original drawing (763 risultati)

No Binding. Condizione: Fair. publisher, Woodbridge Suffolk, Snape Maltings, Original Drawing by John Western,sent in 1987 from, Norwich,to,Dulwich,London, crease continuing from top to midway right edge,check scan before purchasing,

Stapled Wraps. Condizione: Good. Original Drawing by Anthony Ravielli. (illustratore). Stapled wraps with graphic designed cover. 8.25 inches tall; 8 pages; illustrated golf tips and Tips from Ford on Getting top performance from your car. Carefully handled, modestly age-toned. Chip on the top front corner. An advertising piece from Ford Motor Company with golf tips. The center fold highlights Ford's Thunderbird and Starliner and the Ford V-8 on the rear cover.

Soft cover. Condizione: Very Good. English translation from the original Italian text Catherine Frost ; drawing and maps Enrico Albisetti, Sergio Biagi. (illustratore). Pbk, 383 pages : colour illustrations ; 28 cm. A clean unmarked copy in very good condiiton. Contents : Pt. 1. What is architecture? -- People and space -- Buildings and typologies -- Techniques, materials, and structures -- Pt. 2. Civilizations, architectural acheivements, outstanding figures. [Architecture History] w95 / m16602.

Neat amateur drawing in a bevelled light-grey mount. Mount window size: 250 x 160mm, mount overall 350 x 280mm. In very good condition. 35 x 28 cm.

Hardcover. Condizione: Good ++. Condizione sovraccoperta: No Dustjacket. Illustrated by Charles Pears' Character Studies and two coloured reproduction from an original drawing by Fred Barnard (illustratore). 392 pages. No dustjacket. lllustrated with Charles Pears' character studies. Colour frontispiece & B&W plates. Spine is colour-faded so now pale beige. Light damp blanching to fore-edge of both boards. many of the top edge of pages are uncut. Browning to both sets of endpapers and bottom edge of some pages are not cut flush with others. Pages o/w clean and tidy.

In ivory and gold frame with ivory ruled mount. Mount window size: 280 x 205mm, frame overall: 225 x 270mm. Appears in excellent condition but not examined out of the frame. 22.5 x 27 cm.

1904, Botany, Ginn & Co., The Athenaeum Press, 196 p.good cloth, hinges slightly cracked, no jacket.

A 15th century half-timbered house now in the care of English Heritage. In a bevelled mid-grey mount. Mount window size: 200 x 150mm, mount overall: 315 x 250mm. In good condition, although the paper is toned. 31.5 x 25 cm.

No Binding. Condizione: Good. Brandard, R., engraved by (illustratore). Summary: A view of one large boat and two small boats in the center, in the harbour at Swansea with a few dwellings, hills and a mountain in the background. This is a black and white steel engraving, possibly 1834, London. This item is being sold unframed, in an acid-free mylar envelope.

Framed & glazed in a Hogarth style frame. Appears in good condition but not examined out of the frame. Overall 270 x 325 mm. 27 x 32.5 cm.

Embossed Binding. Condizione sovraccoperta: No Dust Jacket. Full Color Illustrations (illustratore). Reprint. Hardback : hard cover edition in good to better condition, a typical used book with slight wear to edges and spine. Overall good / nice copy of this scarce title. Excellent reading on the subject. A good book to enjoy and keep on hand for yourself, or would make a GREAT GIFT for the fan / reader in your life. Reading is one of the great pleasures in life. Inscribed to Sarah Lynn Main, summer 1986. Some soil on upper spine. Please send us a note if you have any questions. Thank you. SIGNED & INSCRIBED By Author. Book.

Framed & glazed in a Hogarth style frame. The mount is a little creased, see image, but otherwise appears in good condition but not examined out of the frame. Overall 270 x 325 mm. 27 x 32.5 cm.

Single print. London. A view of the nineteenth-century (1826) Shot Mill south-west of Waterloo Bridge a site now the home of the Hayward Gallery, the Royal Festival Hall, etc. Original antique steel line engraving on paper with later hand colouring. Jones & Co., 1829. Supplied in an ivory bevel cut mount with silver ruling. Very nice condition. Originally produced for Shepherd's series "Metropolitan Improvements; or London in the Nineteenth Century" (London : 1827-1830). 24.5 x 22 cm.

Single print. London. Fine antique print of the canal at Little Venice with the Maida Vale tunnel entrance next to the then pump house. Barges mainly being poled although one is being towed by a horse that looks more at home on the race track than towing a heavy barge! Original antique steel line engraving on paper with later hand colouring. Jones & Co., 1828. Supplied in a dark green bevel cut mount. From Shepherd's part-work series "Metropolitan Improvements; or London in the Nineteenth Century" (London: 1827-1830). 26.5 x 22.5 cm.

No Binding. Condizione: Very Good. REV. W.F. FRANCIS (illustratore). 1st Edition. A splendid 1864 copy of a pencil drawing printed for the Anastatic Drawing Society . AN ORIGINAL PRINTED IN 1864 Mounted (matted) and ready to frame . Very good condition . Drawn by - a splendid illustration of MEASURES 8 X 11 INCHES , 28.5 X 20 CMS OF.ANCIENT PARISH CHEST IN THE CHURCH OF ST. JOHN BAPTIST IN CHEVINGTON.

No Binding. Condizione: Near Fine. 1st Edition. Original Lithograph.7 5/16 X 5 9/16". One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.

No Binding. Condizione: Good. 1st Edition. Original Lithograph. Browning. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. The Reverend Thomas Price (2 October 1787 - 7 November 1848) (Known By The Bardic Name Of Carnhuanawc) Was A Historian And A Major Welsh Literary Figure Of The Early 19Th Century. Price Was Also "An Essayist, Orator, Naturalist, Educationalist, Linguist, Antiquarian, Artist And Musician". He Contributed To Learned And Popular Journals And Was A Leading Figure In The Revival Of The Eisteddfod. Lowes Cato Dickinson (1819 - 1908) Was An English Portrait Painter And Christian Socialist. He Taught Drawing With John Ruskin And Dante Gabriel Rossetti. He Was A Founder Of The Working Men's College In London. Dickinson Obtained His First Apprenticeship With His Father, A Bond Street Lithographer And Art Publisher, After Attending Topsham School, And Dr Lord's School In Tooting. ]After His Father's Death In 1849, He Became A Partner With His Two Eldest Brothers, Gilbert Bell Dickinson And William Robert Dickinson, In The Firm Of Dickinson Brothers Of Bond Street. As Well As Continuing To Publish Lithographs, The Firm Were Photographers, By Appointment To Queen Victoria, And Many Of Dickinson's Portraits Were Painted From Photographs (When Portraits Were Required Of People Too Busy To Sit For Them, Abroad, Or Dead). Dickinson Frequently Painted Only The Faces, With Other Artists Hired To Paint The Clothes. Some Of Dickinson's Group Pictures Were Also "Subscription Pictures", In Which People Would Pay To Have Themselves Portrayed More Or Less Prominently In The Painting. He Corresponded And Worked With The Central Participants Of The Pre-Raphaelite Brotherhood. Lecturing With Both Dante Gabriel Rossetti And John Ruskin. He Had A Studio In The Same Building As John Everett Millais And Taught Ford Madox Brown, Who Worked For A Time At Dickinson Brothers. Before Touring Italy For Three Years Around 1850, He Had Exhibited At The Royal Academy, At Which Exhibited Every Year, Except Three, Between 1848 And 1891. With Other Christian Socialists, Dickinson Founded The Working Men's College, London, In 1854,[8] A College To Provide A Liberal Education For Artisans. He Was An Enthusiastic Follower Of The Christian Socialist Movement, And Painted Other Christian Socialists. Other Subjects For Portraits Included Queen Victoria, The Prime Minister And His Cabinet, George Eliot, And Scientists Such As Arthur Cayley, William Thomson, Sir George Stokes And James Clerk Maxwell.

No Binding. Condizione: Very Good. 2nd Edition. Original Lithograph,9 3/8" X 6 7/8". First Published 1830 In Scenes Of Chartsowrth, As One Of Six Plates; This Example Is A Reprint In 1831 For Rayner's "Sketches Of Derbyshire Scenery". Some Foxing In Decorated Margins. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Samuel A. Rayner ( April 1806 - 1879) Was An English Landscape Artist, Known For His Paintings Of Buildings And Their Interiors, Including Abbeys, Churches And Old Mansions. He Achieved The Distinction Of Having A Work Accepted For Exhibition At The Royal Academy At Only 15 Years Of Age. His Wife, Ann Rayner, Was An Engraver On Ashford Black Marble And Six Of Their Children Went On To Be Professional Artists. James Duffield Harding (1798 - 1863), Was An English Landscape Painter, Lithographer And Author Of Drawing Manuals. His Use Of Tinted Papers And Opaque Paints In Watercolour Proved Influential. Harding Was Born At Deptford In 1798, The Son Of A Drawing-Master Who Had Been A Pupil Of Paul Sandby. He Was Taught Perspective By His Father, And Had Lessons From Samuel Prout. At The Age Of Thirteen He Exhibited Two Drawings Of Buildings In The Style Of Prout At The Royal Academy. He Was Apprenticed To The Engraver Charles Pye, But Left Him After Only A Year To Concentrate On Painting Watercolours, And When He Was 18 He Was Awarded A Silver Medal By The Society Of Arts. In 1818 He Showed With The Society Of Painters In Watercolours, (Known As The "Old Watercolour Society Or Owcs From 1831) For First Time. He Was To Contribute To Its Exhibitions For The Rest Of His Life. He Was Elected An Associate Of The Society In 1820 And A Full Member In 1821. In 1843 He Took Up Oil Painting, And Exhibited Many Landscapes In That Medium At The Royal Academy. In 1847 He Resigned His Membership Of The Owcs , Hoping To Be Elected A Member Of The Academy; But, After Nine Years Without Success, He Withdrew His Candidature, And Was Re-Elected To The Owcs. From An Early On In His Career Harding Was A Successful And Popular Teacher. When Lithography Became Popular In Britain, He Quickly Adopted It As A Means Of Reproducing Good Examples For The Use Of Pupils And Students. His First Productions Were Drawing-Books, Consisting Of Pencil Sketches And Studies Of Trees; They Were Printed In Tints With Two Stones, Allowing The Reproduction Of More Elaborate Drawings. His Sketches At Home And Abroad, A Series Of Fifty Plates Using This Method, Was Published In 1836. In 1841 He Published The Park And The Forest, A Set Of Sketches Drawn On The Stone With A Brush Instead Of The Crayon, A Technique Of His Own Invention Which He Called "Lithotint". His Other Lithographic Works Included A Series Of Subjects From The Works Of R. P. Bonington (1829-30); Recollections Of India (1847, From Drawings By C. S. Hardinge) And Picturesque Selections (1861). In 1830, Harding Exhibited A Series Of Italian Views Sketched On Papers Of Various Colours And Textures, The Syyle Of Which Was Widely Imitated. His Use Of Opaque Body Colourin Watercolour, Following The Example Set By J.M.W. Turner Also Proved Influential. His Drawings Were Praised By John Ruskin In Modern Painters. From The 1830S A Range Of Papers Was Produced Under The Name Of "Jdh Pure Drawing Paper", Initially For Winsor And Newton. The Papers, Which Proved Popular Amongst Both Amateur And Professional Artists, And Which Harding Used Himself, Were Produced In White, And In Shades Of Cream, Buff And Grey Until Around 1910. Winsor And Newton Also Produced Pencils Under Harding's Name. Harding Was Also A Prolific Author Of Art Manuals.

No Binding. Condizione: Very Good. 1st Edition. Original Engraving,9 3/8" X 6 7/8". Some Foxing In Decorated Margins. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. William Tombleson (1795 - C. 1846) Was An English Topographical And Architectural Artist, Illustrator, Copper And Steel Engraver, Writer And Printmaker, Based In London. In The 1830'S, His Topographical Drawings Of The Upper And Middle River Rhine In Germany, And Of The Rivers Thames And Medway In England Were Published As Engraved Prints And Books. For Volume 1 Of "Views Of The Rhine Etc." He Provided 69 Illustrations - The Book Was Also Published In French And German Editions. Engravers Who Worked On Tombleson's Drawings Included Thomas Clark, John Cleghorn, T. Cox, R. Harris, W. Hood, J. Howe, W. Lacey, O. Smith, Shenfield, J. Stokes, D. Thompson, W. Tombleson, W. Watts, R. Wilson, H. Winkles And Others. Enry Winkles (1801-1860) Was An English Architectural Illustrator, Engraver And Printer, Who, Together With Karl Ludwig Frommel Founded The First Studio For Steel Engraving In Germany. In 1836, With Benjamin Winkles, He Produced And Helped To Engrave Three Volumes Of "Winkles's Architectural And Picturesque Illustrations Of The Cathedral Churches Of England And Wales". This Featured Illustrators Such As Hablot Knight Browne (The Famous "Phiz" Of Charles Dickens Fame) And Architect Robert Garland (1808-1863), With Text (And Some Engraving) By Thomas Moule. These Books Helped To Inspire The 19Th Century Gothic Revival In Architecture In Britain.

No Binding. Condizione: Near Fine. 1st Edition. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Charles Theodosius Heath (1 March 1785 - 18 November 1848) Was An English Engraver, Currency And Stamp Printer, Book Publisher And Illustrator. Heath Was The Illegitimate Son Of James Heath, A Successful Engraver Who Enjoyed The Patronage Of King George Iii And Successive Monarchs. He Received His First Training In The Art From His Father And His First Known Etching Dates From When He Was Six Years Old. It Was From His Father That He Learnt How To Produce Small Plates Suitable For Book Illustration. Early In Life He Became A Fellow Of The Society Of British Artists, And Contributed For Some Years To Their Exhibitions. An Entrepreneur Who First Mass-Produced Steel Engravings In Britain For The Purpose Of Illustration, He Was A Driving Force Behind, And Contributor To, The New Genre Of The Literary Annual. His Business Ventures Were The First English Publications (And Currency, Stamps, Etc.) To Use The New Method Of Steel Etching Printing Patented By Jacob Perkins. Charles Heath Established His Own Literary Annual, The Keepsake, In 1827, And Tried To Persuade Sir Walter Scott To Become Its Editor. His Productions Were Very Successful, But He Often Had Difficulty Managing His Finances, And In The 1840S He Had To Sell Much Of His Stock To Stay Afloat. Heath Owned A Large Studio, And A Great Deal Of The Work Signed "Heath" Is Not Actually By Him; Nevertheless He Was Very Prolific. He Was Related By Marriage To Henry Corbould, With Whom He Also Had A Business Relationship. Charles Heath (As Engraver), George Heath (Financial-Backer And Half-Brother) And Henry Corbould (Designer) Printed Money And Various Stamps For Multiple Governments. Heath's Published Books Are Still Being Reprinted Today. Heath Married His Cousin Elizabeth Petch. Two Of Heath's Sons, Frederick (1810-1878) And Alfred (1812-1896), Were Engravers And One, Henry Charles Heath (1829-1898), Was A Miniature Painter Who Portrayed Queen Victoria And Other Members Of The Royal Family.[2] Among Heath's Pupils Were George Thomas Doo (1800-1886), William Henry Mote (1803-1871), And James Henry Watt (1799-1867). Charles Heath Believed That Custom Entitled Engravers To Make And Keep A Limited Number Of Impressions Of Their Work. When He Was Sued By The Publisher, John Murray, In 1826, As A Result Of Having Made And Kept Such Impressions, He Relied On That Supposed Custom, But, In 1830, A Jury Denied Its Existence. Then, In 1831, The Judges Of The Court Of King's Bench Held That His Conduct Had Been Unlawful At Common Law, Though Not A Breach Of The Prints Copyright Act 1777. The Government Disapproved When The Same Concept Was Applied To Stamps, And Punished The Company Perkins Bacon By Stopping Their Printing Of The Stamps Briefly. Charles Heath Had Encouraged Jacob Perkins To Come To England And Co-Founded An English Company With Him; The Company Name Was Changed When Joshua Butters Bacon Bought Out The Heath Interest In The Company.

No Binding. Condizione: Near Fine. 1st Edition. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Henry Meyer (12 June 1780 - 28 May 1847)[1] Was An English Portrait Painter, More Known As A Stipple And Mezzotint Engraver. His First Published Engravings Appeared In The Early 19Th Century Attributed To J. H. Meyer, He Later Dropped The J And Most Of His Works Were Published Under The Name Henry Meyer Or H. Meyer. In The Ensuing Years He Showed His Skill At Portraits And Decorative Subjects. He Produced Engravings Of Such Notables As Lady Hamilton, Admiral Nelson, Sir John Nicholl, Lord Hawkesbury, Lord Byron, And Giuseppe Ambrogetti. His Painting Of Charles Lamb Was Hung In The India Office For Many Years. He Was A Founding Member Of The Society Of British Artists, Exhibiting Many Of His Works With This Association Between 1824 And 1830, And Acting As Its President In 1828/9.

No Binding. Condizione: Near Fine. 1st Edition. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Anker Smith (1759-1819) Was An English Line Engraver.In 1787 Smith Found His First Independent Employment With John Bell, For Whose Series Of British Poets He Engraved Many Of The Illustrations. Through His Relative John Hoole He Became Known To John Boydell, Who Commissioned Him To Engrave James Northcote's Picture Death Of Wat Tyler; The Print Was Published In 1796, And Earned For Him Election As An Associate Of The Royal Academy In The Following Year. In 1798 Smith Executed A Large Plate From Leonardo Da Vinci's Cartoon Of The Holy Family In The Possession Of The Academy. For The Rest Of His Life Smith Worked On Illustrations To Fine Editions Of Standard Works, Such As: Thomas Macklin's Bible, 1800; Boydell's "Shakespeare" (The Smaller Series), 1802; George Kearsley's "Shakespeare", 1806; Robert Bowyer's Edition Of David Hume's History Of England, 1806; And John Sharpe's British Classics. He Engraved Many Of Robert Smirke's Designs For The Arabian Nights, 1802; Gil Blas, 1809; And Don Quixote, 1818; And Was One Of The Artists Employed On The Official Publication Ancient Marbles In The British Museum.

No Binding. Condizione: Near Fine. 1st Edition. Original Engraving, Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Thomas Ryder (1746-1810), Engraver, Was A Pupil Of James Basire, And During His Apprenticeship Established Drawings With The Society Of Artists In 1766 And 1767. He Was Also One Of The First Students In The Schools Of The Royal Academy.

No Binding. Condizione: Near Fine. 1st Edition. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Richard Corbould (1757 In London - 1831 In London) Was An English Artist, Sometimes Misspelled "Corbold" . He Was A Painter, In Oil And Watercolor, Of Portraits, Landscape, And Occasionally History; Of Porcelain, And Miniatures On Ivory, And Enamels; And Was Furthermore An Important Illustrator Of Books Renowned For His Napoleonic Sketches Of Ships, And A Follower Of The Old Masters. From 1777 To 1811 He Was A Constant Contributor To The Royal Academy.

No Binding. Condizione: Very Good. No Jacket. undated sketch in ink of the unicorn above the gateway at Kew Gardens. Sheet measures 14 4/5" x 11". Anonymous but in a good hand and undated , although we think probably late 1950's or early 1960's.

A 17th century coaching inn. In a bevelled ivory mount. Mount window size: 108 x 143mm, mount overall: 225 x 260mm. In good condition. 22.3 x 26 cm.

No Binding. Condizione: Very Good. A splendid original antique copy of a pen and pencil drawing printed in 1861. Mounted - matted - and ready to frame. Very good condition and rather scarce . Shows the ground plan of Deerhurst Church from Norman times.

No Binding. Condizione: Near Fine. Original Artwork. 9 7/8" X 7 7/8" Signed By The Artist And Dated In 1955. 1 1/4" Closed Tear At Right Edge.

No Binding. Condizione: Very Good. 2nd Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.

No Binding. Condizione: Near Fine. 1st Edition. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. William Bernard Cooke (1778 - 1855), Was An English Line Engraver. Cooke Was Born In London In 1778. He Was The Elder Brother Of George Cooke (1781-1834), And Became A Pupil Of William Angus (1752-1821), The Engraver Of The "Seats Of The Nobility And Gentry In Great Britain And Wales". After The Termination Of His Apprenticeship He Obtained Employment Upon The Plates For Brewer's "Beauties Of England And Wales", And Then Undertook The Publication Of "The Thames" Which Was Completed In 1811, And For Which He Engraved Almost All The Plates After Samuel Owen. His Most Important Work Was The "Picturesque Views On The Southern Coast Of England", Chiefly From Drawings By Turner, Which He Produced Between 1814 And 1826, Conjointly With His Brother, George Cooke, And For Which He Executed No Less Than Twenty-Two Plates, Besides Many Vignettes.