opere di pittura incorniciate in un prezioso passepartout pergamenaceo. Più che di un semplice libro, dunque, si può parlare di un particolarissimo monumento alla grandezza di un principe, Federico da Montefeltro, Duca di Urbino, che fece della capitale del suo ducato un centro nevralgico del Rinascimento italiano. La Bibbia, destinata ad essere il più bel codice della biblioteca di Federico, fu scritta da Ugo Comminelli da Mézières e decorata a Firenze nel breve arco di due anni (1477-1478) da Francesco di Antonio del Chierico, miniatore allora all'apice della fama, e da altri illustri nomi della storia della miniatura come Attavante degli Attavanti, Francesco Rosselli e Davide Ghirlandaio, fratello del più noto Domenico. Attraverso questi artisti, confluisce nelle miniature della Bibbia il patrimonio ricchissimo della cultura figurativa del Quattrocento fiorentino. Libro.…