Ninon vinsonneau (29 risultati)

Condizione: New.

Paperback. Condizione: new. Paperback. This volume of Levi-Strauss's writings from 1941 to 1947 bears witness to a period of his work which is often overlooked but which was the crucible for the structural anthropology that he would go on to develop in the years that followed. Like many European Jewish intellectuals, Levi-Strauss had sought refuge in New York while the Nazis overran and occupied much of Europe. He had already been introduced to Jakobson and structural linguistics but he had not yet laid out an agenda for structuralism, which he would do in the 1950s and 60s. At the same time, these American years were the time when Levi-Strauss would learn of some of the world's most devastating historical catastrophes - the genocide of the indigenous American peoples and of European Jews. From the beginning of the 1950s, Levi-Strauss's anthropology tacitly bears the heavy weight of the memory and possibility of the Shoah. To speak of 'structural anthropology zero' is therefore to refer to the source of a way of thinking which turned our conception of the human on its head. But this prequel to Structural Anthropology also underlines the sense of a tabula rasa which animated its author at the end of the war as well as the project shared with others of a civilizational rebirth on novel grounds. Published here in English for the first time, this volume of Levi-Strausss texts from the 1940s will be of great interest to students and scholars in anthropology, sociology and the social sciences generally. Translation of: Anthropologie structurale zaero. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good. Missing. Hardcover ex-library with typical marks shows moderate cover wear. No jacket. Text is unmarked. Ships FAST.

Paperback. Condizione: Brand New. 300 pages. 9.02x5.98x0.59 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New. pp. 424.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. This volume of Levi-Strauss's writings from 1941 to 1947 bears witness to a period of his work which is often overlooked but which was the crucible for the structural anthropology that he would go on to develop in the years that followed. Like many European Jewish intellectuals, Levi-Strauss had sought refuge in New York while the Nazis overran and occupied much of Europe. He had already been introduced to Jakobson and structural linguistics but he had not yet laid out an agenda for structuralism, which he would do in the 1950s and 60s. At the same time, these American years were the time when Levi-Strauss would learn of some of the world's most devastating historical catastrophes - the genocide of the indigenous American peoples and of European Jews. From the beginning of the 1950s, Levi-Strauss's anthropology tacitly bears the heavy weight of the memory and possibility of the Shoah. To speak of 'structural anthropology zero' is therefore to refer to the source of a way of thinking which turned our conception of the human on its head. But this prequel to Structural Anthropology also underlines the sense of a tabula rasa which animated its author at the end of the war as well as the project shared with others of a civilizational rebirth on novel grounds. Published here in English for the first time, this volume of Levi-Strausss texts from the 1940s will be of great interest to students and scholars in anthropology, sociology and the social sciences generally. Translation of: Anthropologie structurale zaero. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: new. Paperback. This volume of Levi-Strauss's writings from 1941 to 1947 bears witness to a period of his work which is often overlooked but which was the crucible for the structural anthropology that he would go on to develop in the years that followed. Like many European Jewish intellectuals, Levi-Strauss had sought refuge in New York while the Nazis overran and occupied much of Europe. He had already been introduced to Jakobson and structural linguistics but he had not yet laid out an agenda for structuralism, which he would do in the 1950s and 60s. At the same time, these American years were the time when Levi-Strauss would learn of some of the world's most devastating historical catastrophes - the genocide of the indigenous American peoples and of European Jews. From the beginning of the 1950s, Levi-Strauss's anthropology tacitly bears the heavy weight of the memory and possibility of the Shoah. To speak of 'structural anthropology zero' is therefore to refer to the source of a way of thinking which turned our conception of the human on its head. But this prequel to Structural Anthropology also underlines the sense of a tabula rasa which animated its author at the end of the war as well as the project shared with others of a civilizational rebirth on novel grounds. Published here in English for the first time, this volume of Levi-Strausss texts from the 1940s will be of great interest to students and scholars in anthropology, sociology and the social sciences generally. Translation of: Anthropologie structurale zaero. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. This volume of Levi-Strauss's writings from 1941 to 1947 bears witness to a period of his work which is often overlooked but which was the crucible for the structural anthropology that he would go on to develop in the years that followed. Like many European Jewish intellectuals, Levi-Strauss had sought refuge in New York while the Nazis overran and occupied much of Europe. He had already been introduced to Jakobson and structural linguistics but he had not yet laid out an agenda for structuralism, which he would do in the 1950s and 60s. At the same time, these American years were the time when Levi-Strauss would learn of some of the world's most devastating historical catastrophes - the genocide of the indigenous American peoples and of European Jews. From the beginning of the 1950s, Levi-Strauss's anthropology tacitly bears the heavy weight of the memory and possibility of the Shoah. To speak of 'structural anthropology zero' is therefore to refer to the source of a way of thinking which turned our conception of the human on its head. But this prequel to Structural Anthropology also underlines the sense of a tabula rasa which animated its author at the end of the war as well as the project shared with others of a civilizational rebirth on novel grounds. Published here in English for the first time, this volume of Levi-Strausss texts from the 1940s will be of great interest to students and scholars in anthropology, sociology and the social sciences generally. Translation of: Anthropologie structurale zaero. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 254 pages. 9.50x6.50x1.00 inches. In Stock.

Condizione: New. &Uumlber den AutorAntoine de Baecque is a historian and film critic and professor of cinema studies at the University of Paris X Nanterre. His books in English include Truffaut: A Biography The Body Politic: Corporeal Metaphor in Rev.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. This volume of Levi-Strauss's writings from 1941 to 1947 bears witness to a period of his work which is often overlooked but which was the crucible for the structural anthropology that he would go on to develop in the years that followed. Like many European Jewish intellectuals, Levi-Strauss had sought refuge in New York while the Nazis overran and occupied much of Europe. He had already been introduced to Jakobson and structural linguistics but he had not yet laid out an agenda for structuralism, which he would do in the 1950s and 60s. At the same time, these American years were the time when Levi-Strauss would learn of some of the world's most devastating historical catastrophes - the genocide of the indigenous American peoples and of European Jews. From the beginning of the 1950s, Levi-Strauss's anthropology tacitly bears the heavy weight of the memory and possibility of the Shoah. To speak of 'structural anthropology zero' is therefore to refer to the source of a way of thinking which turned our conception of the human on its head. But this prequel to Structural Anthropology also underlines the sense of a tabula rasa which animated its author at the end of the war as well as the project shared with others of a civilizational rebirth on novel grounds. Published here in English for the first time, this volume of Levi-Strausss texts from the 1940s will be of great interest to students and scholars in anthropology, sociology and the social sciences generally. Translation of: Anthropologie structurale zaero. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. European Perspectives: A Series in Social Thought and Cultural Criticism; Antoine de Baecque proposes a new historiography of cinema, exploring film as a visual archive of the twentieth century, as well as history's imprint on the cinematic image. Whether portraying events that occurred in the past or stories unfolding before their eyes, certain twentieth-century filmmakers used a particular mise-en-scà ne to give form to history, becoming in the process historians themselves. Historical events, in turn, irrupted into cinema. This double movement, which de Baecque terms the "cinematographic form of history," disrupts the very material of film, much like historical events disturb the narrative of human progress. De Baecque defines, locates, and interprets cinematographic forms in seven distinct bodies of cinema: 1950s modern cinema and its conjuring of the morbid trauma of war; French New Wave and its style, which became the negative imprint of the malaise felt by young contemporaries of the Algerian War; post-Communist Russian films, or the "de-modern" works of catastroika; contemporary Hollywood films that attach themselves to the master fiction of 9/11; the characteristic mise en forme of filmmaker Sacha Guitry, who, in Si Versailles m'à tait contà (1954), filmed French history from inside its chateau; the work of Jean-Luc Godard, who evoked history through his own museum memory of the twentieth century; and the achievements of Peter Watkins, the British filmmaker who reported on history like a war correspondent. De Baecque's introduction clearly lays out his theoretical framework, a profoundly brilliant conceptualization of the many ways cinema and history relate.…

Hardcover. Condizione: New. European Perspectives: A Series in Social Thought and Cultural Criticism; Antoine de Baecque proposes a new historiography of cinema, exploring film as a visual archive of the twentieth century, as well as history's imprint on the cinematic image. Whether portraying events that occurred in the past or stories unfolding before their eyes, certain twentieth-century filmmakers used a particular mise-en-scà ne to give form to history, becoming in the process historians themselves. Historical events, in turn, irrupted into cinema. This double movement, which de Baecque terms the "cinematographic form of history," disrupts the very material of film, much like historical events disturb the narrative of human progress. De Baecque defines, locates, and interprets cinematographic forms in seven distinct bodies of cinema: 1950s modern cinema and its conjuring of the morbid trauma of war; French New Wave and its style, which became the negative imprint of the malaise felt by young contemporaries of the Algerian War; post-Communist Russian films, or the "de-modern" works of catastroika; contemporary Hollywood films that attach themselves to the master fiction of 9/11; the characteristic mise en forme of filmmaker Sacha Guitry, who, in Si Versailles m'à tait contà (1954), filmed French history from inside its chateau; the work of Jean-Luc Godard, who evoked history through his own museum memory of the twentieth century; and the achievements of Peter Watkins, the British filmmaker who reported on history like a war correspondent. De Baecque's introduction clearly lays out his theoretical framework, a profoundly brilliant conceptualization of the many ways cinema and history relate.…