nicol pierre (43 risultati)

Paperback or Softback. Condizione: New. Rapport Sur Les Diff�rens M�moires de M. Br�montier Et Sur Les Travaux Faits Pour Fixer. Book.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Very Good -. FRANKLIN ARBUCKLE Painted Cover (illustratore). PBO - Paperback Original (True 1st). #453 - ALLEN, Ralph (editor) - Maclean's Reader (Anthology; Attractive 'Norman Rockwell' - style Painted cover by Franklin Arbuckle! ; PBO {Paperback Original, or TRUE First Edition}; Uncommon); Famous Humor/Fiction/Poetry/Articles; "Great articles, stories, features from Canada's national magazine." Includes; He was a Love Slave by Pierre Burton; Dan McGrew Died Here by Pierre Berton, Monster in the Celar by Max Braithwaite, The Sport of Death by Jock Carroll, The Day Jake made er Rain by W. O. Mitchell, 2 Humor pieces by Eric Nicol, Valentine for Jackie by Jean Howarth, and MORE. >> Creasing to covers; staining to bottom right corner of book Size: 12mo - over 6¾" - 7¾" Tall. Book.

Condizione: Bueno. : Este encantador libro infantil de la editorial Larousse está diseñado para acompañar a los niños en sus primeros pasos en la lectura. A través de una estructura que asocia palabras con imágenes y divertidas ilustraciones a toda página, la obra invita a los más pequeños a descubrir el placer de leer de una manera amena y visual.Con un texto ligero y una puesta en página aireada, la historia de los pequeños cerditos capta la atención del lector joven, facilitando la comprensión y el aprendizaje. Es una herramienta educativa ideal que combina el entretenimiento con el desarrollo de habilidades lingüísticas tempranas. EAN: 9782036511910 Tipo: Libros Categoría: Infantil y Juvenil|Literatura y Ficción Título: J'apprends à lire avec les petits cochons Autor: Angela Wilkes| Pierre Nicol| Jean-Noël Rochut Editorial: Larousse Idioma: fr Páginas: 30 Formato: tapa blanda.

Softcover. Condizione: Bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2011. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, July 13 (SALE Item)* 99 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Condizione: Very Good +. Condizione sovraccoperta: No Dust Jacket. Not Stated Presumed First Edition. 513 pages. Black lettering on the spine and front cover. Cover is very lightly worn. a very good copy of this book subtitled: Introducion: Organisation de L'Armee Francise Guide des Sources et Bibliographie and put out by the Ministere de la Defense, Etat-Major de L'Armee de Terre and Service Historique. Illustrated with a fold-out map and graphs. Text is in French. This is a heavy book and may require additional shipping charges. Size: 6 x 9.5.

Couverture souple. Condizione: Bon. Littérature. 200 p. Broché. Bon état. Couverture légèrement défraîchie avec infimes rousseurs/taches. Papier légèrement bruni. Infimes rousseurs en tranche de tête. Dos légèrement marqué en tête. in-12°.

Couverture souple. Condizione: Bon. Littérature. 200 p. Broché. Bon état. Couverture légèrement défraîchie avec infimes rousseurs/taches. Papier légèrement bruni. in-12°.

Hardcover. Condizione: Fine. 1st Edition. First edition, hardcover without dust jacket as issued. A clean tight fine copy with no markings. 412 pages. Most essays in English, but some in French. The essays are not bilingual.

Couverture rigide. Condizione: bon. RO80163822: 1991. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 32 pages augmentées de nombreuses illustrations en couleur dans et hors texte. . . . Classification Dewey : 843.0692-Livres d'enfants.

Condizione: New.

Condizione: New. KlappentextrnrnWORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, prov.

hardcover. Condizione: Wie neu. 424 Seiten; 9783110561876.1 Gewicht in Gramm: 1.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. In.

Condizione: New.

Hardback. Condizione: New. The effort to go beyond given knowledge in different domains - artistic, scientific, political, metaphysical - is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions? How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed? In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks?

Condizione: As New. Unread book in perfect condition.

Couverture souple. Condizione: bon. R200006839: 1991. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 39 pages. . . . Classification Dewey : 841-Poésie.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - The effort to go beyond given knowledge in different domains - artistic, scientific, political, metaphysical - is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks ; Forschungsinitiativen zum Thema Avantgarde und Moderne nehmen in der europäischen Forschungslandschaft weiterhin zu. Die experimentellen Literaturen und die Künste in Europa zwischen ca. 1850 und 1950 und ihre Nachwirkungen sind als Lehr- und Forschungsbereiche an den europäischen Forschungsinstitutionen und in den Lehrplänen heutzutage nicht mehr wegzudenken. Avantgarde und Moderne haben sich in den letzten Jahrzehnten zu unterschiedlichen, aber mehrfach miteinander verzahnten Forschungsgebieten entwickelt. Innerhalb der französischen und deutschen akademischen Welt bleibt der Sammelbegriff 'modernism' weniger geläufig - 'die (klassische) Moderne' und 'modernité' fungieren hier als nahe liegende Äquivalente zu demjenigen, was im internationalen Kontext als eine zeitliche und räumliche Ko-Okkurenz künstlerischer Ausdrucksformen und ästhetischer Theorien namhaft gemacht werden kann, die ungefähr zwischen 1850 und 1950 angesiedelt werden kann. Auf ähnliche Weise entfaltet die Bezeichnung 'Avantgarde' eine Reihe häufig widersprüchlicher Konnotationen. Für manche bedeutet die Avantgarde den radikalsten experimentellen Bruch der Künste und Literaturen mit den Darstellungs- und Erzählkonventionen des 19. Jahrhundert: Im frühen zwanzigsten Jahrhundert zeugen davon Avantgardebewegungen wie Futurismus, Expressionismus, Dada und Surrealismus, d.h. Strömungen, die als die 'heroische' Phase der Avantgarde bezeichnet werden können. Für andere gehört die Avantgarde zu einer kulturellen und konzeptuellen Ordnung, die sich weitgehend von der 'modernistischen' unterscheidet oder sogar abhebt: Die avantgardistischen Experimente ab den fünfziger Jahren des zwanzigsten Jahrhunderts kommen in dieser Hinsicht weitgehend ohne modernistische Begleiterscheinung aus. Die Buchreihe Studien zur Europäischen Avantgarde und Moderne möchte der Kompliziertheit der unterschiedlichen europäischen Forschungstraditionen gerecht werden und strebt danach, die breite linguistische, terminologische und methodologische Vielfalt abzudecken. Anhand einer zweijährlichen Sammlung von Beiträgen in englischer, französischer und deutscher Sprache möchte die Reihe nicht nur die französisch-, deutsch- und englischsprachigen, sondern auch die nord-, süd-, zentral- und osteuropäischen Ergebnisse der Avantgarde- und Moderne-Forschung einbeziehen. Die Reihe sammelt die neuesten und ertragreichsten Beiträge zur Forschung und widmet sich der Erforschung der gesamten europäischen Avantgarde und Moderne, ihrer Vorläufer und ihrem Nachklang im Laufe des 19. und 20. Jahrhunderts. Die Studien zur Europäischen Avantgarde und Moderne fördern die interdisziplinäre und intermediale Erforschung experimenteller Ästhetiken und Poetiken und setzen es sich zum Ziel, das Interesse an den kulturellen Zusammenhängen und Kontexten der Avantgarde und der Moderne in Europa anzuregen. Beiträge werden internationalen Experten zur anonymen Begutachtung vorgelegt. Chefredakteure: Sascha Bru (Leuven University), David Ayers (University of Kent), Kate Kangaslahti (KU Leuven), Iveta Slavkova (The American University of Paris).Redaktionsausschuss: Jan Baetens (Universität Leuven), Hubert van den Berg (Universität Groningen), Benedikt Hjartarson (University of Iceland) und Tania Ørum (Universität Kopenhagen).Beratungsausschuss: Dawn Ades (University of Essex), Wolfgang Asholt (Universität Osnabrück), Karlheinz Barck (Zentrum für Literatur- und Kulturforschung Berlin), Henri Béhar (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), Günter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Università luav di Venezia), Endre Bojtár (Central European University, Budapest), Christina von Braun (Humboldt Universität zu Berlin), Peter Bürger (Universität Bremen), Matei Calinescu (University of Indiana), Claus Clüver (University of Indiana), Antoine Compagnon (Collège de France), Maria Delaperri.

Couverture souple. Condizione: bon. R200007121: non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé, environ 10 pages . . . . Classification Dewey : 841-Poésie.

Couverture souple. Condizione: bon. R200006727: 1989. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 58 pages. . . . Classification Dewey : 841-Poésie.

Hardback. Condizione: New. The effort to go beyond given knowledge in different domains - artistic, scientific, political, metaphysical - is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions? How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed? In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks?

429 + pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. Gonzalez-Foerster; "Yvette Brackman," by Michelle Grabner; "Blake Rayne," by Tim Griffin; "Stephen Prina," by David Grubbs; "Anne Daems," by Nakako Hayashi; "Andrea Zittel," by Karl Holmquist; "Jacques Monory," by Bernard Joisten; "Antonio Allegri da Correggio," by Herwig Kempinger; "Stanley Brouwn," by Pierre Leguillon; "Allen Ruppersberg," by Tan Lin; "Tony Feher," by John Lindell; "Rosemarie Trockel," by Stéphanie Moisdon; "Lawrence Alma-Tadema," by Peter Nadin; "Jeremy Deller," by Guillaume Nez; "John Tremblay," by Bob Nickas; "Olaf Breuning," by Michelle Nicol; "Richard Prince," by Glenn O'Brien; "Cerith Wyn Evans," by Hans Ulrich Obrist; "Vija Celmins," by Jeff Rian; "Bas Jan Ader," by Bennett Simpson; "Amy Sillman," by Michael Smith; "Daniel Pflumm," by Wolfgang Staehle; "Jack Goldstein," by Thomas Zummer; "Pierre Leguillon," by Captions; "Particles and Waves," by Laetitia Benat; "The Fish and the Fire," by Andreas Larsson; "Thinking of the Days," by Jin Osashi; "Superstition," by Henry Roy; "Horizontal Terminus," by Banu Cennetoglu; "Amendoin Japones," by Elein Fleiss; "The Most Ridiculous Moment," by Amy Fusselman; "Perfect Ten," by Peter Joseph; "Yours Truly," by Lauren Davis; "The Air Traffic Controller," by Adam J. Maynard; "I Look at Myself in the Mirror," by Edy Poppy; "The Tallest Man in the World," by Natasha Sho; "Saint-Omer," Arnaud Viviant; "General Idea;" "Streets of New York," by Mark Borthwick; "Bug Studio, Bangkok," by Dominique Gonzalez-Foerster; "Kew Gardens, London," by Frederike Helwig; "Excerpts from Forthcoming Book," by Armin Linke; "Habitat, 1998," by Klaus Sherubel; "Burger King, 1998," by Kaus Sherubel; "The Deep Galelry, Tokyo," by Chikashi Suzuki; "China Art Objects Gallery," by Amy Yao and "Jungle Science 2," Jean-Luc Vilmouth. Cover: Maria Finn. Very Good. Light yellowing and scratching of covers with dust soiling and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condizione: gut. 2017. Beyond Given Knowledge : Investigation, Quest and Exploration in Modernism and the Avant-Gardes In deutscher Sprache. pages.

Couverture souple. Condizione: bon. R200102257: 1993. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 144 pages augmentées de nombreuses photos et cartes en couleurs, dans le texte. . . . Classification Dewey : 551.46-Océanographie.