Neustein joshua (27 risultati)

Paperback. Condizione: Very Good. Binding sound, text clean, light shelfwear; slight rubbing to extremities. 46 pages. Book.

Paperback. Condizione: Near Fine. Like new with light wear to covers and no marks to text. Albright Annex; Oblong 8vo 8" to 9" tall; 64 pages.

Paperback. Condizione: Very Good. Clean & unmarked plates with vellum endpapers and lightly worn covers. Artist Monographs; Oblong Quarto.

Trade Paperback. Condizione: Near Fine. First Edition. 55, [1] pages. Catalogue of the exhibition at the Center, August - October 1996, featuring various conceptual works. Artist's acknowledgments; essays by Arthur Danto, Jeff Fleming and Susan Lubowsky Talbott; biographical chronology and select bibliography. Slight rubbing and minor nicks to wrappers; slight bumping and creases to corners; else a nearly new copy internally.Over 40 Color & b/w Photographs.…

Condizione: Very Good. 64 pp., Paperback, minor ownership markings to front cover and title page, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. …

Softcover, 64 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Like New. First edition. Large softcover exhibition catalog. 55 pages, color illus, bibliography, list of artist's exhibitions.

Paperback. Condizione: Near Fine. 1st. 45 pages, illustrations (some colour), portrait; 23 cm. Exhibition held at Exit Art, New York, October 24 to November 28, 1987. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. *** Joshua Neustein (born 1940) is a Polish-born American artist active in New York. Size: 8vo. Collectible.…

paperback. Condizione: Acceptable. Acceptable, Reading copy only, with writing/markings, bumps/creasing, and heavy wear. Standard-sized.

Softcover, staple-bound, 14 pages; very good condition; light rubbing to covers; no internal marks.

Softcover, 54 pages, in English and Hebrew, good condition, foxing to outer page edges, no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. 15 pages. Exhibition catalog for a group show that ran April 5 through June 8, 2003. Text by curator Manon Slome. Includes several color illustrations. A near fine copy in stapled wrappers. Scarce, with only 3 copies listed in OCLC.

Condizione: Used - Very Good. VG paperback. 1997 to accompany 'An environmental installation'; 1st edition with B&W illustrations; text in English and Hebrew; spine and cover uncreased; a clean, tidy copy. Used - Very Good. VG paperback.

Soft cover. Condizione: Very Good. 1st Edition. The National Gallery of Contemporary Art, Zacheta: 1997. Quarto. Soft cover. First edition. Pictorial wraps. Bottom edge of the back portion of the text block slightly bent. Book is in very good condition.

paperback. Condizione: Fine. This publication is issued in conjunction with the exhibit held at The National Gallery of Contemporary Art, Zacheta, october-december 1997. Carbon series, Magnetic Field Drawings, Polish Forestes, Documentation of selected works: 1970 - 1996. Foreword by Anda Rottenberg, introduction by Jaromir Jedlinski. Texts by Raphael Rubinstein, Owen Drolet and Maia Damianovic. Biography and bibliography. Numerose ill. in nero e a colori . 8vo. pp. 104. . Ottimo (Fine). . . . Book.…

Condizione: Good. 4to. 20 pp. Very Good. Soft cover. Illustrated paper wraps. Staple binding. Light crease on top corner of verso. Color and B&W plates throughout. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.…

Soft cover. Condizione: Very Good. 1st Edition. 4° - 99-153pp - B/w Photo - reproductions. Exhibition Catalogue: Venice Biennale 1995 The Israeli Pavilion. text in English, Italian and Hebrew. Original wrappers. Previous owner stamp. Very good condition.

paperback. Condizione: Ottimo (Fine). Scritti di Gideon Ofrat, Martin Buber, Yosef Dan, Dorit Levitte-Harten, Menachem Brinker. Numerose ill. in nero. Biografie.Testo in italiano, inglese e ebreo . 8vo. pp. 200 circa. . Ottimo (Fine). . . . Book.

Condizione: Good. [Exhibition catalogue]. 8vo. [Oblong]. [20 pp.]. Soft, stapled white and yellow, purple and gray wraps with white and gray lettering. Very good with marginal edgewear and soiling from use. Black and white plates. Includes text by Worcester Art Museum Director, Richard Stuart Teitz and by Yona Fischer. Catalogue created to accompany the exhibition "Three Israeli Artists: Gross, Neustein, Kupferman" held from September 10 through October 5, 1975 in Worcester, MA at the Worcester Art Museum. First edition. From the Collection of the Art Historian Peter Selz.…

Condizione: Gut. 47 S., With figures. [Katalog zur Ausst. Brandeis University Waltham Mass, 1998]. Kunstausstellungen, Kunstkataloge, Kunstinstallationen, Bilder Guter Zustand / Good condition. Note of ownership. gebraucht; gut Guter Zustand / Good condition. Note of ownership. ha1065355 Sprache: Englisch Gewicht in Gramm: 240 25,5x21 cm, Softcover/Paperback. …

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good.

hardcover. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

IN ENGLISH AND HEBREW. 21x15cm. 91 pages. Softcover. In good condition. The book is in : Hebrew English.

Softcover, 204 pages, in English and Hebrew, as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.…

Paperback. Condizione: New.

1 S. Gr.-4to. An den Kunsthistoriker Siegfried Salzmann (19281993): [] Recently I have returned to some drawings on Carbon Copy paper. Works I had done in the early 70's. These continue the investigations. [] I hate texts by artists about their own work, but I could not resist, due to the years that have elapsed between the first gr[o]up of these and the current group. It had given me time to speculate on them. []". Mit einer Farbstiftzeichnung auf der Textseite von Ihrer Tochter Andrea "age 5". Siegfried Salzmann war von 1971 bis 1984 Direktor des Wilhelm Lehmbruck-Museums in Duisburg und anschließend bis 1993 Direktor der Kunsthalle Bremen.…