neumann j b (161 risultati)

No Binding. Condizione: Good. ORIGINAL1963 Reprint/Offprint of journal article; softcovers; light creasing of corners of covers and pages; o/w in good condition. Journal.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: VeryGood. A copy that may have been read, very minimal wear and tear. May have a remainder mark.

Softcover. Condizione: Very Good. Spine is sun-faded. ; The Art Lover Library first volume edited and published by J. B. Neumann.

Condizione: Fair. 14 pp., softcover, covers are detached, chipped and age-toned, textually clean. A good reading copy. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condizione: New.

Condizione: New.

Soft cover. Condizione: Very Good. 240 pages. J C Sharman "Myths of military revolution" / Nina Hall and Asa Persson "Global climate adaptation governance" / Julian Germann "Beyond 'geo-economics'" / Daniel H Nexon and Ivor B Neumann "Hegemonic-order theory" (SL#107).

Condizione: good. Hardcover Book.

Hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Good (chipped, soiled). First edition. N.p. [15 pls.]. Text by Neumann on the inside covers. Catalogue issued from Neumann's gallery at 509 Madison Avenue, offering chiefly northern European and Italian old master paintings. Includes works by an unknown 15th-century Austrian master, Bosch, Zurbaran, Rembrandt, Salvator Rosa, Teniers the Younger, van Heemskerck, etc. The Bosch Garden of Heavenly Delights, acquired by the Art Institute of Chicago in 1936, is now attributed to an imitator of Bosch. Neumann's text explains that this catalogue isn't a departure from his interest in modernism, rather a new focus on "some of the older links in the great chain of living art." Can be sent outside the US for less than the default shipping rate.

Condizione: Very Good. 14 pp., original illustrated paper wrappers, soiling and light wear to spine and covers else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Sunned DJ. Inked name of previous owner on front free page. Touch of foxing on top page edges. No other markings in book. Binding is fine.

hardcover. Condizione: Very Good. Cover and edges may have some wear.

Condizione: New.

Self-wrappers, 8 pp. Entire contents of Art Lover, J. B. Neumann's Bilderhefte, Anthologie d'un marchand d'art, vol. 4, no. 1, 1945. Contents in English. Eleven paintings illustrated in black-and-white with commentary, about half "artist unknown" and the rest attributed.

Wraps. Condizione: Very Good. no date, presumed mid 1900s. Brown stiff wraps. First volume of the Art Lover's Library. Unpaginated. Small black and white reproductions of the art of Rodolphe Bresdin throughout. Primarily a visual checklist to various works by Bresdin, preceded by a one page introduction and a laid in sheet discussing the misfortune of Bresdin's work being overlooked and asking for photos of more of his work. Rodolphe Bresdin was a 19th century French engraver, producing works in a somewhat fantasy genre, and gaining interest from Baudelaire and others (Wikipedia). VERY GOOD condition. Minor scuffing and edgewear to the covers. Light toning in the interior, with perhaps a very faint musty odor.

Softcover. off-white string bound wraps; 12 pgs w/ 16 bw illustrations. Includes a collection of Kopman's drawings, oil paintings and gouaches. Back cover has a short essay from Kopman from "The Posthumous Diary Of Glaitus." VG- (light scuffs & smudges to covers; rubbing & creasing to corners. interiors may have light, discolored marks, smudges or burn-like area to lower pg edge--does not affect illustration--otherwise nice & bright).

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Soft cover (stiff wrappers). Beckmann, Max (illustratore). First edition. 48p, over 40 full-page pls. and other ills. No jacket (as issued?). Following the short text are 12 plates of Beckmann's prints, 12 installation photos of the large Beckmann show at the Basel Kunsthalle, and 16 plates of "Recent Work in Paris" (paintings). Also a list of upcoming Beckmann shows in 1931, and photos of the facades of Neumann's galleries in Berlin and Munich. Can be sent outside the US for less than the default shipping rate. Very good (two scrapes on front cover, as shown).

Condizione: Gut. Bll. + 34 S. inkl. Vorwort (W. Grohmann) + Verlagss. u. mit s/w Abbildungen der Werke Rouaults (Gemälde) auf Tafeln. Papier sauber ! * + Karte (Ankündigung) : MAX BECKMANN OEUVRE NEUMANN / FRANKE (Briennerstrasse 10) Sprache: Englisch Gewicht in Gramm: 180 Kl.-4°12,50 small, O(Braunmarmor.-)-LeichtKarton.-Broschur mit Titelvignette - Kl. Stück von unter.-Kapital fehlt am Rücken. Gut erhalten insges. Im Schutzfolie gesichert. Erstauflage für U.S.A. Übersetzung aus dem Deutschen.

Soft cover. Condizione: Good. No jacket. Vol. five only. Good condition considering publication date. Inside is clean and unmarked.

paperback. Condizione: Good. Stapled booklet with sun fading to cover. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

paperback. Condizione: very good(+). 121 illustrations. 1 page of text. 8vo, original stiff brown wrappers, printed label. New York: Neumann, n.d., ca. 1930. Very good (+). First volume of The Art Lover Library. A check list of Bresdin's etchings & lithographs with a plea from the compiler for more information so that a complete Oeuvre Catalogue may be established.

Neumann, J. B., ed. Artlover. Volume Two. J. B. Neumann's Bilderhefte; anthologie d'un marchand d'art. New York: J. B. Neumann etc., 1927, , very good light gray cloth, titles printed on spine, appears to be original publisher's binding, This is no. 492: the artlover issues are printed in 3000 copies each, in bound volumes limited to 500 copies. The Second volume of Artlover contains numbers one through nine. The issues were of slightly different size, the front and rear wrappers of issue one are bound in but the others contain only the inner pages. Appears however to be the original publisher's binding. TEXT FROM ISSUE NINE READS: In introducing this collection of "Artlovers" in book form to the art-loving public in America and abroad, it is our intention to reveal the underlying philosophy that has motivated our activity in collecting and exhibiting works of art. This second volume (the first published in Berlin, 1923) is the result of work begun in 1906, ever guided by the thought, "Ars una species mille". We have consistently sought the essential quality, that strain of aesthetic verity, that permeates every true work of art, be it primitive negro sculpture, wood-cuts of the Middle Ages, or modern contemporary painting, and have chosen our material and arranged our exhibitions to reveal that continuity and homogeneity. At no time have we been content to pander to tradition or fashion, regardless of whether these spurious forms of appreciation have, now and then by chance, aligned themselves with art movements of value. Every decision, every action, has been directed by one fundamental concern - recognition of the duty incumbent upon all to adhere to the principle that there is but one art, that modernity or antiquity in itself neither makes nor destroys it. Rightly chosen works of art accumulate value with the passage of time and the patron who gathers the meritorious products of his contemporaries invests in solid stock. But it is not for this canny wisdom that the collector deserves praise but for his love of beauty and his activity as an artist: - for the creation of a collection is in the nature of the creation of a work of art. Money may buy pictures, but appreciation and taste alone can make a collection of worth. Every canvas, every piece of sculpture, their arrangement, discloses the directing spirit of the creator. The integrity of perception of such men, who, in the face of conservative obliquity, have purchased paintings of the real artists because they loved them and not because of official approval, can never be overestimated. To the man who is interested in art come the greatest riches. His is the wealth of museums, - a wealth that would outdo his capacity for private ownership. To increase his wealth, and by subtle alchemy transform it from the great riches of acquisition to the greater riches of benefaction, is to participate in the creative spirit of our own time: to aid in the establishment in our generation of collections which shall be at once of our time and timeless, a reflection of our lives, and an artistic heritage for the future. An increasingly awakened artistic feeling in the community improves and broadens the life of the community. We wish to be one in the effort to attain that cultural state where everyone will take part in the life of art that it may become, as it will then become, an art of life. Inevitably comes the realization that art can be promoted only with a complete unselfishness. The gallery becomes a shut room, enclosing the collection from all save casual visitors, a few lovers of art, and a selected list of patrons. The gallery idea in its selectivity and seclusion gives way to the desire to satisfy a more universal hunger. The individual gives place to the public. To this end the New Art Circle has. decided to incorporate into a public institution devoted to the stimulation and dissemination of the lasting in art. J. B. Neumann.