new york 2012 (18 risultati)

4to.; illustrated wraps, softcover; one sheet folded into 4 panels, softcover; 5 pages of texts; color illustrations; very good.

Condizione: Good. Auction catalogue. 4to. 59 pp. Sale No. 2650. Lots 1-28. Photographs, color plates. Very good, soft cover.

Condizione: Good. Auction catalogue. 4to. 345 pp. Sale No. 2558. Lots 101-308. Photographs, color plates. Very good, soft cover.

Condizione: Good. Auction catalogue. 4to. 186 pp. Numerous colorful photographs and art work. Very good, soft cover.

Softcover. Condizione: Gut. 8° (180x105 mm.). 1968, 4. printing; new, r. Series: Political Science, 07341. 4. printing, revised edition (originally published as The Great Fear)., 478 p. Softcover. Sprache: Englisch, Good conditions. Slightly worn and faded covers. USADO / GEBRAUCHT / USED. THE COMING REVOLUTION IN LATIN AMERICA In The Great Fear in Latin America, John Gerassi concludes that unless we change our current Latin American policy, unless we realistically face and accept the choice that confronts us, we shall not only see the Far Left win outwe shall accelerate its victory. Charging that our Alliance for Progress prevents true reformsthat those who benefit from it are almost always those in favor of the status quoGerassi views the present governments and societies of Latin America as "decadent, corrupt, immoral, and generally unsalvageable." He asserts that revolution is not only inevitable but necessary for "the reconquest of Latin America by Latin Amer-icans" and, above all, that the United States must radically change its traditional policy toward its neighbors to the south to preserve any kind of meaningful unity of interest in the Western Hemis-phere. "The author [believes] that nothing can be done to save the status quo in the South American coun-tries. He believes, however, that South America can be saved if the United States steps into each country with a realistic program of aid that will build up the nations as self-respecting, self-governing, and self-sufficient communities." The New Yorker ". . . packed with factual information." American Political Science Journal JOHN GERASSI has been the Latin-American corres-pondent for Time magazine and an editor of News-week magazine. He contributes articles to leading newspapers and magazines and lectures fre-quently on Latin America. [política+política internacional+Estados Unidos+Latinoamérica]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 9,85 (original price 11,00) **.

Paperback. Condizione: New.

Condizione: Good. Auction catalogue. 4to. 255 pp. Photographs. Sale No. 2543. Lots 1-350. Very good, soft covers.

Condizione: Good. Auction catalogue. 4to. 107 pp. Photographs, color plates. Sale No. 2763. Lots 801-929. Very good, soft covers.

Condizione: Good. Auction catalogue. 4to. 293 pp. Photographs. Price list loosely inserted. Sale No. 2586. Lots 101-447. Bottom of the spine lightly chipped else very good, soft covers.

Condizione: Ottimo (Fine). Manifesto originale prodotto per la casa discografica Muza Polskie Nagrania. Il manifesto riproduce il marchio "PAGART", agenzia d'arte fondata a Varsavia il 31 dicembre 1956 con l'obiettivo, tra gli altri, di promuovere gli artisti polacchi, e quello della casa disografica Muza Polskie Nagrania . Cm 60x41. . . Ottimo (Fine). . . . Jan Sawka fu un importante pittore ed incisore polacco, emigrato negli Stati Uniti nel 1977 a causa  della sua attività di oppositore al governo polacco. Sawka era una star della famosa scuola di poster polacca e un artista di spicco della controcultura. Tra la fine degli anni '60 e l'inizio degli anni '70, divenne noto in Polonia per i manifesti e le scenografie che disegnava per gruppi teatrali d'avanguardia. Book.

Soft cover. Condizione: Fair. 176 pp, 1001-1243 Lots.

Technic: Color print, colorit: colored, condition: Perfect condition, size (in cm): 58 x 42, Decorative print depicts a Matador. From the serial. A Playboy Portfolio. LeRoy Neiman (born Leroy Leslie Runquist, June 8, 1921 ? June 20, 2012) was an American artist known for his brilliantly colored, expressionist paintings and screen prints of athletes, musicians, and sporting events. Neiman was born in Saint Paul, Minnesota, the son of Lydia Sophia (née Serline) of Braham, Minnesota and Charles Julius Runquist, who were married in 1918, and living at Grasston, Minnesota (Kanabec County) in 1921. He was of Swedish descent. His father deserted his family, and when his mother married his stepfather, John L. Niman (Neiman) in 1926, LeRoy changed to the new surname as well. His mother divorced Neiman about 1935, and married for the third time in about 1940, to Ernst G. Hoelscher, of St. Paul. She died in St. Paul, Minnesota, November 14, 1985, at age 87 years. LeRoy was raised in the Macalester-Groveland, and Frogtown neighborhoods of St. Paul. The home he lived in the longest, from about 1940 to about 1955, still stands at 569 Van Buren Avenue, in St. Paul.

Technic: Color print, colorit: colored, condition: Perfect condition, size (in cm): 63 x 41, Print of a gambling tabel in Las Vegas. From the series .A Playboy Portfolio; LeRoy Neiman (born Leroy Leslie Runquist, June 8, 1921 ? June 20, 2012) was an American artist known for his brilliantly colored, expressionist paintings and screen prints of athletes, musicians, and sporting events. Beginning in 1960, he traveled the world observing and painting leisure life, social activities and athletic competitions including the Olympics, the Super Bowl, the World Series, the Kentucky Derby, championship boxing, PGA and The Masters golf tournament, The Ryder Cup, the World Equestrian Games, Wimbledon and other Grand Slam competitions, as well as night life, entertainment, jazz and the world of casino gambling.

Technic: Color print, colorit: colored, condition: Perfect condition, size (in cm): 43 x 60,5, From the serial- A Playboy Portfolio Decorative print of a bar. LeRoy Neiman (born Leroy Leslie Runquist, June 8, 1921 ? June 20, 2012) was an American artist known for his brilliantly colored, expressionist paintings and screen prints of athletes, musicians, and sporting events. Neiman was born in Saint Paul, Minnesota, the son of Lydia Sophia (née Serline) of Braham, Minnesota and Charles Julius Runquist, who were married in 1918, and living at Grasston, Minnesota (Kanabec County) in 1921. He was of Swedish descent. His father deserted his family, and when his mother married his stepfather, John L. Niman (Neiman) in 1926, LeRoy changed to the new surname as well. His mother divorced Neiman about 1935, and married for the third time in about 1940, to Ernst G. Hoelscher, of St. Paul. She died in St. Paul, Minnesota, November 14, 1985, at age 87 years. LeRoy was raised in the Macalester-Groveland, and Frogtown neighborhoods of St. Paul. The home he lived in the longest, from about 1940 to about 1955, still stands at 569 Van Buren Avenue, in St. Paul.

Technic: Color print, colorit: colored, condition: Perfect condition, size (in cm): 42 x 58, Decorative print of a Roulette table in Las Vegas. From the serial A Playboy Portfolio.LeRoy Neiman (born Leroy Leslie Runquist, June 8, 1921 ? June 20, 2012) was an American artist known for his brilliantly colored, expressionist paintings and screen prints of athletes, musicians, and sporting events. Neiman was born in Saint Paul, Minnesota, the son of Lydia Sophia (née Serline) of Braham, Minnesota and Charles Julius Runquist, who were married in 1918, and living at Grasston, Minnesota (Kanabec County) in 1921. He was of Swedish descent. His father deserted his family, and when his mother married his stepfather, John L. Niman (Neiman) in 1926, LeRoy changed to the new surname as well. His mother divorced Neiman about 1935, and married for the third time in about 1940, to Ernst G. Hoelscher, of St. Paul. She died in St. Paul, Minnesota, November 14, 1985, at age 87 years. LeRoy was raised in the Macalester-Groveland, and Frogtown neighborhoods of St. Paul. The home he lived in the longest, from about 1940 to about 1955, still stands at 569 Van Buren Avenue, in St. Paul.

2. New York, Swann Galleries, 2012, in-8°, ca. 80 nn pp , 119 lots, with coloured & b/w ill., sewn, orig. stiff wrapper. Index.

2. New York, Sotheby's, 2012, in-4°, 27 x 21 cm, 131 pp., 107 lots, with coloured & b/w plates, stapled, orig. wrapper.

67 : 29,7 cm auf getöntem Arches 73 : 56 cm. Unten rechts mit Widmung des Künstlers in Kugelschreiber: For Pierre - my Buddy / Paul April 9, 1961". - Das Papier mit Wasserzeichen Arches und dem Wasserzeichen des Künstlers mit Name und Datum: PAUL JENKINS / 3 Mars / 3 Avril 1961". - Papier leicht gebräunt und verso mit alten Montagespuren. Sprache: en.