oppenheim joseph (50 risultati)

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

2 vol. : vol. 1 : 143 pp. ; vol. 2 : 281 pp.; 2 vol. : vol. 1 : 27.6 x 21.2 cm. ; vol. 2 : 27.6 x 21.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, San Diego, July 27 - September 5, 1998. Traveled to Museo de las Artes and Instituto Cultural Cabañas, Guadalajara, México, September 10 - November 22, 1998; Museo de Monterrey, Mexico, February - April, 1999; Museo Universitario Contemporáneo de Arte, Mexico City, April - June, 1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de Compostela, Spain, July 10 - September 5, 1999 and Sala Amos Salvador, Logroño, Spain, November 1999 - February 2000. Volume one texts by Elizabeth Armstrong, Julian Zugazagotta, and Kevin Power. Volume two texts by Karal Ann Marling and an interview with Ralph Rugoff by Tom Patchett. Texts about the artists in the exhibition, in both volumes, by Tania Owcharenko Duvergne, Rita Gonzalez, Melissa Ho, Karal Ann Marling, Holly Myers, and CC:Collector's Comments. Artists (A - L, Vol. 1) include Janine Antoni, John Baldessari, Beattie & Davidson, Joseph Bertiers, Joseph Beuys, Dominique Blain, Chris Burden, Mónica Castillo, Chema Cobo, Meg Cranston, Georganne Deen, Georganne Delvoye, Marcel Duchamp, Nicole Eisenman, Fluxus, Llyn Foulkes, Robert Gober, David Hammons, David Ireland, Ray Johnson, Mike Kelley, Martin Kippenberger, Rachel Lachowicz, Sherrie Levine, and Charles Long. Artists (M - Z, Vol. 2) include Daniel J. Martinez, Paul McCarthy, Cady Noland, Manuel Ocampo, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Rubén Ortiz Torres, Burt Payne 3, Raymond Pettibon, Alan Rath, Charles Ray, Man Ray, Edward Ruscha, Cindy Sherman, Kiki Smith, Mark Tansey, Fred Tomaselli, Andy Warhol, John Wesley, and Christopher Wool, as well as Americana, Neon Signs, and Vernon Kilns Dinnerware. Texts in English and Spanish. Very Good. Yellowing and light soiling of covers with light bumping of corners. Light yellowing of pages. Two-volume set. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.

Condizione: New.

Condizione: New. In.

Paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Soft cover. Condizione: Very Good. Soft cover book in very good condition. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z/Be : 200 Seiten, 89 Abb. gebunden - »Zeitmaschine« erweist sich als ebenso programmatischer wie lustvoller Beitrag zur Diskussion von Vergangenheit, Gegenwart und Zukunft des Kunstmuseums.

BOX SET - Paperback. Condizione: Fine. First Edition, First Printing. Primary Information, 2010. BOX SET (The boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback). First Edition, First Edition. Limited Edition 1/1000 copies.Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968. At the time, Sharp was a New York-based independent curator and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. For many artists, publication in Avalanche preceded a one-person gallery or museum show. Aside from an eight-page news section, the editorial content included only interviews, artists' texts and documents of art and art making. All interviews were conducted by Sharp, Béar or done jointly. Among the featured artists were Vito Acconci, Joseph Beuys, Hanne Darboven, Walter De Maria, Jan Dibbets, Philip Glass, Barry Le Va, Sol LeWitt, Richard Long, Gordon Matta-Clark, Bruce Nauman, Dennis Oppenheim, Yvonne Rainer, Keith Sonnier, Richard Serra, Robert Smithson, William Wegman, Lawrence Weiner and Jackie Winsor. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback. CONDITION: Fine (the set)[ Housed in a Near Fine box showing ,oderate rubbing to panels from shelf wear.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condizione: Good. Brock, Rene Bull, Joseph Simpson. 1911 B00K: /GOOD/ (illustratore). B00K: /GOOD/ $2,400.17, Reduced From. the STRAND MAGAZINE: an ILLUSTRATED M0NTHLY, V0L. XLII, July to December. Arthur Conan Doyle; P. G. Wodehouse; E. Phillips Oppenheim; Mrs. Baillie Reynolds; NEWNES, George Brock, Rene Bull, Joseph Simpson. GE0RGES NEWNES, LTD. 1911 Blue Colored Cloth Spine With Title In Polished Gold Rectangle, Hard Cover B00K: /Good/, Shelf, Edge And Corner Wear, 800 Numbered Pages, Printed On Off White Paper, Browning On Edges, In Very Good/, Condition, That Were Lightly Viewed And Are Clean And Tight To The Spine, Slight Wear. Spine Is Weak. Image On Page 609, Is Included. Arthur Conan Doyle on one side and featuring a portrait of Sherlock Holmes, THE DISAPPEARANCE OF LADY FRANCES CARFAX, by Arthur Conan Doyle. Arthur Conan Doyle titled ONE CROWDED HOUR, plus P. G. Wodehouse, E. Phillips Oppenheim, and Mrs. Baillie Reynolds. Also illustrations by Brock, Rene Bull, Joseph Simpson. D/j: None. Description, Applies To This Book, ONLY. This Book Is Hard To Find, Will Be Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. World Wide Shipping, AVAILABLE.

Encuadernación de tapa dura. Condizione: Nuevo. Condizione sovraccoperta: Como Nuevo. Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Düsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

80 pp.; 27.5 x 20.8 cm.; sewn bound; black-and-white; edition size 3500; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Stedelijk Museum, Amsterdam, December 21, 1979 - February 10, 1980. Traveled to Museum Boymans van Beuningen, Rotterdam, February 29 - April 13, 1980 Kölnische Kunstverein, Köln, April 30 - June 1, 1980 and Museum voor Hedendaagse Kunst, Gent, June 15 - August 30, 1980. With a foreword by Edy de Wilde, and texts by Dorine Mignot, Ursula Wevers, and the artist. Profusely illustrated in color and black-and-white, featuring many video stills. Artists include Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alghiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Gilbert & George, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Rückriem, Richard Serra, Robert Smithson, Franz Erhard Walther, Lawrence Weiner, Gilberto Zorio. Includes statements and descriptions of works, biography, and bibliography. Texts in Dutch and English. Very Good / Fine. Light cover wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condizione: Fine. First Edition, First Printing. Miami, FL: Tra Publishing, 2019. Black hardcover with silver gilt-stamped boards. First Edition. Unpaginated with numerous b&w and color illustrations and photographic reproductions throughout celebrating several iconic villians lairs throughout modern film history (i.e. Star Wars, 007, Doctor Strangelove, Superman, Diabolik, Lethan Weapon, North by Northwest, The Incredibles, et alia): from futuristic fantasies to deathtrap-laden hives, from dwellings in space to those under the sea, pop culture and architecture join forces in these outlandish, primarily modern homes. Includes several essays in English like "Why do bad guys live in good houses?" that ponder why big-screen villains often live in architectural splendor; or ask, from a design standpoint, how th villain's lair as popularized in many of our favorite movies offers a stunning, sophisticated, envy-inducing expression of the warped drives and desires of its occupant. BOOK CONDITION: Fine; a solid, tight, clean copy showing hints of rubbing to silver gilt on cover title.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Softcover. Condizione: Gut. Band 2. 123 Das Buch behandelt das Werk von Lukas Cranach dem Älteren und umfasst Gemälde, Zeichnungen und Druckgrafiken. Es wurde anlässlich einer Ausstellung in Basel veröffentlicht. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-415-8/8-00774586 Sprache: Deutsch Gewicht in Gramm: 849.

Condizione: very good. Vito Acconci, Joseph Beuys, William Wegman, Ulricke Rosenbach, Chris Burden, Dennis Oppenheim, Willoughby Sharp, Keith Sonnier, Richard Serra, Robert Bell,112 Greene Street Video Performance, Avalanche, New York, 1974.280 x 217mm. 2pp broadsides, printed black on white stock, folded twice for mailing.Notes on back of first page in black biro, presumably from one of the talks. Exhibition organised by Willoughby Sharp of video performances which also includes readings, game theory, live performance and simultaneous viewing situations. Pinholes to top. Condition: Overall Very Good.

Condizione: Fine. Clean and unmarked. [20] pp.; 28 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of "SMS: The Portable Museum of Original Multiples in 6 Portfolios Published in 1968 by The Letter Edged in Black Press," held October 11 - December 11, 1988. Essay by Carter Ratcliff. Includes brief discretion of each element by every artists who contributed to the six S.M.S. issues including Irving Petlin, Su Braden, James Lee Byars, Christo, Walter de Maria, Kasper König [Kaspar Koenig], Julien Levy, Sol Mednick, Nancy Reitkopf, La Monte Young, Marian Zazeela, Marcel Duchamp, Nicolas Calas, Bruce Conner, Marcia Herscovitz, Alain Jacquet, Ray Johnson, Lee Lozano, Meret Oppenheim, Bernard Pfriem, George Reavey, John Battan [John Sebastian Matta], Aftograf, Enrico Baj, William Bryant [Billy Copley), Dick Higgins, Joseph Kosuth, Ronnie Landfield, Roland Penrose, Man Ray, H.C. Westermann, Hannah Weiner, Terry Riley, Robert Stanley, Arman, Paul Bergtold, John Cage, Robert Watts, Princess Winifred, Hollis Frampton, On Kawara, Roy Lichtenstein, Lil Picard, Domenico Rotella, Congo, William Anthony, Wall Batterton, CPLY [William Copley], Edward Fitzgerald, Neil Jenney, Angus MacLise, Bruce Nauman, Yoko Ono, Mel Ramos, William Schwedler, Diane Wakoski, Lawrence Weiner, Richard Artschwager, Ed Bereal, Diter Rot [Dieter Roth], Betty Dodson, Ronoldo Ferri, John Giorno, Toby Mussman, Adrian Nutbeam, Claes Oldenburg, Mischa Petrow, Jean Reavey, and Bernar Venet.

Nicholson & Warson: LONDON [26, Manchester Square] / PARIS [67, rue des Saints-Pères; puis 21, Boulevard Montmartre] [Presses de Gérard & Cie, Verviers / Brodard et Taupin, Coulommiers-Paris / Love & Malcomson, Redhill] - 1947, 1948, 1949, 1950 - Br.17,5x13 cm - ENSEMBLE DE 48 TITRES + 16 doublons - Couvertures laquées noir et blanc et une couleur illustrée, dos numérotés / puis à partir du N° 53couverturesune couleurs avec jaquette noir et blanc et une couleur illustrée, dos numérotés; pagination variable. (Collection La Tour de Londres / Le Livre Plastic). Quelques couvertures défraîchies; pelliculage fragile aux dos. L'ENSEMBLE DES 48 TITRES + 16 doublons, en bon état général (voir descriptif). N° (2) - SIR JASPER SLANE ET SCOTLAND YARD (Slane's long shots) [Septembre 1947, seconde édition française - P. Oppenheim, traduit de l'anglais par Roger Loriot - 209 et (3) pages - Couverture défraîchie; bon état par ailleurs]. *****___***** N° (3) - LA MORT DU PETIT POISSON (Away went the little fish) [Mai 1947, première édition française - M. Bennett, traduit de l'anglais par M. C. - 318 et (2) pages - Dos défraîchi; bon état par ailleurs]. *****___***** N° (4) - MICK CARDBY JOUE ET GAGNE (Death before honour) [Juin 1947, première édition française - D. Hume, traduit de l'anglais par Hélène Meyer - 207 et (5) pages - 3 exemplaires: bon état; couverture défraîchie pour le 3e]. *****___***** N° 5 - LE DRAGON CREUX (The new adventures of Ellery Queen) [Novembre 1947, seconde édition française - E. Queen, traduit de l'anglais par Alain Glatigny - 286 et (2) pages - Bon état]. *****___***** N° 6 - LE DUC EST UN ASSASSIN (Cloud of witness) [Avril 1947, première édition française - D. Sayers, traduit par Roger Loriot - 267 et (5) pages - Bon état]. *****___***** N° 8 - SEPT ÉTRANGERS (Port of seven strangers) [Août 1947, première édition française - K. M. Knight, traduit de l'anglais par Claude Janvier - 218 et (6) pages - Bon état]. *****___***** N° 9 - LA COURONNE MORTUAIRE (Heading for a wreath) [Octobre 1947, première édition française - D. Hume, traduit de l'anglais par J. Lengit - 206 et (2) pages - Bon état]. *****___***** N° 10 - L'ASSASSIN FRAPPE 3 FOIS (Run for your life!) [Novembre 1947, première édition française - M. Stark, traduit par Roger Loriot - 173 et (3) pages - Bon état]. *****___***** N° 11 - OURAGAN (The white dress) [Décembre 1947, première édition française - M. G. Eberhart, traduit de l'anglais par Maurice Azoulay - 157 et (3) pages - Couverture défraîchie, bon état par ailleurs]. *****___***** N° 12 - MEURTRES DANS LA SOIE (The big midget murders) [Janvier 1948, première édition française - C. Rice, traduit de l'anglais par Cécile Seresia - 318 et (2) pages - 2 exemplaires: bon état, couverture défraîchie pour le 2e]. *****___***** N° 13 - 12 [ou] DOUZE BALLES DANS LA PEAU (I'll get your for this) [Mars 1948, première édition française - J. H. Chase, traduit de l'anglais par Alain Glatigny - 286 et (2) pages - Bon état]. *****___***** N° 14 - SERVICE SECRET ("S - s - s - sh!") [Mars 1948, première édition française - K. M. Carmel, traduit de l'anglais par Cécile Seresia - 254 et (2) pages - Bon état]. *****___***** N° 15 - LE JOURNALISTE EST MORT (Dead man's chest) [Mai 1948, première édition française - P. Capron, traduit de l'anglais par Henri Demeurisse - 25 et (3) pages - 3 exemplaires: bon état, couverture défraîchie pour les 2 autres]. *****___***** N° 16 - RENDEZ-VOUS AU MEXIQUE (Cargo of fear) [Juin 1948, première édition française - J. L. Currier, traduit de l'anglais par Alain Glatigny - 230 et (2) pages - 2 exemplaires: bon état, couverture abîmée pour le 2e]. *****___***** N° 17 - MEURTRE SANS CADAVRE (Case without a corpse) [Juillet 1948, première édition française - L. Bruce, traduit de l'anglais par Claude Janvier - 222 et (2) pages - Dos défraîchi, bon état par ailleurs]. *****___***** N° 18 - LE CHÂTEAU MAUDIT (Kidnap castle) [Juillet 1948, première édition française - S. Styles, traduit de l'a.

Softcover art journal, 95 pages; in English and German; very good condition; covers toned; no internal marks. with Joseph Beuys on cover and sections on: a Joseph Beuys Action; "Land Art Earth Works" with Dennis Oppenheim, Robert Smithson, Peter Hutchinson, Michael Heizer, Richard Long; and sections on Lothar Baumgarten, Nam June Paik, Buckminster Fuller, Dan Graham and others. Foreign shipping may be extra.

36 pp.; 42.5 x 29 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; May / June 1974 issue of Avalanche Newspaper, edited by Liza Beár. This issue focuses on a series of events presented at 112 Greene Street as the Video Performance exhibition. Contents "Joseph Beuys: Public Dialogue," a transcript of the first hour of Beuys' first U.S. performance at the New School; "William Wegman: Pathetic Readings," a complete transcript of Wegman's first audiotape with video installation; "Ulrike Rosenback: Isolation Is Transparent," Statements on her first live video performance in New York written by the artist; "Chris Burden: Back To You," an interview on Burden's first New York performance by Liza Béar; "Dennis Oppenheim: Recall," an interview on Oppenheim's video installation; "Willoughby Sharp: HELP!" The Mighty Mogul interviews Willoughby Sharp; "Moments at 112 Greene," Photographs of audience and artists taken by Cosmos during the Video performance exhibition; "Vito Acconci: Command Performance," an interview concerning this and other recent work by Liza Béar; "Keith Sonnier: New York-L.A. Hook Up," an interview about his audio work by Liza Béar "Richard Serra & Robert Bell: Prisoner's Dilemma," separate interviews with Serra and Bell by Liza Béar on a two-part video production (pre-recorded and live) based on game theory. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. Good. Folded in two as issued. 4.5 cm. tear to recto along right side edge of fold line with rubbing along fold line. 8 mm. red staining to recto. 1.2 cm. loss and tearing to spine edge at fold line. 4 mm., 3 mm. (x 2), 2 mm., 5 mm. tears to spine edge. Light yellowing of covers. Contents clean and unmarked.

Erstausgabe, 4°, 288 S. mit Buchschmuck und s/w- und Farbabbildungen, Leineneinband (Hardcover) mit goldener Deckelbeschriftung, Einband leicht berieben, inneres Gelenk zwischen Vorderdeckelinnenseite und Vorsatzseite sowie zwischen hinterer Vorsatzseite und Rückdeckelinnenseite mit Klebeband verstärkt, Seitenränder in Teilen bestoßen, Seiten zum Teil ein wenig fingerspurig und mit vereinzelten kleinen Fleckspuren, sonst altersgemäß gutes Exemplar Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.