nicholas ray director (19 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Robin Arzt (Art Director) (illustratore). 1st Edition/Volume 262. 572 pp. Vol. 262 only! Stated first edition! Over-sized and/or over weight book; may require extra postage. Please note that large and/or heavy items may incur an additional shipping charge. Solidly bound copy and dust jacket with moderate external wear, crisp pages and clean text. Small tear on top of spine of dust jacket.

Two vintage color still photographs from the 1958 film noir, directed by Nicholas Ray. 8 x 10 inches. Near Fine. Grant US. Silver and Ward Classic Noir. Spicer US.

Two vintage British front-of-house cards from the UK release of the 1956 US film. Based on an article by Burton Roueche, about a schoolteacher who becomes dependent on a "miracle" drug with unexpected side effects to his sanity. Credited as screenwriters were Cyril Hume and Richard Maibaum, however the shooting script was entirely reworked by director Nicholas Ray and actor/producer James Mason, who added the first 20 minutes of the film depicting Ed Avery's daily life before being hospitalized. 8 x 10 inches. Very Good plus, several stills with scratches and a few closed tears.

No Binding. Condizione: Very Good. Typed/ Mimeographed sheets (2) printed on rectos only and stapled at top corner. Headed 'Title Sheet on IN A LONELY PLACE From start mark to end of credit titles'. On the reverse of second sheet there are numerous hand written notes about the film by film criticand writer Joel W. Finler. Pages slightly tanned and creased on edges. Nicolas Ray's film noir adaption of a Dorothy B.Hughes story starring Humphrey Bogart and Gloria Grahame.

Soft cover. Condizione: Very Good. Innovative sixties magazine, this issue with cover star Monica Vitti by Ezio Vitale, Tokyo photoreport by William Klein, Bert Stern on the set of Lolita, Adrian Mitchell takes LSD, 'Spy Drama' photo shoot by Terence Donovan, 'Ironbridge' by Ray Gosling and John Bulmer. Some shelf wear to cover and edges, slight roll to spine. Photographs available on request. All books dispatched same or next working day in robust packaging.

Condizione: Algún defecto. **RECOMENDADO: Envío Certificado (sólo 2,90 euros, con número de seguimiento). Así evitarás posibles retrasos o pérdidas por parte de la empresa de reparto. (Con el envío ordinario, Correos suele dejar un aviso en el buzón para recoger el paquete en oficina, y pueden producirse retrasos importantes, incluso pérdidas, especialmente durante el Black Friday, Navidad o las vacaciones de verano).

DVD. Condizione: Very Good. 2006. 6 discs. Disc Quality: Excellent. DVD29.

Two vintage reference photographs from the 1961 film with mimeo snipe and one provenance stamp on the verso of each. A dramatization of the life of Jesus Christ, from his birth in Bethlehem to his crucifixion and subsequent resurrection. Shot on location in Madrid, Spain. 10 x 8 inches. Near Fine.

DVD. Condizione: New. 2006. 6 discs. Excellent condition. Still in shrinkwrap. DVD26.

Collection of 4 vintage studio still photographs from the 1948 film noir. An interesting historical artifact in that each of these has a label with a corrected title reading "They Live By Night" pasted over the original release title, "The Twisted Road." One of the four photos has this label roughly removed in a demonstrative fashion (see images). Based on Edward Anderson's 1937 novel "Thieves Like Us," about an escaped convict who falls in love with a woman who nurses him back to health after he is injured in a robbery. Nicholas Ray's directorial debut, a "doomed lovers" tale that is considered by many to be a forerunner to "Bonnie and Clyde" (1967). Generally 10 x 8 inches. Very Good plus to Near Fine. Criterion Collection 880. Grant US. Rosenbaum 1000. Selby US. Selby US Canon. Silver and Ward Classic Noir. Spicer US.

Vintage portrait photograph of Wanda Hendrix, with a mimeo snipe affixed to the verso noting her role of Pita in the 1947 film noir, "Ride the Pink Horse" (1947). From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Film and television actress Wanda Hendrix appeared in 28 films from 1945 through 1973, and made her first film, "Confidential Agent" (1945) at the age of sixteen. Among the films she is perhaps best remembered include "Ride the Pink Horse" (1947), Miss Tatlock's Millions" (1948), and "Prince of Foxes" (1949). She largely retired from films in 1954 after marrying and worked in live television dramatic anthology shows in the 1950s such as "Pulizer Prize Playhouse," "Robert Montgomery Presents," "The Plymouth Playhouse," "The Ford Television Theatre," "The Revlon Mirror Theater," and "Schlitz Playouse," as well as occasionally appearing in later television series such as "Bat Masterson," "My Three Sons," "Wagon Train," and "Bewitched." 8 x 10 inches. Near Fine. Grant US. Selby Canon. Silver Classic Noir. Spicer US.

Vintage borderless reference photograph from the 1980 documentary, showing director Wim Wenders and his subject, the director Nicholas Ray. Annotations in manuscript ink on the verso. Wenders joins Ray, his friend and hero, in New York City to discuss Ray's dying wish to make a film about a painter with a terminal illness who sails to China to find a cure. A loving tribute. Shot in New York City and Poughkeepsie, NY. 8.75 x 7 inches. Near Fine.

Vintage oversize borderless reference color photograph from the 1980 film. With manuscript ink annotations to the verso noting the film's title. An image and a film that was "meta" before the term was coined, let alone culturally over-saturated. Wim Wenders joins his friend and hero, director Nicholas Ray, in New York City to discuss Ray's dying wish to make a film about a painter with a terminal illness who sails to China to find a cure. A secret classic, and a loving tribute from one filmmaker to another. Shot in New York City and Poughkeepsie, NY. 12 x 10 inches. Near Fine.

Vintage black-and-white borderless photograph of director Wim Wenders filming a scene at Vassar College for the 1980 documentary. With a mimeo snipe on the verso. Wim Wenders joins his friend and hero, director Nicholas Ray, in New York City to discuss Ray's dying wish to make a film about a painter with a terminal illness who sails to China to find a cure. A loving tribute. Shot in New York City and Poughkeepsie, NY. 7 x 5 inches. Near Fine.

Vintage hand-tinted color studio still photograph from the 1955 film. With censorship stamp on the verso. Nicholas Ray's searing study of juvenile delinquency, generational divide, and moral decay in suburban America, loosely based on Robert Lindner's 1944 book "Rebel Without a Cause: The Hypnoanalysis of a Criminal Psychopath." Released less than a month after Dean's death, the film was an enormous success for Warner Brothers and catapulted Dean to icon status, equaling that of Marlon Brando at the time (who was originally intended for the role). Winner of three Academy Awards, including Best Actress for Natalie Wood, Best Screenplay for Ray, and Best Supporting Actor for Sal Mineo. Set and shot on location in Los Angeles. 10 x 8 inches. Very Good plus, with toning and pinholes at the corners. National Film Registry. Ebert III. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Five vintage studio still photographs from the 1980 documentary. Wim Wenders joins Nicholas Ray, his friend and hero, in New York City to discuss Ray's dying wish to make a film about a painter with a terminal illness who sails to China to find a cure. A loving tribute. Shot in New York City and Poughkeepsie, NY. 10 x 8 inches. About Fine.

Vintage reference photograph from the 1955 film, showing James Dean, Natalie Wood, and Sal Mineo walking down a stairway together, with a suit of armor in the foreground. Nicholas Ray's searing study of juvenile delinquency, generational divide, and moral decay in suburban America, loosely based on Robert Lindner's 1944 book "Rebel Without a Cause: The Hypnoanalysis of a Criminal Psychopath." Released less than a month after Dean's death, the film was an enormous success for Warner Brothers and catapulted Dean to icon status, equaling that of Marlon Brando at the time (who was originally intended for the role). Winner of three Academy Awards for Best Actress for Natalie Wood, Best Writing for Ray and Best Supporting Actor for Mineo. Set and shot on location in Los Angeles. 10 x 8 inches. About Near Fine. National Film Registry. Ebert III. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Vintage reference photograph from the 1955 film, showing James Dean with other cast and crew members on the set. Paris dealer stamp on the verso. Nicholas Ray's searing study of juvenile delinquency, generational divide, and moral decay in suburban America, loosely based on Robert Lindner's 1944 book "Rebel Without a Cause: The Hypnoanalysis of a Criminal Psychopath." Released less than a month after Dean's death, the film was an enormous success for Warner Brothers and catapulted Dean to icon status, equaling that of Marlon Brando at the time (who was originally intended for the role). Winner of three Academy Awards for Best Actress for Natalie Wood, Best Writing for Nicholas Ray, and Best Supporting Actor for Sal Mineo. Set and shot on location in Los Angeles. 10 x 8 inches. Very Good plus. National Film Registry. Ebert III. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Vintage black-and-white keybook photograph of director Nicholas Ray on the set of his 1963 film, "55 Days at Peking." Shot by still photographer Dennis Stock, and with a mimeograph snipe on the verso crediting Ray, screenwriter Philip Yordan, and actors Charlton Heston, Ava Gardner, and David Niven, and with a stamp crediting producer Samuel Bronston along with the above noted parties. Ray's last stand, an iconic image. The filming of the epic historical drama took place in and around Madrid, and Ray collapsed during shooting. It was completed by director Guy Green and the film's second unit director Andrew Marton, though Ray was given sole credit on the finished film. It would be the director's last major film. 8 x 10 inches (20.5 x 25.5 inches). With a 3-hole punch on an affixed tab at the left margin as called for. Near Fine.