Oliver barstow (30 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. Far more than being about a single artwork, this book participates in the myriad conversations and debates on the meaning of public art. Essays by Mark Gevisser, Mpho Matsipa, Alexandra Dodd, and Jonathan Cane and Zen Marie prise open critical questions about public space in Johannesburg; Oliver Barstowis interviews with the various collaborators on the sculpture?from the commissioning agent to the steelworker?reveal the complexities and challenges of creating such a massive work in so short a time (construction and installation took a mere six weeks); and the extraordinary images by John Hodgkiss of the making of the sculpture, alongside two evocative photo essays on fire walker vendors (by Ben Law-Viljoen) and old city monuments (by Alastair McLachlan), suggest the metaphorical power of Fire Walker as well as the fragile hold of street vendors over their small share of city space. Far more than being about a single artwork, this book participates in the myriad conversations and debates on the meaning of public art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: New.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condizione: Near Fine. Condizione sovraccoperta: Fair. First Edition. 123 pages (complete). A most agreeable copy. The book is housed in a board half-slipcase (as intended). This is scuffed and a little worn, but it is healthy and more than fit for purpose. The thin card dustjacket has wear, rubbing, light marking. It is secure and placid. Within, the book is in near immaculate condition. It is neat, tight, clean, clear, confident - as if almost new throughout. fk. Our orders are shipped using tracked courier delivery services.…

Condizione: New. pp. 123 Illus.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. slp edition. 123 pages. 11.50x8.00x0.50 inches. In Stock.

Condizione: New. 2012. Slp. Paperback. . . . . .

Condizione: New. pp. 123.

paperback. Condizione: Very Good. 1/2 red slipcase.Wraps are rubbed and marked.Internally clean.Excellent binding.Due to weight postal adjustments may be required.[RK]. Our orders are shipped using tracked courier delivery services.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 123.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2012. Slp. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors. British Blonde examines postwar Britain through the changing ideals of femininity that reflected the nation's evolving concerns in the twenty-five years following the Second World War. At its heart are four iconic women whose stories serve as prompts for broader accounts of social and culture change: Diana Dors, the quintessential blonde bombshell; Ruth Ellis, the last woman to be hanged in Britain; Barbara Windsor, star of the Carry On films; and the Pop artist Pauline Boty. Together, they reveal how class, social aspiration, and desire reshaped the cultural atmosphere of the 1950s and 1960s, complicating gender roles and visual culture in the process. Richly illustrated with paintings, photography, film stills, and advertisements, this interdisciplinary and engagingly written study offers a highly original perspective on an era that transformed Britain's visual and cultural identity. vii, 232 pages : illustrations (some colour) ; 26 cm. First edition, first printing. Black boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Hardback. Condizione: New. The first publication of Ernest Cole's photographs depicting Black lives in the United States during the turbulent and eventful late 1960s and early '70sAfter the publication of his landmark 1967 book House of Bondage on the horrors of apartheid, Ernest Cole moved to New York and received a grant from the Ford Foundation to document Black communities in cities and rural areas of the United States. He released very few images from this body of work while he was alive. Thought to be lost entirely, the negatives of Cole's American pictures resurfaced in Sweden in 2017.Ernest Cole photographed extensively in New York City, documenting the lively community of Harlem, including a thrilling series of color photographs, as he turned his talent to street photography across Manhattan. In 1968 Cole traveled to Chicago, Cleveland, Memphis, Atlanta, and Los Angeles, as well as rural areas of the South, capturing the mood of different Black communities in the months leading up to and just after the assassination of Martin Luther King Jr. The pictures both reflect a newfound hope and freedom that Cole felt in America, and an incisive eye for inequality as he became increasingly disillusioned by the systemic racism he witnessed. This treasure trove of rediscovered work provides an important window into American society and redefines Cole's oeuvre, presenting a fuller picture of the life and work of a man who fled South Africa and exposed life under apartheid to the world.…

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condizione: new. Paperback. Far more than being about a single artwork, this book participates in the myriad conversations and debates on the meaning of public art. Essays by Mark Gevisser, Mpho Matsipa, Alexandra Dodd, and Jonathan Cane and Zen Marie prise open critical questions about public space in Johannesburg; Oliver Barstowis interviews with the various collaborators on the sculpture?from the commissioning agent to the steelworker?reveal the complexities and challenges of creating such a massive work in so short a time (construction and installation took a mere six weeks); and the extraordinary images by John Hodgkiss of the making of the sculpture, alongside two evocative photo essays on fire walker vendors (by Ben Law-Viljoen) and old city monuments (by Alastair McLachlan), suggest the metaphorical power of Fire Walker as well as the fragile hold of street vendors over their small share of city space. Far more than being about a single artwork, this book participates in the myriad conversations and debates on the meaning of public art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: New.

Hardcover. Condizione: Brand New. 272 pages. 11.50x0.94x1.20 inches. In Stock.

Hardcover. Condizione: Brand New. 272 pages. 11.50x0.94x1.20 inches. In Stock.

Hardcover. Condizione: Brand New. 272 pages. 11.50x0.94x1.20 inches. In Stock.

Paperback. Condizione: Very Good. minor shelf wear and usage markings. contents are clean and soundly bound. 114 pages. very good condition. [SK]. Our orders are shipped using tracked courier delivery services.

Paperback. Condizione: New.

Paperback. Condizione: New. In 2009, William Kentridge and Gerhard Marx were commissioned to make a public sculpture for the city of Johannesburg, on the occasion of the 2010 Soccer World Cup. Their sculpture was based on Kentridge's drawing of a woman street vendor--known colloquially in Johannesburg as a fire walker--carrying a burning brazier on her head. "Fire Walker" thus stands for the ordinary citizen, whose survival depends on his or her ability to negotiate contested urban terrain. The 36-feet-high figure was installed at the foot of the Queen Elizabeth Bridge, on a site formerly used by street traders and taxi washers. This volume documents the commission and also includes two photo essays on street vendors and old city monuments.…