Nicholson brinsley editor (3 risultati)

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  • Lingua: Inglese

    Editore: Mermaid Dramabook, 1957

    0809007088 / 9780809007080

    • Brossura

    Da: Books Do Furnish A Room, Durham, NC, U.S.A.Books Do Furnish A Room

    Venditore con 4 stelle
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    Condizione: Usato

    EUR 3,60

    EUR 4,72 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibili

    Mass Market Paperback. Condizione: Moderate Edge & Shelfwear. Name on title page, extensive notes on first page. Interiors unmarked. Front corner creased. Binding firm.

    • Rilegato

    Da: Xerxes Fine and Rare Books and Documents, Glen Head, NY, U.S.A.Xerxes Fine and Rare Books and Documents

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    Condizione: Usato - Buono

    EUR 31,49

    EUR 5,20 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibili

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    Condizione: Good. London n.d (c.1900) Fisher Unwin. Sm.8vo., 382pp. plus Fisher catalogue, brown cloth with full dark brown border and lettering on front board and spine. Volume 1 of 3. Good, front hinge tender.

  • Editore: United Kingdom; Bibliolife, 2009., 2009

    Da: Keel Row Books. ABA/ ILAB / PBFA., Whitley Bay, Regno UnitoKeel Row Books. ABA/ ILAB / PBFA.

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    Membro dell’associazione: ABAPBFAILAB

    Condizione: Usato

    EUR 30,01

    EUR 17,43 spedizione 
    Spedito da Regno Unito a U.S.A.

    Quantità: 1 disponibili

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    Facsimile. Octavo, pp. 590. Reproduction of the 1886 edition. Publisher's green softcover. Some minor discolouration to lower edge of pages. Originally published 1548, "The Discoverie of Witchcraft" is an exposé on early modern witchcraft. The volume also contained a small section on how charlatans fooled the public, which is noted to be the first published material on illusions and stage magic. Scot wrote "The Discovery of Witchcraft" with the hope of preventing the persecution of vulnerable groups who were popularly accused of witchcraft, and blamed the Roman Catholic Church for the perpetuation of such wrongful convictions. Scot received widespread criticism of his work, and in fact there remains the popular belief that all obtainable copies of his work were burned upon the ascension of James I to the throne in 1603.