nesbitt lowell (40 risultati)

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft Cover. Condizione: Very Good. First Edition; First Printing. 6 full page color plates. Introduction by William Hemmerdinger. Published on the occasion of the exhibition at Louis Newman Galleries, Beverley Hills, CA, October 12 - 26, 1987. ; Tight and clean. Solid binding. A touch of handling wear to very slightly foxed wraps, otherwise in Very Good condition. No inscriptions. No remainder mark. Not ex-library. ; Oblong 4to.

Paperback. Condizione: Good. Clean text.

Softcover staple bound, 12 pages, very good condition, light wear to covers; no internal marks.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Erste Auflage. 15 x 11 cm. 16 S. OKarton. Zwei kleine Unterstreichungen im Text, eine kleine Notiz, sonst sehr gutes Exemplar. Mit einem Textbeitrag von Udo Kultermann. Enthält 9 s/w Abbildungen.

Softcover. Condizione: Sehr gut. 16 S. mit 9 s/w Abbildungen; Original-Karton; Kl.8°. Sehr gutes Exemplar. Mit einem Text von Udo Kultermann.

Erste Auflage. 15 x 10,5 cm. 16 S. (unaufgeschnitten). Illustrierter OKarton. Einbandkanten mit kleinen Bereibungen, minimal angestaubt. Sonst gutes bis sehr gutes Exemplar. Katalog zur Ausstellung Köln Mai/ Juni 1970 mit ganzseitigen s/w-Abbildungen, Ausstellungsverzeichnis, Bio- und Bibliographie sowie einem Text von Barbara Gold versehen.

Erste Auflage. 15 x 11 cm. 16 S. OKarton. Letzte Seite drei handschriftliche Preisnotizen, sonst gutes Exemplar. Mit einem Textbeitrag von Udo Kultermann. Enthält 9 s/w Abbildungen.

Erste Auflage. 15 x 11 cm. 16 S. OKarton. Sehr gutes Exemplar. Mit einem Textbeitrag von Udo Kultermann. Enthält 9 s/w Abbildungen.

Originalbroschur, 21*21 cm. Condizione: Gut. Unpaginiert [22 S.], 12 Abb. Einband berieben, sonst gut und sehr sauber. Zweisprhig Deutsch und Englisch. - Aus dem Text von Rosewith Braig: Die Malerei von Lowell Nesbitt hat ihren stilistischen Ursprung in der realistischen amerikanischen Malerei der 50er Jahre. Mit Hilfe der Fotografie werden von ihm zunächst die Motive, in enger Zusammenarbeit mit Fotografen, festgehalten. Grundlage seines Arbeitens ist stets das Foto, das von ihm nicht kopiert, sondern, oft erst nach längerer Zeit, malerisch umgesetzt wird. Nesbitt, der zu den wichtigsten amerikanischen Künstlern zählt, die sich mit den verschiedenen Formen des Realismus auseinandergesetzt haben, darf als ein Vorläufer des Fotorealismus bezeichnet werden. / Binding rubbed, otherwise good and very clean. Bilingual German and English. - From the text by Rosewith Braig: Lowell Nesbitt's painting has its stilistic origins in the realistic American painting of the 50's. The motives are first recorded with the help of photography, in close cooperation with photographers. The basis of his work is always the photograph, which he does not copy but, often only after a long period of time, converts into a painting. Nesbitt, who is one of America's most important artists to have grappled with various forms of realism, can be called a forerunner of photorealism. Sprache: Deutsch Gewicht in Gramm: 550.

Exhibition brochure that unfolds to 7 x 21 inches with text on rear including X Ray Series 1963-4 list of 49 works; very good condition; light rubbing.

Condizione: Good. 4to. Single Sheet, Very Good. Four color plates, photograph & biography of artist on verso. "Each aquatint published in an edition of 50 by Marlborough Graphics in 1974." This is a prospectus for a book, not the book itself.

Ausstellungskatalog Reinhard Onnasch Ausstellungen, Berlin 1982. 8°. 12 Bl. OBr. Mit 12 Abb.

Paperback. Condizione: Very Good. Text is LIKE NEW. Very Clean. No writing or tears to text but does have short inscription by artist on front endpaper. Has minor edge wear. 45 pages. Very Scarce.

Condizione: Good. Reproduction of color silkscreen from prospectus for original prints. Single page. 8.5 x 11 inches. Very good. Perforations from binder on side. Color illustration.

Condizione: Good. Reproduction of color silkscreen from prospectus for original prints. Single page. 8.5 x 11 inches. Very good. Perforations from binder on side. Color illustration.

Condizione: Good. Reproduction of color silkscreen from prospectus for original prints. Single page. 8.5 x 11 inches. Very good. Perforations from binder on side. Color illustration.

Condizione: Good. Reproduction of color silkscreen from prospectus for original prints. Single page. 8.5 x 11 inches. Very good. Perforations from binder on side. Color illustration.

Condizione: Good. Reproduction of color silkscreen from prospectus for original prints. Single page. 8.5 x 11 inches. Very good. Perforations from binder on side. Color illustration.

Condizione: Good. Reproduction of color silkscreen from prospectus for original prints. Single page. 8.5 x 11 inches. Very good. Perforations from binder on side. Color illustration.

30 pp.; 28 x 17.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 9 - December 9, 1973. Catalogue prepared by Louise Sperling and Richard S. Field. Artists include Peter Blake, John Clem Clarke, John Constable, Ron Davis, Bill Davison, Peter Dechar, Jim Dine, Michael English, Richard Estes, Eugene Feldman, Joe Goode, Adolph Gottlieb, Bob Graham, Melissa Gurdus, Richard Hamilton, Robert Indiana, Paul Jenkins, Jasper Johns, Alex Katz, Edward Kienholz, Roy Lichtenstein, Lowell Nesbitt, Georgia O'Keeffe, Claes Oldenburg, Kenneth Price, Robert Rauschenberg, John Salt, Andrew Stasik, Frank Stella and Andy Warhol. Includes glossary of printing techniques, time-lines and exhibition checklist. Front and back covers, printed by offset lithography, by Bill Davison, designed as an artwork specifically for the catalogue. Good. Rubbing and scratching of covers with light edge wear and wear to corners. Contents clean and unmarked.

46 pp.; 16.5 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 8 - June 12, 1968. Show organized by Linda Nochlin, and Mary Delahoyd. Artists include Lennart Anderson, Richard Artschwager, William Bailey, Jack Beal, Robert Bechtle, John Button, Larry Day, Richard Estes, Jane Freilicher, Paul Georges, Sidney Goodman, Yvonne Jacquette, Alex Katz, Gabriel Laderman, Alfred Leslie, Sylvia Mangold, D.M. Merrick, Malcolm Morley, Lowell Nesbitt, Don Nice, Philip Pearlstein, Sylvia Sleigh, Vivien Tanner, and Neil Welliver. Text, "The New Realists," by Nochlin. Includes biographies and, checklist for included artists, and some short quotes from Beal, Day, Estes, Freilicher, Goodman, Katz (extended interview), Leslie, Nesbitt, Nice, Pearlstein, Sleigh, and Welliver. Bibliography. Good. "S. Mangold p. 34" written in ink, taped to first inside page. Center fold loose from staple, edge wear to pages.

American artist often associated with the American Realist school, perhaps best known for enormous sensual paintings of various flowers. Signed First Day Cover, 6½" X 3½", cancelled in Fort Valley, Georgia on 23 April 1981 and with "First Day of Issue" boldly stamped. Group of four 18-cent Nesbitt-designed stamp at upper right ("Rose USA," "Camelia USA," "Dahlia USA" and "Lily USA"). Fine. No decorative cachet at left; no distracting recipient's name/address. Near the center at bottom, Nesbitt signs large and bold in blue fineline. Small portion of original transmittal envelope also present.

Condizione: Buone. Catalogo/invito in carta leggera stampata in arancione, ripiegata in tre parti e contenente 3 cartoncini patinati sciolti stampati sui due lati con immagini delle opere esposte sul fronte e breve biografia al retro. Mostra del 18.3.1967. Dim. 19x13 cm Cartoncini sciolti in cartelletta editoriale.

[1] pp.; 27.8 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed April / May 1975 calendar of events for the "Artists Talk on Art" series which took place in SoHo, New York City. "Artists Talk on Art" committee included Lori Antonacci, Bruce Barton, Corinne Robins, Irving Sandler, Doug Sheer and Bob Wiegand. Artists and moderators included Nicolas Calas, Mon Levinson, Pat Mainardi, Therese Schwartz, Robert Slutzky, Babara Aziz, Hank DeRicco, Lenny Horowitz, Irv Kriesberg, David Weinreb, Doris Diether, Charles Leslie, Gerald Ordover, Laurin Raiken, Kathy Silva, Robert Kaupelis, Mel Bochner, Stephen Greene, Mercedes Matter, Lowell Nesbitt, Richard Rubin, Tom Clancy, Mel Edwards, Chris Gianakos, Nancy Grossman, Sal Scarpitta, Julius Tobias, Burt Chernow, Nick Krushenick, Stuart Shedletsky and Shirlann Smith. Very Good. Folded in three as issued with light creasing along right side of bottom fold. Additional light yellowing of bottom left corner of recto and 4 cm. light area of yellowing in upper left of page. Otherwise clean and unmarked.

Köln, Galerie Thelen, 1970. 15 x 10,5 cm. Original wrappers / Softcover. Illustrated b/w. Text in German. 16 pag. With invitation. [Added: Invitations 1973: Galeria Craven, Paris; 1969: Galerie Thelen, Essen.] [Art / international artist [Buitenlandse Kunstenaars] ].

46 pp.; 16.5 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 8 - June 12, 1968. Show organized by Linda Nochlin, and Mary Delahoyd. Artists include Lennart Anderson, Richard Artschwager, William Bailey, Jack Beal, Robert Bechtle, John Button, Larry Day, Richard Estes, Jane Freilicher, Paul Georges, Sidney Goodman, Yvonne Jacquette, Alex Katz, Gabriel Laderman, Alfred Leslie, Sylvia Mangold, D.M. Merrick, Malcolm Morley, Lowell Nesbitt, Don Nice, Philip Pearlstein, Sylvia Sleigh, Vivien Tanner, and Neil Welliver. Text, "The New Realists," by Nochlin. Includes biographies and, checklist for included artists, and some short quotes from Beal, Day, Estes, Freilicher, Goodman, Katz (extended interview), Leslie, Nesbitt, Nice, Pearlstein, Sleigh, and Welliver. Bibliography. Good. Light wear to covers, spine split from bottom edge to top of lower staple. Contents clean and unmarked.

Eine hochwertige und dekorative Farboffsetlithografie - entstanden für eine Ausstellung der Hokin Gallery, Palm Beach, 1.-28.April 1981; in sehr gutem Zustand, kann minimale Randmängel aufweisen; Blattgröße: 91,0 x 59,5 cm; Motivgröße: 56,0 x 54,5 cm. - // Lowell Blair Nesbitt (1933-1993), einer der wichtigsten Künstler der amerikanischen Moderne, oft als photorealistisch bezeichnet, was er nie akzeptierte. Seine surrealen Landschaftsmotive und die floralen Bilder (Tulpen) sind ein fester Bestandteil der Pop-Kunst in Amerika. Gewicht in Gramm: 1200.

Eine hochwertige und dekorative Farboffsetlithografie; mit diesem Bild schuf Nesbitt einen Klassiker der amerikanischen Moderne - entstanden für die Ausstellung der Hokin Gallery, Chicago, 1.- 30. Juni 1976; in gutem Zustand, kann minimale Lagerspuren aufweisen; Blattgröße: 90,0 x 60,5 cm; Motivgröße: 77,0 x 51,5 cm. - / Lowell Blair Nesbitt (1933-1993), einer der wichtigsten Künstler der amerikanischen Moderne, oft als photorealistisch bezeichnet, was er nie akzeptierte. Seine surrealen Landschaftsmotive und die floralen Bilder (Tulpen) sind ein fester Bestandteil der Pop-Kunst in Amerika. Gewicht in Gramm: 1200.